In 1860s Mississippi, the Dabneys, founders of the Dabney plantation in Levington, experience tragedy and turmoil when they refuse to join either side of the American Civil War.

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Cast

Complete credited cast:
...
...
...
Tishomingo
...
Aven Dabney
...
Clay MacIvor
...
Hoab Dabney
...
Bruce Dabney
...
Reverend Kirkland
...
Dr. MacIntosh
Sondra Rodgers ...
Shellie Dabney
Ruby Dandridge ...
Dabby
...
Big Sam Dabney
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Storyline

Morna Dabney is engaged to soldier Clay MacIvor in the days before the War Between the States. Morna's grandfather Big Sam Dabney founded their Mississippi plantation near Levington, which thrives in the Deep South, but he remains loyal to the Union, as does his son Hoab, Morna's father. As Mississippi secedes, Hoab plans to withdraw the area around his plantation and remain neutral, and he gains support from local newspaperman Keith Alexander. Keith falls in love with Morna, whose fiancé Clay has joined the Confederate Army. Clay plans to punish the would-be neutral citizens of Levington by raiding the area, but Morna, with the help of her grandfather's Choctaw friend Tishomingo, attempts to thwart the attack. Morna sacrifices greatly to protect her home and the man she really loves. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

When she lost her lover...her sister gained one!

Genres:

Drama | War | Western

Certificate:

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Details

Country:

Language:

Release Date:

25 August 1948 (USA)  »

Also Known As:

Das Tal der Leidenschaften  »

Box Office

Budget:

$2,118,688 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Film loosely based on the true life story of Newton Knight, a farmer who tried to secede Jones County from Mississippi. See more »

Goofs

Set in 1860, dynamite (invented in the mid 1860s) is used in the film. See more »

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User Reviews

 
Not another GWTW, but OK
23 March 2001 | by (Sacramento, CA) – See all my reviews

The other comment is quite good in that I can find little with which to disagree. True, there is a weak script, but then, there were a lot of them floating around Hollywood in the late 40s. Van Heflin was one of those actors who was hard to pigeonhole. He could play villains or heros. His role in Patterns was a classic. Here, as the illegitimate son of a "powerful" individual-- we're never told who, he tries to conjure up some of the dash of Gable from years before but winds up looking like a cross between Rhet and Billy Goat Gruff. Susan Hayward's performance is weak, compared to some of her later roles, as is blustering Ward Bond. Whitfield Conner is charming, as he was in the few roles he left us but largely immemorable. And, then there was Karloff: here, out of heavy make-up as a Native American (we called them Indians back then)but still wide-eyeing it and looking mysterious. (I remember as a kid when he gets shot, the audience sighing their disapproval; but the writers snuffed him anyway). All in all, the film is not GWTW, and, in my view nor should it be. It was a bit of late 40s costume fantasy and certainly worth the $.32 I paid to see it in '48. I loved it then and loved when I saw it on the late show, years later. It's entertaining and should not be taken beyond its face value. It does not pretend to be a classic and will not be taken as such. But, I found it entertaining both as a kid and as an adult (or big kid, as my wife insists).


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