A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
A Bedouin princess returns to Bagdad after being educated in England, only to find that her father has been treacherously murdered by the head of the Black Robes, a group of renegades. She ... See full summary »
In this light and lovely romantic musical, a Hungarian woman(Deanna Durbin) attends a Viennese fair and buys a card from a gypsy fortune teller. It says that she will meet someone important... See full summary »
A group of adventurers head deep into a South American jungle in search of ancient Incan treasure. A beautiful woman, brought to their camp by hired bearers, has come to join her husband, a... See full summary »
Douglas Fairbanks Jr.,
In its initial Broadway run of 504 performances, the stage show appeared in two houses: playing the New Century Theatre between January 27 and June 10, 1945; then continuing at the Broadway Theatre between June 11, 1945 and April 13, 1946. The musical was revived in a limited engagement at City Center between May 19 and May 31, 1947. See more »
Not a bad film, in fact quite good, just a little underwhelming at the same time. It has a lot of things to like, there are a lot of omissions(We'll be close as Pages in a Book- though it's used as a cue at the end- and Fireman's Bride being the glaring omissions) but the music is still absolutely beautiful, the sprightly Oh Say, Can You See standing out. Pace, Pace Mio Dio from La Forza Del Destino is beautifully sung and is one of Verdi's best but most difficult soprano arias. The script is delightfully witty, and the story while not the most exceptional in the world is compelling. The choreography and dancing is professional and danced with elegance. In terms of scenes, Durbin's and Price's scenes are a joy but the highlight is the great Currier and Ives ballet. Deanna Durbin is just radiant and brings girlish naiveté to good effect, she's in great voice too, love the richness. Vincent Price is perfectly cast, while he's at his best in the menacing yet sympathetic roles he'd take on later it's easy to love how suave, handsome, smarmy and charismatic he is. Albert Sharpe is also good. Other than the omissions of some of the best songs of Up in Central Park or reducing them to musical cues, the scant length and Dick Haymes' at times likable but stiff performance(he does have a nice voice though and in all fairness his material is not as juicy as Durbin's and Price's), it's in the production values where Up in Central Park falls down most on. The costumes are fine, but the sets are rather stuffy and the use of locations are far too restricted, any opportunities of seeing the locations properly are not used to full effect and the likes of the zoo and carousel are only seen in as much as a few shots. In conclusion, a pleasant film and a good vehicle for Durbin(essentially what it was billed as)- though Price comes extremely close to stealing the show from under her- but at the same time it's disappointing. 6/10 Bethany Cox
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