Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by
Jim Beaver <firstname.lastname@example.org>
John Huston and Humphrey Bogart played a prank on Alfonso Bedoya. The actor seemed to have a hollow leg when it came time for meals, gorging himself at every occasion with the food that Warner Bros. provided for the cast and crew. Bedoya took his meals very seriously, always being first when it came time to eat. Huston and Bogart took notice of this and decided to fix Bedoya by affixing strong glue to his saddled and stationary stuffed horse. Just before the lunch bell rang, Huston called Bedoya over to shoot some close-up takes. He hopped into the saddle, Huston shot a few scenes, and dinner was called. Everyone but Bedoya hit the food spread. Bedoya struggled to get off the horse but was held firmly in place by the glue. Bedoya's subsequent barrage of frantic sobbing and caterwauling so annoyed Huston that he soon ordered Bedoya's pants cut away from the saddle and the actor rushed off to stuff his face. See more »
When Gold Hat slashes at Dobbs with his machete at the waterhole, the exact scene is repeated. This editing error is explained in the Trivia section. See more »
Say buddy, will you stake a fellow Am...
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Although John Huston's directing is absolutely equal to the screenplay, winning Oscars for both, it is the performance level of the actors that makes "Treasure of The Sierra Madre" the classic film that it is. Beginning and ending with Walter Huston's award winning role of the worn-out old miner who is looking for one last big score, Humphrey Bogart and Tim Holt are equal to the task and draw us in to this tale of need and greed. So convincing is Walter's portrayal of the seasoned old prospector, we come to believe that he is a gold digger by trade who only acts in movies so that he can dig and pan for gold again and again. His knowledge of mining and the lifestyle it demands and forces upon those who partake, is so thorough that Bogart and Holt seem like school kids in awe of a new hero. Of course, we know that his son John, did much research in preparation for writing the screenplay; but we are nevertheless plunged into a sure belief that this old miner must surely have been there age upon age, mine upon mine, and has therefore, a thousand tales to tell.
When, in the course of the story, Walter is taken away, somewhat without choice, to work the magic of a healer for a Mexican village, we are again convinced that he is a medical doctor hiding out as a prospector. This is the acting craft in full bloom. Walter becomes whatever is called for in the story. However, if one views his other films, the effect is the same. He is one of Hollywood's most under rated actors of all time. Those who have not seen this film have a joyous experience awaiting them. Great story, great screenplay, great acting. This is why we love movies the way we do.
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