In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
Retired professor of American origin lives solitary life in luxurious palazzo in Rome He is confronted by vulgar Italian marchesa and her companions: her lover, her daughter and daughter's ... See full summary »
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin ... See full summary »
Hans is a street fruit peddler and born-loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart ... See full summary »
Rainer Werner Fassbinder
A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out film-theatres. He meets up with a depressed young man whose marriage has just broken up, and the two decide to travel together.
The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
Poor Sicilian fishers are exploited by fish wholesalers. One of the families is trying to escape them by being their own boss. But fate nobody helps them, and even fate is against them. Written by
1. This movie is likely to excruciate those who are not used to reading fast, because the images are too great to be sacrificed for subtitles. Even most of the Italian-speaking people have a hard time understanding this Sicilian accent.
2. The other reason why La terra trema is found boring by many is that reality matters much more than drama to the neorealist director Luchino Visconti. So the audience shouldn't be passive while seeing some real lives going on, that is the only way to feel engaged.
3. The most notable advantage of the movie comes to attention right here. It is touching without bending over backwards for that purpose. You can feel connected to it and at the same time wonder where all that connection comes from. (The movie does not try hard to make you feel this way) It shakes your deepest emotions simply because all it has to do with is the reality of a human society, and also with the real nature for that matter.
4.Another important point here is Visconti doesn't let the fact that he believes in Socialism affect the reality of what he is portraying. The hammer and sickle on the wall in no way seems anything other than part of a neutral report. He reminds us of those journalists who succeed in providing us with an unbiased report regarding a massively resented dictator when we are pretty sure the journalist hates the dictator as much as we do.
5. All in all this is a great picture , of course it requires active audience who know what they want to get from the almost sheer reality pictured.
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