Gilbert de Quincey is an early 19th-century adventurer involved with helping runaway slave girls and victims of a tong war in San Francisco. Garbed in black from head to toe, de Quincey ... See full summary »
Dashing reporter Vincent Bullit has just returned from covering the Spanish Civil War. His boss, newspaper magnate Fullerton, has more plans to send him off to China. However, first ... See full summary »
When a vacationing couple in Tangiers run into an old friend there, they discover that he is searching for his missing girlfriend who has been kidnapped by an international gang of white ... See full summary »
Highly fictionalized early history of Canada. Trapper/explorer Radisson imagines an empire around Hudson's Bay. He befriends the Indians, fights the French, and convinces King Charles II to sponsor an expedition of conquest.
As reported by A.H. Weiler in the October 20, 1946 edition of The New York Times, William Dozier, vice president and associate head of production at Universal International, noted that Fred Astaire was, in Mr. Dozier's words, "intelligent and creative as the dickens and we think he could and would be the right man" to direct this film. Mr. Astaire turned down the offer. See more »
As far as I know, this was the last time Deanna Durbin stood before the cameras (even though For The Love of Mary was released some months later, having been shelved for a while). She has gained a few extra pounds, but her voice has also gained weight: the one short operatic excerpt proves that she was becoming a proper soprano with rich, full, operatic voice. It's a pity she doesn't sing more in this film, and also a great pity she didn't pursue career in opera as she quit movies.
Why Universal didn't shoot this in full color and why they cast Dick Haynes, are beyond me. This shouldn't have been a project to save money with, but to spend spend spend! It's very well written and just plain interesting. The story runs smoothly and is quite multidimensional - you can understand most of the characters and their motives, and even the smooth villain becomes rather sympathetic once he explains his views on life to Deanna whom he really seems to cherish. But then again, Vincent Price is at his very best here, sexy and handsome as the Devil, and their scenes with Durbin are really sizzling, so one might turn a blind eye to his evil nature and be lulled into sleep by his silky voice and seductive manners. With Dick Haynes the things get to a halt - he's obviously miscast and seems rather uncomfortable. There's no electricity between him and Deanna.
This film would work well even as a straight picture. The musical numbers are only a few and even though not very memorable, they blend in well with the action. Not at all a bad pastime for Durbin / Price fans.
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