Up in Central Park (1948)

 |  Comedy, Musical  |  July 1948 (USA)
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Ratings: 5.9/10 from 138 users  
Reviews: 7 user | 3 critic

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.



(based on the musical play "Up in Central Park" by), (based on the musical play "Up in Central Park" by), 2 more credits »
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Complete credited cast:
Rosie Moore
Dick Haymes ...
John Matthews
Albert Sharpe ...
Timothy Moore
Tom Powers ...
Hobart Cavanaugh ...
Mayor Oakley
Thurston Hall ...
Governor Motley
Myron Schultz
Mary Field ...
Miss Murch
Tom Pedi ...
Moroni Olsen ...
William Skipper ...
Nellie Fisher ...
Dancer (as Nelle Fisher)


A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

Plot Summary | Add Synopsis


Comedy | Musical


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Release Date:

July 1948 (USA)  »

Also Known As:

O Tirano da Cidade  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Of Deanna Durbin's 21 Universal features released between 1936 and 1948, only two films, this one plus her next and last, For the Love of Mary (1948), were box-office disappointments. See more »


Pace, Pace Mio Dio
from the opera "La Forza del Destino"
Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Sung by Deanna Durbin
See more »

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User Reviews

Performers and screenplay are first rate, but physical production shows a very limited budget
3 October 2005 | by (United States) – See all my reviews

Durbin and Price are in top form; both are charming, and hit just the right light note in their acting style. Dick Haymes sings very well, but lacks charisma and spark as an actor. The actor playing Durbin's Irish father is strictly from the Barry Fitzgerald school of ersatz Blarney.

Contrary to what another reviewer said, this 100% soundstange shot film shows all to clearly that Universal didn't spend much money on it. Sets are unusually limited in scope for a musical. One example: In one number immigrant Durbin on the deck of a boat coming to America sings about the new countries glories. Not only is the boat deck tiny with the only backdrop a painted sky, but there is not one shot showing what she is singing about, what is supposedly inspiriting her song.

The plot and characters are hardly realistic, but work just fine for a musical. The dialog is well written, better than in the majority of musicals of this era.

The music, what there is of it, has big, well written orchestrations, and the fidelity is excellent on the VHS tape. Johnny Green is credited as composer- music director, and I believe he was head of MGM's music department at the time, so I suspect Universal farmed out musical duties to MGM (L.B. Mayor was father in law to Universal's chief). If so, it was a good decision.

As was standard practice in this era, only a few of the songs written for the stage show on which the film was based made it to the film. The glaring omission is "We'll Be Close As Pages In A Book", which I believe is the only song from the theater production to become popular and have a life outside of the show. It's not in the film, but is very prominently featured in the instrumental title music and is the music which closes the film. Makes me suspect they filmed the song, but cut it before the film was released.

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