Stunt driver Cliff Jordan takes a job with his old pal Jerry McGee, branch manager of an express trucking firm. Jerry is married to Mary, Cliff's former girl friend. Also working for Jerry ...
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Alex Forrester, convicted of murdering his wife, fails to gain his release after spending 10 years in a British asylum for the criminally insane. Dr. Mark Fleming, Forrester's psychiatrist,... See full summary »
The hidden life of a second-hand dealer inadvertently ensnares his son. Julius Rosselli (Dermot Walsh), whose expulsion from Oxford and subsequent participation with jewel thieves breaks ... See full summary »
In Houston, a man working as an oil driller comes up with a scheme for stealing millions of dollars worth of oil from the fields. He insinuates himself with a local mobster in order to get ... See full summary »
Stunt driver Cliff Jordan takes a job with his old pal Jerry McGee, branch manager of an express trucking firm. Jerry is married to Mary, Cliff's former girl friend. Also working for Jerry is Pete Simmons, son of the owner Al Simmons, and office secretary Jane Chandler, who is Pete's sweetheart. Before long, Cliff has made enemies of Pusher Wilks, a trucker whose run he takes over, and also Pete, whose girl he is trying to take over. Pusher sabotages Cliff's rig at every opportunity causing several near-fatal accidents. Written by
Les Adams <email@example.com>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Roaring trucks and Roscoe Karns. What's not to like?
An ex-race car driver becomes a trucker (Richard Arlen, going from "Wings" to wheels). The plot dishes up enough action to keep things interesting. Roscoe Karns steals every scene he's in, as usual, but lovely Jean Rogers isn't given enough to do. This is a good example of the taut programmer that often held your attention as much or more than the main feature. I actually saw it in its first release on the second half of a double bill at the Hollywood Theatre in Kenosha. ("Speed to Spare" also had some great posters, and I found a few posted on the Internet.) As you can see, this picture was memorable and interesting enough for me to comment on it a half-century later, and I found a VHS copy of it last year. (No, I don't recall the main feature that night.)
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