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When Boston Blackie's private detective friend Joe Kenyon is killed in an auto crash under suspicious circumstances, Blackie makes an offer to Mrs. Kenyon to take his place as a guard at a party given by the wealthy Mrs. Carter, who owns one of the world's most expensive pearl necklaces. His friend Runt goes along also. The necklace disappears while Mrs. Carter, accompanied by her dancing instructor Igor Borio, entertains her guests. Inspector Farraday is called in and finds (not to his great surprise as Blackie is always his first suspect) the pearls in Blackie's pocket. Blackie and the Runt make a hasty exit. Searching the apartment of Mrs. Carter's niece Doris Bradley, Blackie finds the pearls again, hidden in the lining of a coat belonging to Doris' friend Joan Howell who had been at the party and is in love with Borio. Investigating Borio, Blackie learns that the dancer's secretary, Sandra Doray, was connected with a jewel robbery in the south. He sets a trap for them, only to ... Written by
Les Adams <email@example.com>
Blackie wears various disguises and dances his way through this one
Much as I like Chester Morris and the Boston Blackie series, when you see these films in close proximity to one another, the formula becomes a little bit of a bore.
Blackie (Morris) and The Runt (George E. Stone) are given the assignment of guarding a woman who is wearing her very expensive pearls at a party. Guess what. They're stolen and Inspector Farraday (Richard Lane) and company blame Blackie. So he has to clear himself by finding them.
There were some cute scenes in this film, the best when Blackie with a mustache goes to a dance school to take lessons. He's hilarious, talking about from the time he was so high - no, this high, he's wanted to dance. "I'm a bird in a cage," he says. "Dancing will release me." June Vincent is a beautiful blonde who gives the film some real class - she really should have had a better career in films. She never moved up from the Bs. She moved into television in the '50s and did very well.
I never understand how Farraday can't see right through all those disguises, but I guess you have to go along with the illusion of film.
Morris gives the film a light, relaxed touch, and thank goodness because he keeps these movies going. This particular film is okay, worth seeing for Blackie trying to infiltrate his way into the dance studio and for seeing them pose as husband and wife - a riot.
This was George E. Stone's last appearance as The Runt.
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