Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father ... See full summary »
A fabulous 60s Musical - 4 London Bus mechanics strike up a deal with London Transport. They do up a double decker London Bus, drive it around Europe as a hotel and if they make it they ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Opera singer Chivo is currently playing a singing cowboy, and Mexican bandito Braganza kidnaps him (along with Jane, an heiress) so he can learn to become more like the American movie gangsters he admires.
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
Expected to follow his opera star father into the business, but discontent with his life; a young man pursues a career in popular music and romances the aquatic-ballet dancer he met during his time in the service.
Danville, Connecticut at the turn of the century. Young Richard Miller lives in a middle-class neighborhood with his family. He is in love with the girl next-door, Muriel, but her father isn't too happy with their puppy-love, since Richard always share his revolutionary ideas with her. Written by
In the opening sequence, the groups seen listening to the off-screen high-school choir are close approximations to those seen in paintings by the ten-celebrated American painter Grant Wood, now known only for the gaunt farmer with a pitchfork and his grim-faced wife in "American Gothic." See more »
At the beginning of the "Stanley Steamer" segment Richard Miller (Mickey Rooney) lights the burner in the steamer then gets in and drives away accompanied by several explosions from under the hood. A Stanley Steamer took several minutes to develop steam and could not be driven immediately, also there was nothing under the hood but a burner and a boiler neither of which would cause explosions of the type shown. See more »
Mankind was better off when lived in the Dark Ages. When everybody went around naked!
Well, maybe so. But today it might interfere with your social life.
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It is odd that three of our endearing and enduring Broadway musicals were adaptations of plays that had previously been turned into film musicals by different writing teams. PARFUMERIE became IN THE GOOD OLD SUMMERTIME on film, before becoming SHE LOVES ME on Broadway. MY SISTER EILEEN retained its title in the Hollywood musical adaptation and became WONDERFUL TOWN on Broadway. AH! WILDERNESS was turned into SUMMER HOLIDAY on film and later became Broadways' TAKE ME ALONG.
The film of SUMMER HOLIDAY has more going for it in artistic attempts gone wrong than in actual achievement. Rhyming dialogue flows into song and out of it (ala Rodgers and Hammerstein)quite frequently. The colors are lovely
the opening number -OUR HOME TOWN - owes a great deal to R&H's OUR STATE
FAIR opening in their Fox film released two years earlier.
What is the problem? Nothing much happens for 90 minutes. We don't particularly care about any of the characters- whether Sid stops drinking, whether Richard and Muriel get together or not - whether Lily gets Sid. The Broadway vehicle by Bob Merrill is much better written - we care very much about Sid, Lily and Richard - and the songs are exceptionally well written.
Here all the songs are duds - there are eight of them - not to mention four more that wound up on the cutting room floor and two that were written for the film and not used. That's nearly half the originally conceived score tossed out. What remains does not reveal character or move the plot along and are musically quite mediocre.
It's a colorful and nostalgic romp - MGM was probably hoping for a success similar to the one they had achieved with MEET ME IN ST. LOUIS - also plotless but bubbling over with personality and unforgettable songs.
Mamoulian's direction here is tired and uninspired. Only worth catching if you are a fan of any of the players.
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