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The Snake Pit (1948)

Approved | | Drama, Mystery | 13 November 1948 (USA)
A detailed chronicle of a woman during her stay in a mental institution.

Director:

Writers:

(screen play), (screen play) | 1 more credit »
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Won 1 Oscar. Another 9 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Dr. Mark Kik
...
Grace
...
Dr. Terry
Helen Craig ...
Nurse Davis
...
Gordon
...
Mrs. Greer
...
Asylum Inmate
...
Dr. Curtis
...
Mrs. Stuart
...
Ruth
Katherine Locke ...
Margaret
Frank Conroy ...
Dr. Jonathan Gifford
...
Miss Hart
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Storyline

Virginia Cunningham finds herself in a state insane asylum...and can't remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms. The asylum staff are not demonized, but fear, ignorance and regimentation keep Virginia in a state of misery, as pipesmoking Dr. Mark Kik struggles through wheels within wheels to find the root of her problem. Then a relapse plunges Virginia back into the harrowing 'Snake Pit'... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Married and in Love . . . with a Man She Didn't Know or Want!

Genres:

Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

13 November 1948 (USA)  »

Also Known As:

Die Schlangengrube  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Much of the film was shot in actual wards at Camarillo State Mental Hospital in California. See more »

Goofs

After the young Virginia smashes the head of the soldier doll (that reminds her of her father) into several pieces, she is later seen carrying the unbroken doll on the night of her father's death. The intact doll again appears in the apartment that she lives in as an adult. See more »

Quotes

Miss Greene: You get off the rug, Virginia Cunningham! Come on! Come on! Get off of there! I've told you a dozen times we do not walk on our rug.
Virginia Stuart Cunningham: Why not?
Miss Greene: Because we don't! Understand? We're the only ward that has a rug. It's new, I mean it's clean, and we mean to keep it that way.
Virginia Stuart Cunningham: Why don't you hang it on the wall?
Miss Greene: Your wisecracks might have been appreciated in other wards, but in 12 they don't go over.
Virginia Stuart Cunningham: Is this 12?
Miss Greene: And what did you think it was? One?
Virginia Stuart Cunningham: How long have I been here?
Miss Greene: Too long.
See more »

Connections

Featured in 20th Century-Fox: The First 50 Years (1997) See more »

Soundtracks

I Can't Begin to Tell You
(1945) (uncredited)
Music by James V. Monaco
Played by the band at the dance
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
....a ground-breaking film....
5 July 1999 | by (San Francisco, California) – See all my reviews

Considered brutal and scary in the day of its initial release, "The Snake Pit" was a ground-breaking film with its look into the horrors of a mental institution. Giving the film its vibrancy and life is the elegant Olivia De Havilland. This fine actress goes to town in this fascinating portrait of a young woman, Virginia Stuart, who, soon after marriage to the handsome Robert Cunningham (Mark Stevens) , descends into a world of paranoia and insanity. He takes her to an institution, but conditions there are foreign to Virginia. This Hollywoodization of life in a mental hospital, though tame compared to reality, still packs a punch. We follow this delusional woman as she tries to come to grips with where she is, falls in love with her kind-hearted doctor, Mark Kirk (Leo Genn), befriends other patients, and tries to hide out in the hospital. Celeste Holm has a minor, but welcome role as Grace, a fellow patient who takes a liking to and protects the confused Virginia.

What a score for the lovely De Havilland! She really gets to show her stuff in this emotional role, and got an Oscar-nomination for her efforts. And kudos to director Anatole Litvak for a wonderful, but hard-to-take visit into a woman's not-all-there mind and her institutionalized world.


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