It's Tess' graduation day from "Miss Drakes School for Girls". During the choir's performance at the ceremony, Tess notices that her beautiful, divorcee mother, Louise Rayton Morgan isn't ...
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It's Tess' graduation day from "Miss Drakes School for Girls". During the choir's performance at the ceremony, Tess notices that her beautiful, divorcee mother, Louise Rayton Morgan isn't there. Louise, an editor for Modern Design Publication, is lying in Dr. Cannon's office from fainting due to being over-worked and stressed-out. At home after the graduation ceremony, Dr. Cannon has a talk with Louise's three daughters, Tess, Ilka and Alix. He tells them that their mother needs a vacation badly, but, the only way she can relax is if she goes without the girls. The girls agree, but, Louise is reluctant, but goes. The girls see their mother off on her one month Cuban cruise. When the girls get home they discuss their mother, and believe if they bring their father back home it will make their mom happy and healthy again. In reality, Louise has kept the truth about their father from them. Their father was actually a very uncaring man, who left them and left Louise to raise the girls on ... Written by
This film was initially telecast in Philadelphia Thursday 30 January 1958 on WFIL (Channel 6), followed by Los Angeles 20 March 1958 on KTTV (Channel 11); it was not aired in San Francisco until 23 June 1961 on KGO (Channel 6), and New York City televiewers had to wait until it was offered on the Late Show 8 March 1963 on WCBS (Channel 2), possibly because of sponsor's resistance to backing it based on the all powerful Catholic Church's "Morally Objectionable for All" 1948 rating (see above). At this time, color broadcasting was in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so these film showings were all still in B&W. Viewers were not offered the opportunity to see these films in their original Technicolor until several years later. See more »
Jeannette MacDonald saw the writing on the wall when she was cast as a mother in her second to last film. She had ruled the MGM lot from 1934 to 1944, but now it was time for her to go.
She sings and acts admirably in this silly, contrived family romantic comedy, but she is matched by the up and coming youngster, Jane Powell, who would, after this passing of the torch film, rule the MGM musical lot for another decade.
It's a silly film, based on a lie - MacDonald's character has never told her three daughters the truth about their uncaring father, and so she is responsible for their incomprehension of her re-marrying and so act accordingly in trying to bring their father back into their lives.
All act earnestly and it is shot in absolutely gorgeous Technicolor. Still, despite its warm intentions, it comes across as a bit twee. Why did the stupid screenwriters use Iturbi as himself. Hadn't he a private life? How could he be considered as married to this fictional woman? How much easier to simply give him a fictional character to play as they did Miss MacDonald? One of those MGM mistakes that can never be ironed out.
Iturbi does as well as a non-actor can, but his inability to play a physically and emotionally attractive character makes MacDonald's character choice of a new husband ho-hum for audiences.
Ann B. Todd is quite serious as the second daughter and Elinor Donaghue ( who later would be known coast to coast as the eldest daughter of the TV series, Father Knows Best) does well as the youngster.
It's not a bad film, it's just a competent one. Almost the last glimpse of MacDonald, still radiant and in top form at the end of her career.
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