IMDb > Sorry, Wrong Number (1948)
Sorry, Wrong Number
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Sorry, Wrong Number (1948) More at IMDbPro »

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Overview

User Rating:
7.5/10   6,448 votes »
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Down 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
Lucille Fletcher (radio play)
Lucille Fletcher (screenplay)
Contact:
View company contact information for Sorry, Wrong Number on IMDbPro.
Release Date:
1 September 1948 (USA) See more »
Genre:
Tagline:
She overheard the plans for her own destruction! See more »
Plot:
Whilst on the telephone, an invalid woman overhears what she thinks is a murder plot and attempts to prevent it. Full summary » | Add synopsis »
Awards:
Nominated for Oscar. Another 2 nominations See more »
User Reviews:
Strangers In the Night See more (81 total) »

Cast

  (in credits order) (verified as complete)

Barbara Stanwyck ... Leona Stevenson

Burt Lancaster ... Henry J. Stevenson
Ann Richards ... Sally Hunt Lord

Wendell Corey ... Dr. Philip Alexander
Harold Vermilyea ... Waldo Evans

Ed Begley ... James 'J.B.' Cotterell

Leif Erickson ... Fred Lord

William Conrad ... Morano
John Bromfield ... Joe - Detective
Jimmy Hunt ... Peter Lord
Dorothy Neumann ... Elizabeth Jennings
Paul Fierro ... Harpootlian
rest of cast listed alphabetically:
Bill Cartledge ... Page Boy (uncredited)
Cliff Clark ... Police Sergeant Duffy (uncredited)

Joyce Compton ... Cotterell's Blonde Girlfriend (uncredited)
Ashley Cowan ... Clam Digger (uncredited)

Yola d'Avril ... French Maid (uncredited)
Suzanne Dalbert ... Cigarette Girl (uncredited)
Igor Dega ... Dance Team Member (uncredited)
Neal Dodd ... Minister (uncredited)
Jimmie Dundee ... Morano's Henchman (uncredited)
Mary Field ... Telephone Operator (uncredited)
Jesse Graves ... Bingo Hall Page (uncredited)
Holmes Herbert ... Wilkins (uncredited)
Louise Lorimer ... Nurse (uncredited)
Kristine Miller ... Dolly: Doctor Alexander's Girlfriend (uncredited)
William H. O'Brien ... Waiter at Wedding Reception (uncredited)
Garry Owen ... Bingo Caller (uncredited)
Grace Poggi ... Dance Team Member (uncredited)
Alexander Pollard ... Waiter (uncredited)
Albert Pollet ... Maurice - Waiter (uncredited)
Pepito Pérez ... Boat Operator (uncredited)
George Stern ... Drug Store Proprietor (uncredited)
Amzie Strickland ... Dance Team Member (uncredited)
Brick Sullivan ... Policeman at New Rochelle Train Station (uncredited)
Dorothy Vernon ... Woman in Subway (uncredited)
Tito Vuolo ... Albert, the Waiter (uncredited)

Directed by
Anatole Litvak 
 
Writing credits
(in alphabetical order)
Lucille Fletcher  radio play
Lucille Fletcher  screenplay

Produced by
Anatole Litvak .... producer
Hal B. Wallis .... producer (as Hal Wallis)
 
Original Music by
Franz Waxman 
 
Cinematography by
Sol Polito (director of photography)
 
Art Direction by
Hans Dreier 
A. Earl Hedrick  (as Earl Hedrick)
 
Set Decoration by
Sam Comer 
Bertram C. Granger  (as Bertram Granger)
 
Costume Design by
Edith Head 
 
Makeup Department
Wally Westmore .... makeup supervisor
 
Production Management
Richard Blaydon .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Richard McWhorter .... assistant director
 
Art Department
Gene Lauritzen .... construction coordinator (uncredited)
 
Sound Department
Gene Merritt .... sound recordist
Walter Oberst .... sound recordist
 
Visual Effects by
Farciot Edouart .... process photography
Gordon Jennings .... special photographic effects
 
Camera and Electrical Department
Mal Bulloch .... still photographer (uncredited)
Al Green .... camera operator (uncredited)
Fred True .... grip (uncredited)
 
Costume and Wardrobe Department
Eugene Joseff .... costume jeweller (uncredited)
 
Editorial Department
Warren Low .... editorial supervisor
 
Music Department
Sidney Cutner .... orchestrator (uncredited)
George Parrish .... orchestrator (uncredited)
Leonid Raab .... orchestrator (uncredited)
Leo Shuken .... orchestrator (uncredited)
 
Other crew
Marvin Weldon .... script supervisor (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
  • Ruser  Miss Stanwyck's jewels

Additional Details

Also Known As:
Runtime:
89 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:16 | Finland:K-16 | Netherlands:18 (re-rating) (1951) (original rating: banned) (1950) | Norway:16 (1949) | Sweden:15 | USA:Approved (PCA #12493) | West Germany:16 (nf)

Did You Know?

Trivia:
Director Litvak shot all of Stanwyck's bedridden scenes back-to-back in fourteen days.See more »
Goofs:
Revealing mistakes: Whenever camera pans out Leona's window to cityscape with moving cars, city lights, etc., smoke emitting from smokestacks never moves.See more »
Quotes:
[first lines]
Leona Stevenson:Operator! Operator! Operator!
Voice of Operator:Your call please?
Leona Stevenson:Operator, I've been ringing Murray Hill 35097 for the last half hour and the line is always busy. Will you ring it for me, please?
See more »
Movie Connections:
Version of Sorry, Wrong Number (1946) (TV)See more »
Soundtrack:
I've Got Spurs That Jingle Jangle JingleSee more »

FAQ

Is 'Sorry, Wrong Number' based on a book?
Why is Leona confined to her bed?
How much sex, violence, and profanity are in this movie?
See more »
23 out of 30 people found the following review useful.
Strangers In the Night, 23 April 2001
Author: telegonus from brighton, ma

Anatole Litvak directs the movie version of Lucille Fletcher's radio war-horse Sorry, Wrong Number was gusto and drive. The photograpy is deceptively simple at first blush, but soon evolves, giving each scene an individuality and clarity not unlike deep-focus. There's an overall feeling of gloom in this largely nocturnal movie, which is stylistically a sort of vest-pocket film noir Citizen Kane. Some of the touches border on the surreal, such as Lancaster's (among others) repeated references to his home town of Grassville, which happened at least thirty-six times and grows alternately funnier and more disturbing with each passing mention. The feel of New York in summer has seldom been so well captured in a studio-bound film, as scene upon scene appears to be enveloped in fog or cigarette smoke, and the horns of boats moving down-river or out to sea are often audible, at times suggesting, not wholly inapprpriately, the world of Eugene O'Neill and his theme of universal frustration. For all this, there is little actual movement in the film, which reflects the heroine's bed-ridden state, as scenes are acted out semi-theatrically, with characters talking to one another continuously, and whether wicked or benign seldom communicating clearly, as each little chat leaves someone more in the dark than before. The story moves, one might say, from one misinterpretation to another, until the climax, when all becomes clear, as tragedy trumps melodrama, giving the viewer a much needed jolt of reality.

Was the above review useful to you?
See more (81 total) »

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The Radio Show is much better Crewgrrl20
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Am I the only one who noticed this? blckb5364
The Best Movie EVER! iluvmyAUSSIEdog
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