One comic number in the stage show, "The Birds and the Bees" (music by Sigmund Romberg, lyrics by Dorothy Fields), concerning the facts of life, was deemed too suggestive for filming by the Production Code administrators. In addition, Code guidelines would not permit the Boss Tweed character to sing as he attempted to seduce Rosie Moore, so the filmed "Currier and Ives" ballet was presented instrumentally, absent the vocal contribution by Boss Tweed. See more »
As far as I know, this was the last time Deanna Durbin stood before the cameras (even though For The Love of Mary was released some months later, having been shelved for a while). She has gained a few extra pounds, but her voice has also gained weight: the one short operatic excerpt proves that she was becoming a proper soprano with rich, full, operatic voice. It's a pity she doesn't sing more in this film, and also a great pity she didn't pursue career in opera as she quit movies.
Why Universal didn't shoot this in full color and why they cast Dick Haynes, are beyond me. This shouldn't have been a project to save money with, but to spend spend spend! It's very well written and just plain interesting. The story runs smoothly and is quite multidimensional - you can understand most of the characters and their motives, and even the smooth villain becomes rather sympathetic once he explains his views on life to Deanna whom he really seems to cherish. But then again, Vincent Price is at his very best here, sexy and handsome as the Devil, and their scenes with Durbin are really sizzling, so one might turn a blind eye to his evil nature and be lulled into sleep by his silky voice and seductive manners. With Dick Haynes the things get to a halt - he's obviously miscast and seems rather uncomfortable. There's no electricity between him and Deanna.
This film would work well even as a straight picture. The musical numbers are only a few and even though not very memorable, they blend in well with the action. Not at all a bad pastime for Durbin / Price fans.
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