A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her ... See full summary »
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
Leona Stevenson is sick and confined to her bed. One night, whilst waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented. Written by
Col Needham <firstname.lastname@example.org>
Shortly before the end of the movie the bedside telephone is shown in closeups and the paint is chipped in several places. However, at the end of the film, the telephone is pristine. See more »
Operator! Operator! Operator!
Voice of Operator:
Your call please?
Operator, I've been ringing Murray Hill 35097 for the last half hour and the line is always busy. Will you ring it for me, please?
See more »
Lucille Fletcher wrote the original version for the radio. It only lasted 22 minutes, which then grew to one hour and then to 89 minutes of playing time in the film version. Since the original work had everything it needed to create the suspense and paranoia that Leona Stevenson felt, other situations were added to fit into a motion picture release.
Anatole Litvak brought the film into the screen, letting Ms. Fletcher write the screen adaptation. The film relies on the use of flashbacks in order to tell the story, otherwise it would have been impossible to have the original premise play so long on the screen. Supposedly the crime was going to be committed at 11.15PM as the subway train went across the Queensboro bridge.
Barbara Stanwyck, an actress who did great work on films of this genre, was perhaps the wrong choice for Leona Stevenson. As the hysterical woman who discovers an assassination plot when she hears a conversation on the telephone, Ms. Stanwyck was not as effective as in other roles. The pairing of Burt Lancaster with her shows no chemistry between them, even when one realizes why his Henry Stevenson marries Leona. Mr. Lancaster seems awkward in most of his scenes.
The film asks a lot of the viewers in making them believe how Ms. Stanwyck, who was in her forties, is seen as a young college student, always looking like she does as her older self as when we first meet her as the film opens, and she is supposedly, a woman of a certain age!
The film is a "must see" for fans of Ms. Stanwyck, who could have been better, perhaps directed by another director.
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