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Summer Holiday (1948)

 -  Musical  -  16 April 1948 (USA)
6.0
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Ratings: 6.0/10 from 309 users  
Reviews: 16 user | 4 critic

Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Muriel McComber (as Gloria De Haven)
...
...
Jackie 'Butch' Jenkins ...
Tommy Miller (as Butch Jenkins)
Marilyn Maxwell ...
...
Selena Royle ...
Michael Kirby ...
Shirley Johns ...
Hal Hackett ...
...
Elsie Rand (as Ann Francis)
John Alexander ...
Virginia Brissac ...
...
Mr. Peabody
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Storyline

Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father isn't too happy with their puppy-love, since Richard always share his revolutionary ideas with her. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Musical

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

16 April 1948 (USA)  »

Also Known As:

Ah, Wilderness!  »

Box Office

Budget:

$2,258,325 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In the opening sequence, the groups seen listening to the off-screen high-school choir are close approximations to those seen in paintings by the ten-celebrated American painter Grant Wood, now known only for the gaunt farmer with a pitchfork and his grim-faced wife in "American Gothic." See more »

Goofs

At the beginning of the "Stanley Steamer" segment Richard Miller (Mickey Rooney) lights the burner in the steamer then gets in and drives away accompanied by several explosions from under the hood. A Stanley Steamer took several minutes to develop steam and could not be driven immediately, also there was nothing under the hood but a burner and a boiler neither of which would cause explosions of the type shown. See more »

Quotes

Richard Miller: Mankind was better off when lived in the Dark Ages. When everybody went around naked!
Uncle Sid: Well, maybe so. But today it might interfere with your social life.
See more »

Connections

Version of Ah, Wilderness! (1959) See more »

Soundtracks

You're Next
(uncredited)
Music by Harry Warren
Lyrics by Ralph Blane
Performed by Marilyn Maxwell and chorus girls
See more »

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User Reviews

Unmemorable musical adaptation of AH! WILDERNESS
23 February 2004 | by (Putney, VT) – See all my reviews

It is odd that three of our endearing and enduring Broadway musicals were adaptations of plays that had previously been turned into film musicals by different writing teams. PARFUMERIE became IN THE GOOD OLD SUMMERTIME on film, before becoming SHE LOVES ME on Broadway. MY SISTER EILEEN retained its title in the Hollywood musical adaptation and became WONDERFUL TOWN on Broadway. AH! WILDERNESS was turned into SUMMER HOLIDAY on film and later became Broadways' TAKE ME ALONG.

The film of SUMMER HOLIDAY has more going for it in artistic attempts gone wrong than in actual achievement. Rhyming dialogue flows into song and out of it (ala Rodgers and Hammerstein)quite frequently. The colors are lovely

  • the opening number -OUR HOME TOWN - owes a great deal to R&H's OUR STATE


FAIR opening in their Fox film released two years earlier.

What is the problem? Nothing much happens for 90 minutes. We don't particularly care about any of the characters- whether Sid stops drinking, whether Richard and Muriel get together or not - whether Lily gets Sid. The Broadway vehicle by Bob Merrill is much better written - we care very much about Sid, Lily and Richard - and the songs are exceptionally well written.

Here all the songs are duds - there are eight of them - not to mention four more that wound up on the cutting room floor and two that were written for the film and not used. That's nearly half the originally conceived score tossed out. What remains does not reveal character or move the plot along and are musically quite mediocre.

It's a colorful and nostalgic romp - MGM was probably hoping for a success similar to the one they had achieved with MEET ME IN ST. LOUIS - also plotless but bubbling over with personality and unforgettable songs.

Mamoulian's direction here is tired and uninspired. Only worth catching if you are a fan of any of the players.


10 of 17 people found this review helpful.  Was this review helpful to you?

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