A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Virginia Cunningham finds herself in a state insane asylum...and can't remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms. The asylum staff are not demonized, but fear, ignorance and regimentation keep Virginia in a state of misery, as pipesmoking Dr. Mark Kik struggles through wheels within wheels to find the root of her problem. Then a relapse plunges Virginia back into the harrowing 'Snake Pit'... Written by
Rod Crawford <firstname.lastname@example.org>
In his autobiography, writer Arthur Laurents said that he had been hired by director Anatole Litvak to rewrite the first draft of the screenplay by Frank Partos and Millen Brand, which he did. Partos and Brand wanted the WGA to rule that they were the only writers and to delete Laurents' credit, so they submitted the script to an arbitration and presented carbon copies of Laurents' work as their own. The WGA removed Laurents' credit, even though several years later Brand admitted to Laurents that he and Partos had created forged carbons to make Laurents' work look like theirs. See more »
After the young Virginia smashes the head of the soldier doll (that reminds her of her father) into several pieces, she is later seen carrying the unbroken doll on the night of her father's death. The intact doll again appears in the apartment that she lives in as an adult. See more »
Groundbreaking 1948 production on mental illness and its treatment in state institutions, "The Snake Pit" maintains interest today.
Thanks to the lively direction of Anatole Litvak, good scripting, and the enormous talent of Olivia deHavilland as Virginia, this film makes an impressive statement.
Mark Stevens is always a dependable leading man, and Leo Genn a welcome addition to any dramatic scenario.
While the success of state-run institutions of the past were a decidedly mixed bag, today's situation is no improvement. It certainly pays to take charge of one's self, life a healthy lifestyle, and laugh a lot!
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