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The Snake Pit (1948)

Approved  |   |  Drama  |  13 November 1948 (USA)
7.7
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Ratings: 7.7/10 from 4,332 users  
Reviews: 62 user | 28 critic

A detailed chronicle of a woman during her stay in a mental institution.

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(screen play), (screen play), 2 more credits »
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Title: The Snake Pit (1948)

The Snake Pit (1948) on IMDb 7.7/10

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Won 1 Oscar. Another 10 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Mark Stevens ...
...
Dr. Mark Kik
...
Grace
Glenn Langan ...
Dr. Terry
Helen Craig ...
Nurse Davis
...
Gordon
...
Mrs. Greer
Lee Patrick ...
Asylum Inmate
...
Dr. Curtis
...
Mrs. Stuart
Ruth Donnelly ...
Ruth
Katherine Locke ...
Margaret
Frank Conroy ...
Dr. Jonathan Gifford
Minna Gombell ...
Miss Hart
Edit

Storyline

Virginia Cunningham finds herself in a state insane asylum...and can't remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms. The asylum staff are not demonized, but fear, ignorance and regimentation keep Virginia in a state of misery, as pipesmoking Dr. Mark Kik struggles through wheels within wheels to find the root of her problem. Then a relapse plunges Virginia back into the harrowing 'Snake Pit'... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Married and in Love . . . with a Man She Didn't Know or Want!

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

13 November 1948 (USA)  »

Also Known As:

Die Schlangengrube  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The portrait on the wall in Dr. Kik's office is of Sigmund Freud. Although his influence has waned somewhat with the rise of neurological and biological research, during the filming of this movie Freud's theories were by far the most prevalent and influential of any psychiatrist, particularly in America. Thus, it was fashionable and quite common for psychiatrists to have either a portrait, picture or sometimes even a bust of Freud in their office. See more »

Goofs

After the young Virginia smashes the head of the soldier doll (that reminds her of her father)into several pieces, she is later seen carrying the unbroken doll on the night of her father's death. The intact doll again appears in the apartment that she lives in as an adult. See more »

Quotes

Celia Sommerville: And we're so crowded already. I just don't know where it's all gonna end!
Virginia Stuart Cunningham: I'll tell you where it's gonna end, Miss Somerville... When there are more sick ones than well ones, the sick ones will lock the well ones up.
See more »


Soundtracks

Oh! You Beautiful Doll
(1911) (uncredited)
Music by Nat Ayer
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
....a ground-breaking film....
5 July 1999 | by (San Francisco, California) – See all my reviews

Considered brutal and scary in the day of its initial release, "The Snake Pit" was a ground-breaking film with its look into the horrors of a mental institution. Giving the film its vibrancy and life is the elegant Olivia De Havilland. This fine actress goes to town in this fascinating portrait of a young woman, Virginia Stuart, who, soon after marriage to the handsome Robert Cunningham (Mark Stevens) , descends into a world of paranoia and insanity. He takes her to an institution, but conditions there are foreign to Virginia. This Hollywoodization of life in a mental hospital, though tame compared to reality, still packs a punch. We follow this delusional woman as she tries to come to grips with where she is, falls in love with her kind-hearted doctor, Mark Kirk (Leo Genn), befriends other patients, and tries to hide out in the hospital. Celeste Holm has a minor, but welcome role as Grace, a fellow patient who takes a liking to and protects the confused Virginia.

What a score for the lovely De Havilland! She really gets to show her stuff in this emotional role, and got an Oscar-nomination for her efforts. And kudos to director Anatole Litvak for a wonderful, but hard-to-take visit into a woman's not-all-there mind and her institutionalized world.


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