A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A writer meets a young socialite on board a train. The two fall in love and are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.
A dazed woman walks the streets of Los Angeles looking for a man named David. After collapsing in a diner, she's taken to the psychiatric ward of a nearby hospital. Flashbacks reveal her ... See full summary »
Leona Stevenson is sick and confined to her bed. One night, whilst waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented. Written by
Col Needham <email@example.com>
The jewel-clasped cigarette case Leona offers to Henry was Stanwyck's own, A birthday gift from Joan Crawford, one of her dearest friends. See more »
Shortly before the end of the movie the bedside telephone is shown in closeups and the paint is chipped in several places. However, at the end of the film, the telephone is pristine. See more »
Operator! Operator! Operator!
Voice of Operator:
Your call please?
Operator, I've been ringing Murray Hill 35097 for the last half hour and the line is always busy. Will you ring it for me, please?
See more »
It starts off very slow but the payoff is there--just keep watching
When I first started watching this film, I wasn't hooked until well into the movie. Seeing the bed-ridden Stanwyck's monologue just didn't hook me--even when she accidentally overheard a plot to kill someone. A lot of this was because her character wasn't very likable--she was a very whiny little "princess" who frankly annoyed me! This is why I rate the movie lower than many on IMDb--I just didn't care much about her and early on I was hoping that SHE would be the one murdered. However, as the story unfolded in a series of flashback, the film became less claustrophobic and very entertaining. None of this really made me hate Stanwyck's character less, but it did help the audience to understand her more--as well as her husband (Burt Lancaster). While the story still was hampered by a long list of unlikable characters (actually, I never really liked any of them--except maybe Wendell Corey), it did excel by being super-creative and for ending on a very powerful note. The film was a lot like the first drop on a roller-coaster--very slow and uphill until a wonderful conclusion. I'd like to say more, but don't want to spoil the film.
The movie had generally good and very creative writing, good direction and excellent acting. It certainly WAS creative, but allowing Stanwyck to be more three-dimensional would have improved the film greatly.
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