Famous detective Charlie Chan is called out of retirement to help a San Francisco detective solve a mysterious series of murders. With his bumbling grandson as his sidekick, Chan also ... See full summary »
A Pathe serial in ten chapters of two-reels each: Dan Winterslip, a wealthy man in Honolulu, has not spoken to his brother, who owns a hotel next to Winterslip's estate, in over twenty ... See full summary »
Vic Armstrong arrives at his Uncle Judge Armstrong's home just in time to answer the telephone. Unknown to him, his uncle has just been murdered and the culprit is right there in the room with him! Phyllis Powers, on the other end of the line, recognizes Vic's voice, but just then Vic is knocked unconscious by the murderer. When he awakens, he (for reasons known only to movie mystery writers) pulls the knife out of his uncle's back, thus putting his fingerprints all over it, and just in time for the police, having been called by a worried Phyllis, to discover him standing over the body. Well, we know he didn't do it, but the police don't agree. Can Charlie Chan recognize the boy's innocence, and find the real murderer before Vic is sent into durance vile, or even worse? Written by
Charlie Chan (Roland Winters) must prove the innocence of a deeply stupid man (John Alvin) who puts his fingerprints all over a murder weapon. Contrived mess of a mystery with particularly weak writing, even for Monogram. Winters is terrible as Chan. I can't stress that enough. Mantan Moreland and Victor Sen Yung are back playing buffoonish comic relief sidekicks Birmingham and Tommy. There's nothing to recommend about this one. If you're a Charlie Chan completist, I suppose you should at least try it. If you're new to Charlie Chan films, please don't let this or any of the Roland Winters movies be your first. As a matter of fact, avoid all of the Monogram movies until you've seen the far superior Fox movies first.
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