Young Joe is paralyzed as he is bucked by a wild horse, a strawberry roan. Angered, his father, Walt, tries to shoot the horse but is stopped by his foreman, Gene Autry. The roan escapes ... See full summary »
The mares Jim Edwards are losing is being blamed on a wild horse when it is actually his foreman Hawkins. Colonel Bownlee offers his ranch to anyone who can ride this wild palomino. Ken takes up the challenge and also seeks the real thief.
When the Texas cattle trails to Kansas are blocked, cattle buyer Gene Autry (Gene Autry) goes to Texas to investigate. There, he finds his friend, land-agent "Buckeye" Buttram (Pat Buttram)... See full summary »
Young Joe is paralyzed as he is bucked by a wild horse, a strawberry roan. Angered, his father, Walt, tries to shoot the horse but is stopped by his foreman, Gene Autry. The roan escapes and Autry, told to leave the ranch by Walt, finds and trains the horse, now named Champ, in hopes that by returning it to Joe it will provide him with the will to overcome his disability. Written by
Doug Sederberg <email@example.com>
Listen, son, if he starts riding the rails, empty the saddle like it was something hot.
Yeah, no glory riding. It's better to pull up than to reach your shadow on the ground.
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I doubt that any western, big budget or small, has photographed the superbly scenic locations of Sedona, Ariizona more beautifully than this overlooked Autry western. (Even the few outdoor sets are well done.) Columbia popped for more than usual amount of financing and definitely got their money's worth. This is an easy-going horse story, of the type so popular in the late forties, with just enough action and suspense to entertain both kids and adults. Gene has to protect Champ from a vengeful father, after Champ has disabled his son. Dick Jones does a spirited job as the likable son, showing why Autry kept up their association over the years. There are no typical bad guys or gunplay, but lots of scenic chases across the majestic spires and red-rock formations. I like the way the plot grows out of believable characters instead of the usual stereotypes. Also, the comedy relief is low-key and works nicely into the story line. Except for the lilting title tune, however, the usual musical numbers remain pretty forgettable. Too bad in our age of special-effects spectaculars that this kind of innocent Saturday afternoon fare has ridden off into the sunset. There is still a lot to be said for those gentler values.
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