When the load of newspapers is thrown on the rain-soaked street from the moving vehicle it rolls over ensuring that both sides have been exposed to the street's wetness. However the resultant cut-in shows the news headlines clean and dry with no hint of dirt or moisture.
The wall behind Ed Begley during the Danker interrogation changes from brightly lit to sharply defined shadows of prison bars and back to brightly lit again.
When Stiles is on the bed confronting "George Manley" with his police record, the position of Stiles' arms changes after a quick cut.