Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
André and Colette Bertier are happily married. But Mitzi, an old school chum of Colette's, resurfaces out of the blue. As her marriage is on the rocks she has no better idea than to seduce ... See full summary »
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader... Written by
Rod Crawford <firstname.lastname@example.org>
If you have the opportunity to catch this one on TV (It's in American Movie Classic's library, I believe, and doesn't appear to be available on video.) and you're a fan of Ernst Lubitsch, don't expect much evidence of his famous "Touch." Herr Lubitsch died before completing very much of this production and the directing reigns were turned over to Otto Preminger. Apparently the studio felt that an artist whose ancestral origins shared to some degree those of Mr. Lubitsch was the proper person to complete this project. My own impression of the final results makes the passing of the talented Mr. Lubitsch a great misfortune for all concerned. As I watched it on a TV broadcast several years ago I stared in amazement at what seemed an extraordinarily clumsy and heavy-handed attempt to tell what is, essentially, a fairy story for adults. There are definitely elements to enjoy and Betty Grable is, as always, appealingly lovely in Technicolor and has a lively and natural presence as an actress. But Mr. Preminger's reputation, without later critically praised films, such as "Anatomy of a Murder," was not greatly enhanced by the final cut of this film.
15 of 19 people found this review helpful.
Was this review helpful to you?