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The Sign of the Ram (1948)

 -  Drama  -  3 March 1948 (USA)
6.2
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Ratings: 6.2/10 from 183 users  
Reviews: 21 user | 1 critic

The wheelchair-bound matriarch of an English family uses her handicap to cynically manipulate all those around her. She coldly destroys a daughter's relationship with a man she truly loves,... See full summary »

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(screenplay), (novel)
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Title: The Sign of the Ram (1948)

The Sign of the Ram (1948) on IMDb 6.2/10

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Cast

Cast overview:
Susan Peters ...
Leah St. Aubyn
...
Mallory St. Aubyn
...
Sherida Binyon
Peggy Ann Garner ...
Christine St. Aubyn
Ron Randell ...
Dr. Simon Crowdy
...
Clara Brastock
Allene Roberts ...
Jane St. Aubyn
Ross Ford ...
Logan St. Aubyn
...
Catherine Woolton
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Storyline

The wheelchair-bound matriarch of an English family uses her handicap to cynically manipulate all those around her. She coldly destroys a daughter's relationship with a man she truly loves, and her machinations almost drive the son's fiance to suicide. As the family realizes what she is doing, she becomes even more calculating - and mentally unbalanced. Written by frankfob2@yahoo.com

Plot Summary | Plot Synopsis

Taglines:

Incredible evil!

Genres:

Drama

Certificate:

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Details

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Language:

Release Date:

3 March 1948 (USA)  »

Also Known As:

The Sign of the Ram  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Among the well-wishers who visited Susan Peters on the set were Glenn Ford, Evelyn Keyes, Larry Parks, Ginger Rogers and Cornel Wilde, all of whom were under contract to or working at Columbia at the time. See more »

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User Reviews

 
A fine young actress' film farewell
7 June 2002 | by (Brooklyn, New York) – See all my reviews

SUSAN PETERS had been an Oscar nominee already(RANDOM HARVEST) and a star-on-the-rise when a hunting accident led to paralysis. But this gifted young performer did not stop acting. Despite difficulties, she starred in THE SIGN OF THE RAM and gave a remarkable performance. As a manipulative, youthful stepmother, she creates dangerous problems for all those around her. Ms. Peters' performance is all the more striking, because it is not the kind of sympathetic role one might expect from a true-life actress in pain. She blithely moves from decent, lovely, caring woman to a woman desperately seeking control of all those around her. Her growth in the characterization is powerful, and she deserved award consideration. Everything else in the film works well -- from the work of Alexander Knox, Peggy Ann Garner, Phyllis Thaxter, Allen Roberts, Dame May Whitty, etal. to the cinematography of the cliffside house, to the art direction, music, etal. John Sturges' direction manages to avoid the pitfalls of melodrama as much as possible. But it is Susan Peters' charisma that makes this an important, albeit forgotten, work of art. She would go on to touring the country in THE BARRETTS OF WIMPOLE STREET and onto TV in the MISS SUSAN series, but she deserved further critical acclaim. This film should be given more prominence; it is a strong work starring a fine actress.


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