A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Virginia Cunningham finds herself in a state insane asylum...and can't remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms. The asylum staff are not demonized, but fear, ignorance and regimentation keep Virginia in a state of misery, as pipesmoking Dr. Mark Kik struggles through wheels within wheels to find the root of her problem. Then a relapse plunges Virginia back into the harrowing 'Snake Pit'... Written by
Rod Crawford <firstname.lastname@example.org>
In his autobiography, writer Arthur Laurents said that he had been hired by director Anatole Litvak to rewrite the first draft of the screenplay by Frank Partos and Millen Brand, which he did. Partos and Brand wanted the WGA to rule that they were the only writers and to delete Laurents' credit, so they submitted the script to an arbitration and presented carbon copies of Laurents' work as their own. The WGA removed Laurents' credit, even though several years later Brand admitted to Laurents that he and Partos had created forged carbons to make Laurents' work look like theirs. See more »
After the young Virginia smashes the head of the soldier doll (that reminds her of her father) into several pieces, she is later seen carrying the unbroken doll on the night of her father's death. The intact doll again appears in the apartment that she lives in as an adult. See more »
And we're so crowded already. I just don't know where it's all gonna end!
Virginia Stuart Cunningham:
I'll tell you where it's gonna end, Miss Somerville... When there are more sick ones than well ones, the sick ones will lock the well ones up.
See more »
I was in my early teens when I saw this movie and it has left an impression on me ever since. It was probably one of the best movies ever made on mental health, then or today. The actors were all great in their parts and believable. I just wish that it was possible to track down the song Going Home in the movie. This must one of the best kept secrets in the movie industry. Ever time I think of family and home I think of that song and it pulls on my heart. Everyone should see this movie because it helps understand the plight of the mentally ill.
18 of 19 people found this review helpful.
Was this review helpful to you?