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Three for Breakfast (1948)

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Donald Duck gets into a lot of trouble while he's cooking pancakes for breakfast - Chip and Dale are up to their mischief. Donald tries a number of plans to get rid of them, but they repeatedly foil Donald's plans.

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Title: Three for Breakfast (1948)

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Cast

Credited cast:
Dessie Flynn ...
Dale (voice)
James MacDonald ...
Chip (voice)
Clarence Nash ...
Donald Duck (voice)
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Storyline

Donald Duck gets into a lot of trouble while he's cooking pancakes for breakfast - Chip and Dale are up to their mischief. Donald tries a number of plans to get rid of them, but they repeatedly foil Donald's plans.

Plot Summary | Add Synopsis

Plot Keywords:

duck | breakfast | pancake | 1940s | chipmunk | See more »


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Details

Country:

Language:

Release Date:

5 November 1948 (USA)  »

Also Known As:

Aamiainen kolmelle  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although this wasn't the last Chip and Dale cartoon, Dale looks clearly 'older', with fewer teeth and more pronounced jowls. Compare his appearance with the earlier shorts. See more »

Connections

Featured in Ink & Paint Club: Chip 'N Dale (1997) See more »

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User Reviews

 
Three's A Crowd
24 May 2003 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney DONALD DUCK Cartoon.

It becomes THREE FOR BREAKFAST when Chip 'n' Dale arrive in Donald's kitchen and begin to steal his morning pancakes.

This early encounter between the Duck and the Chipmunks would fairly well establish the formula for most of their films: the little thieves want something Donald has and they generally get it by the end of the cartoon. That having been said, this is a humorous encounter and Donald's pancakes do look enticing, so perhaps the pint-sized bandits have some excuse. Clarence Nash provides Donald with his unique voice; the Chipmunks are largely unintelligible.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.


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