Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Mrs Erlynne, the mother of Lady Windermere - her daughter does not know about her - wants to be introduced in society, so that she can marry Lord Augustus Lorton. Lord Windermere, who ... See full summary »
Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
André and Colette Bertier are happily married. But Mitzi, an old school chum of Colette's, resurfaces out of the blue. As her marriage is on the rocks she has no better idea than to seduce ... See full summary »
Delilah Lee is the star of husband Jeff Ames' Broadway show when she starts to suspect he has been exchanging more than contracts with the show's vampish backer. Alimony and amnesia become the order of the day.
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader... Written by
Rod Crawford <email@example.com>
If you have the opportunity to catch this one on TV (It's in American Movie Classic's library, I believe, and doesn't appear to be available on video.) and you're a fan of Ernst Lubitsch, don't expect much evidence of his famous "Touch." Herr Lubitsch died before completing very much of this production and the directing reigns were turned over to Otto Preminger. Apparently the studio felt that an artist whose ancestral origins shared to some degree those of Mr. Lubitsch was the proper person to complete this project. My own impression of the final results makes the passing of the talented Mr. Lubitsch a great misfortune for all concerned. As I watched it on a TV broadcast several years ago I stared in amazement at what seemed an extraordinarily clumsy and heavy-handed attempt to tell what is, essentially, a fairy story for adults. There are definitely elements to enjoy and Betty Grable is, as always, appealingly lovely in Technicolor and has a lively and natural presence as an actress. But Mr. Preminger's reputation, without later critically praised films, such as "Anatomy of a Murder," was not greatly enhanced by the final cut of this film.
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