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Directed by | |||
| John Huston | |||
Writing credits | ||
| John Huston | (screen play) | |
| B. Traven | (based on the novel by) | |
Produced by | |||
| Henry Blanke | .... | producer | |
| Jack L. Warner | .... | executive producer | |
Original Music by | |||
| Max Steiner | |||
Cinematography by | |||
| Ted D. McCord | (director of photography) (as Ted McCord) | ||
Film Editing by | |||
| Owen Marks | |||
Art Direction by | |||
| John Hughes | |||
Set Decoration by | |||
| Fred M. MacLean | |||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
| Betty Delmont | .... | hair stylist (uncredited) | |
| Frank McCoy | .... | makeup artist (uncredited) | |
| Monty Westmore | .... | makeup artist (uncredited) | |
Production Management | |||
| Don Alvarado | .... | production manager (uncredited) | |
| Don Alvarado | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Richard Maybery | .... | assistant director (uncredited) | |
| John Prettyman | .... | assistant director (uncredited) | |
Art Department | |||
| Bob Bono | .... | props (uncredited) | |
| Frank Durlauf | .... | assistant art director (uncredited) | |
| Ed Romero | .... | painter (uncredited) | |
| George Sweeney | .... | props (uncredited) | |
Sound Department | |||
| Robert B. Lee | .... | sound | |
| Rafael Ruiz Esparza | .... | sound (uncredited) | |
| Edward Ullman | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Hans F. Koenekamp | .... | special effects (as H.F. Koenekamp) | |
| William C. McGann | .... | special effects director (as William McGann) | |
| Eddie Craven | .... | special effects (uncredited) | |
Stunts | |||
| Harvey Parry | .... | stunts (uncredited) | |
| David Sharpe | .... | stunt double: Tim Holt (uncredited) | |
Camera and Electrical Department | |||
| Dave Brodie | .... | assistant camera (uncredited) | |
| William Classen | .... | grip (uncredited) | |
| Ellsworth Fredericks | .... | camera operator (uncredited) | |
| Burdette Hoke | .... | best boy (uncredited) | |
| Mac Julian | .... | still photographer (uncredited) | |
| Clair Sealey | .... | gaffer (uncredited) | |
| Jorge Stahl Jr. | .... | photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Robert O'Dell | .... | wardrobe (uncredited) | |
| Ted Schultz | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Fred E. Farrell | .... | assistant editor (uncredited) | |
Music Department | |||
| Murray Cutter | .... | orchestral arrangements | |
| Leo F. Forbstein | .... | musical director | |
| Jack Dumont | .... | musician (uncredited) | |
| Max Steiner | .... | conductor (uncredited) | |
Other crew | |||
| Antonio Arriaga | .... | technical advisor | |
| Ernesto A. Romero | .... | technical advisor | |
| Fred Applegate | .... | script supervisor (uncredited) | |
| Jaime Contreras | .... | production assistant (uncredited) | |
| Luis Sánchez | .... | production chief (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb USA section |
Some movies have certain scenes in them that hold the viewers interest more than others. However every single scene in this film holds the viewers interest. There is never a dull or lagging moment. Three down and outers who at one time in their lives were maybe up and comers strike out in search of a fortune or at least enough to live better than they have been.
While Humphrey Bogart gives a superb performance it is Walter Huston who turns in the greatest performance as the old prospector Howard. The scene in the Indian village where he helps to restore a comatose child is one of the most touching in all of film history and is done virtually without any dialog. Mexican character actor Alfonso Bedoya of course steals all the scenes he appears in and delivers his classic "Stinking Badges" line. (what person would dress up as a Bandito for a costume party and not want to look exactly like Bedoya's Gold Hat character?) This film probably should have been a little higher on AFI's top 100. A must see!