Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father ... See full summary »
In Philadelphia, the soprano Prudence Budell returns from Europe after a period of five years training in the best Europeans music schools. Her millionaire grandmother Abigail Trent Budell ... See full summary »
Television viewer seeing this for the first time: Gee whiz, it's in black-and-white and was made in the 40's and is about crime and...Eureka!...another "noir" film is discovered. How about ... See full summary »
Vincent Van Der Lyn, a Dutch freedom fighter in WWII, is forced to neutral Lisbon to escape the Nazis. There he meets a small band of underground conspirators. The group's leader, Ricardo ... See full summary »
To save his job, newsman Jeff Sherman offers to help his boss get out of a swingeing alimony settlement. But his devious plan to compromise Cornelia Porter, the judge on the case, while she... See full summary »
Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father isn't too happy with their puppy-love, since Richard always share his revolutionary ideas with her. Written by
In the opening sequence, the groups seen listening to the off-screen high-school choir are close approximations to those seen in paintings by the ten-celebrated American painter Grant Wood, now known only for the gaunt farmer with a pitchfork and his grim-faced wife in "American Gothic." See more »
Both the man and the woman portraying the "American Gothic" couple cast shadows on the background as they step into frame, revealing the house behind them is a painted flat. See more »
Mankind was better off when lived in the Dark Ages. When everybody went around naked!
Well, maybe so. But today it might interfere with your social life.
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Quite bland musical version of Eugene O'Neill's gentle comedy play about a family in rural America before the first world war.
MGM made the first (non-musical) version in 1935 under the play's original title, AH, WILDERNESS! That film, which stars Eric Linden, Lionel Barrymore, and Wallace Beery is superb.
Here we get Mickey Rooney (aged 28 playing a high school senior), Walter Huston, and Frank Morgan. Huston and Morgan are OK, but Morgan can't hold a candle to Beery's Uncle Sid.
The rest of the cast here is competent but all the "edge" has been taken out of the original story. Agnes Moorehead plays the old maid aunt, Selena Royle is the mother, Gloria DeHaven is the girl next door, Butch Jenkins is the kid brother (Rooney played the role in the '35 film), and John Alexander plays the blowhard neighbor.
Not helping is the bland and forgettable music score. They would have been better off using real songs from the period.
The main problem is that Rooney is simply too old for this, and his acting is pretty bad. By 1948 he was already about to end his second marriage (first was to Ava Gardner). And here he is trying to play a virginal high schooler. It gets really sticky when he rebels and meets Belle.
In this version Belle is a chorus girl rather than a prostitute. Marilyn Maxwell is a breath of fresh air as the salty, plain-talking, overly made-up woman trying to take the green kid for a few bucks ... until another guy shows up. This is a nicely lit and interesting scene as Belle is "transformed" in Rooney's eyes from the cheap chorus girl into a colorful woman of the world. Maxwell is terrific. It's a great small role; in the '35 version Helen Flint was also terrific.
Bottom line is that this is just a so-so film. It can't compare with the '35 version of the story, and it certainly doesn't come up to the MGM standard for its '40s musicals. The movie was not a box office success.
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