Charlie is the intended murder victim here, and he avoids death only by chance. To find the murderer (since, of course, murder does occur), Charlie must outguess Scotland Yard and New York City police.
John G. Blystone
Vic Armstrong arrives at his Uncle Judge Armstrong's home just in time to answer the telephone. Unknown to him, his uncle has just been murdered and the culprit is right there in the room with him! Phyllis Powers, on the other end of the line, recognizes Vic's voice, but just then Vic is knocked unconscious by the murderer. When he awakens, he (for reasons known only to movie mystery writers) pulls the knife out of his uncle's back, thus putting his fingerprints all over it, and just in time for the police, having been called by a worried Phyllis, to discover him standing over the body. Well, we know he didn't do it, but the police don't agree. Can Charlie Chan recognize the boy's innocence, and find the real murderer before Vic is sent into durance vile, or even worse? Written by
American Film Institute Catalog of Feature Films 1941-1950 credits Paul Scardon as playing the role of the cemetery custodian, but this role is actually played by Louis Mason. See more »
Police Sgt. Pat Finley:
[Referring to Charkie]
Well, I guess the old man knows what he's doin'. but sometimes I wish he'd take us more into his confidence.
Police Lt. Mike Ruark:
Pat, my boy, for ways that are dark and tricks that are vain, Mr. Chan is very peculiar... Shakespeare.
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Charlie Chan (Roland Winters) must prove the innocence of a deeply stupid man (John Alvin) who puts his fingerprints all over a murder weapon. Contrived mess of a mystery with particularly weak writing, even for Monogram. Winters is terrible as Chan. I can't stress that enough. Mantan Moreland and Victor Sen Yung are back playing buffoonish comic relief sidekicks Birmingham and Tommy. There's nothing to recommend about this one. If you're a Charlie Chan completist, I suppose you should at least try it. If you're new to Charlie Chan films, please don't let this or any of the Roland Winters movies be your first. As a matter of fact, avoid all of the Monogram movies until you've seen the far superior Fox movies first.
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