Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father ... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
A look at the spirit of New Orleans. First a funeral: Allen Toussaint explains that you arrive slow and cut up afterwards. Then it's food, with a lesson in eating crayfish at Frankie and ... See full summary »
Leonard and Anne are taking the lovers road to Dover where they will board the boat and go to Paris. But the car breaks down and Saunders takes them to a nearby hotel. When they get there, ... See full summary »
Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend ... See full summary »
Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father isn't too happy with their puppy-love, since Richard always share his revolutionary ideas with her. Written by
In the opening sequence, the groups seen listening to the off-screen high-school choir are close approximations to those seen in paintings by the ten-celebrated American painter Grant Wood, now known only for the gaunt farmer with a pitchfork and his grim-faced wife in "American Gothic." See more »
Both the man and the woman portraying the "American Gothic" couple cast shadows on the background as they step into frame, revealing the house behind them is a painted flat. See more »
Mankind was better off when lived in the Dark Ages. When everybody went around naked!
Well, maybe so. But today it might interfere with your social life.
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Musical Remake of Ah Wilderness Doesn't Get Out Of The Woods
Summer Holiday is the forgotten musical version of Eugene O'Neill's Ah Wilderness and deservedly so with the Broadway musical adaptation of Take Me Along. With the exception of the Stanley Steamer song, none of the other Harry Warren-Ralph Blane songs are worth remembering and even that one is questionable.
It was right after the release of this film that MGM let Mickey Rooney go and I don't think it was a coincidence. The film was made in 1946 and released in 1948, so Mickey was 26 playing an Andy Hardy like teenager. He was just way too old for the part of the 17 year old who was affecting radical ideas in a spirit of youthful rebellion.
Rooney made four films for MGM from 1946 to 1948, this one, Killer McCoy a remake of Robert Taylor's A Crowd Roars, Love Laughs at Andy Hardy and Words and Music. In all of them Rooney was playing an adult part. Even in the Andy Hardy film, Mickey played an adult Andy Hardy returned from World War II. Why he was in this Louis B. Mayer only knows.
Rooney's bad casting makes Summer Holiday all the worse because in the original Ah Wilderness the emphasis is on the father's character played here by Walter Huston. And in the Broadway show Take Me Along which won a Tony Award for Jackie Gleason, the Great One played the inebriated brother-in-law Uncle Sid here played by Frank Morgan and that's the central character.
Gloria DeHaven steps in for Judy Garland as Rooney's sweet and adorable girl friend and Marilyn Maxwell plays the show girl who gives Rooney an adult education. In the original play O'Neill has her as a prostitute, but this was the Hollywood of the Code so all Marilyn does is get young Rooney soused.
A lot of really talented people had a hand in this one and they do their best, but Summer Holiday fades rather quickly into a chilly autumn.
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