Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count ... See full summary »
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years before, comes to life from a portrait to help her descendant. Complicating factor: the newlywed countess feels strangely drawn to the handsome invader... Written by
Rod Crawford <email@example.com>
Lubitsch's last film - completed by an inept Preminger - is a remake of BRIDE OF THE REGIMENT _ a 1930 all two -strip Technicolor film, starring Walter Pidgeon, Vivienne Segal and Myrna Loy - which is now lost - although the Vitaphone disc soundtrack survives at UCLA.
This was in turn derived from a stage musical entitled THE LADY IN ERMINE by Lonsdale and Wood, adapted from an operetta, DIE FRAU IM HERMELIN by Schanzer and Welisch.
It drags badly and Grable is as inept as Fairbanks is fabulous, doing all the work here, full of life and vitality, taking the Lubitsch direction perfectly. It is tired Lubitsch and rather dull and boring during most of its length, although it perks up occasionally.
Interesting more as an artifact than a film.
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