A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
Virginia Cunningham finds herself in a state insane asylum...and can't remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms. The asylum staff are not demonized, but fear, ignorance and regimentation keep Virginia in a state of misery, as pipesmoking Dr. Mark Kik struggles through wheels within wheels to find the root of her problem. Then a relapse plunges Virginia back into the harrowing 'Snake Pit'... Written by
Rod Crawford <firstname.lastname@example.org>
Anatole Litvak scheduled the hospital scenes first in the shooting schedule, then gave Olivia de Havilland a month-long break before filming the flashbacks. For the hospital scenes, he gave orders that none of the actresses playing patients were to wear brassieres or girdles. He also forbade them to go to the hairdressing department. To make her character look suitably ill, de Havilland went on a diet designed to take her below her ideal weight. See more »
After the young Virginia smashes the head of the soldier doll (that reminds her of her father) into several pieces, she is later seen carrying the unbroken doll on the night of her father's death. The intact doll again appears in the apartment that she lives in as an adult. See more »
Groundbreaking 1948 production on mental illness and its treatment in state institutions, "The Snake Pit" maintains interest today.
Thanks to the lively direction of Anatole Litvak, good scripting, and the enormous talent of Olivia deHavilland as Virginia, this film makes an impressive statement.
Mark Stevens is always a dependable leading man, and Leo Genn a welcome addition to any dramatic scenario.
While the success of state-run institutions of the past were a decidedly mixed bag, today's situation is no improvement. It certainly pays to take charge of one's self, life a healthy lifestyle, and laugh a lot!
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