Dedee is a prostitute, working in Monsieur Rene's night club on Antwerp's harbour. The porter is Marco, her pimp. Dedee is not happy, until she meets Francesco, an italian sailorman. They ... See full summary »
The action is situated in Colombia on April 9, 1948, date in which took place the famous "Bogotazo". It is a story of love frustrated by political circumstances. Laura, a spinster ... See full summary »
Jaime Osorio Gómez
María Cristina Gálvez,
Aroused citizens assassinate an unpopular Caribbean despot, then two men vie for his gorgeous widow Ines. Ojeda is a steamy, isolated island, the penal colony for an oppressive dictatorship... See full summary »
A young woman in a deep depression leaves her husband and returns to her parents. She discovers her father is having an affair, becomes jealous of his mistress and tries to turn his feelings in her direction.
A Roman Consul, on his way to fight a border war, stations a garrison of soldiers in a provincial town. The townspeople aren't happy with this situation but decide it's in their best ... See full summary »
After having spent all his money to fullfill the smallest wish of his wife Dora, Robert is still madly in love with her. Now, she is at agony, and her mother comes. She will reveal to ... See full summary »
A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a ... See full summary »
Dalila Di Lazzaro,
The text we read at the beginning indicates the direction of the film; we are asked to sympathize with and not to condemn the orphans and abandoned children brought up in state-run facilities. We are told that these children often grew up to become the "elite" of society. The Gabin character in Carne's Le jour se leve also grew up on the "assistance publique," but he is a fighter for justice, unlike the passive, tormented Pierre. Yves Allegret has filmed Gerard Philipe as a sort of Christ-figure walking through the muddy streets of this third-rate resort town. There is a scene with Madeleine Robinson cuddling Philipe that is very much like the Pieta.
Jean Servais as the slimy Fred has some effective scenes; he reminds us of Jules Berry driving Gabin to murder in Le jour. If the script had focussed more on the conflict between Pierre, the killer of the club singer and Fred, the dead woman's old boyfriend, instead of devoting reams of script pages to the social and political aspects of homeless children (no matter how moving their plight may be) the noir tradition would have been much better served.
I'll finish by praising the actors: Servais is great, Jane Marken as the proprietress of the hotel is a model of petit-bourgeois intolerance, Carette's salesman is boring and right. Only Gerard Philipe fails to give a rounded performance because the script won't let him.
10 of 15 people found this review helpful.
Was this review helpful to you?