Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »
A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After ... See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
An aging heir-less millionaire wants to leave his fortune to the unsuspecting family of his first love but not before testing his prospective heirs by living with them under the guise of a poor boarder.
The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. ... See full summary »
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
On a dark night of pelting rain, five men stage a well-planned train robbery and get away with a $10 millionr, nine-ton gold shipment. Dividing the massive haul into three concealed truck ... See full summary »
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
A car plunging over a cliff kills its two occupants identified as newspaperman Lewis Forrester and actress Alison Ford (Terry Moore). Surviving Lewis are his two brothers, Tim (Robert ... See full summary »
A crack at "Gaslight" by that wily Dane Douglas Sirk
Sleep, My Love is Douglas Sirk's crack at Gaslight. Dabbling in drugs and Mesmerism, Don Ameche rigs up psychotic "episodes" starring his wife, Claudette Colbert, so he can inherit her money. Befriended by Robert Cummings during one of these arranged "fugue" states, she unwittingly enlists an ally whose affections, and suspicions, grow. (The film takes on inadvertent Charlie Chan overtones when Cummings goes sleuthing with his blood-brother Keye Luke, who often played the Honolulu detective's eldest offspring.)
Unlike Cukor's claustrophobic Gaslight, with Ingrid Bergman and Charles Boyer, Sleep, My Love is less psychologically nuanced and more plot-driven. It benefits from Hazel Brooks, delivering an icily stylized vamp turn as The Other Woman; she appeared in one other noir, Body and Soul, during her disappointing brief career. George Couloris (the guardian in Citizen Kane) adds color as a confederate of Ameche's, while Raymond Burr is wasted as a minion of the law.
That leaves the three principals as well as some problems. The amicable Ameche can't summon up the cold, controlling menace that Boyer spread through Gaslight; his adversary, the equally amicable Cummings, succumbs to terminal blandness. Colbert is more problematic. Unlike the languorous, instinctive Bergman, she made her name in part due to her quick wits; you can't buy her as a submissive wifey who hasn't cottoned on to her husband's philandering -- at the very least -- without having it spelled out to her by Cummings, whose acumen seems as low-wattage as his star power. (On the other hand, she was to find herself in a similar pickle the next year in The Secret Fury.) Sirk's direction here, as in Lured, lacks the distinctiveness he showed in his other noir, Shockproof, and was to develop lushly in the haut-fifties melodramas like Written on the Wind for which he is justly renowned.
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