Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
A silent nine-year-old Czech boy, a survivor of Auschwitz, flees a refugee center in postwar Germany and is found by an American G.I. At the same time, the boy's mother, the sole surviving member of his family, searches refugee centers for her son. Time, distance, and the massive numbers of refugee children are factors hampering the reunion of mother and son. Written by
Martin H. Booda <firstname.lastname@example.org>
Ben Mankiewicz on TCM indicated that Ivan Jandl spoke no English at the time this film was made and that his English dialogue was phonetically memorized. See more »
The army jeep that Steve (Montgomery Clift) is in suddenly changes to a different jeep when he brings Karel back to the Army house. Notice the appearance of large decal lettering in the passenger side window, in addition to other minor differences. See more »
[holds up picture of sexily-posed woman]
What'd he tell you for that?
[to Steve, who's standing nearby]
Ohhhh, brother! You'd better stick to building bridges!
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I have been haunted by THE SEARCH since I first saw it when it first came out in 1948. I have since been on my own search to be able to see it again. Finally I saw it again at the July 2005 San Francisco Jewish Film Festival where they said they had to obtain a copy of the film from England. It would be interesting to know the circumstances around this film and why it is so rarely available to USAmerican audiences. I suspect that a key element in that obscurity is that its chief writer, Richard Schweizer, was one of the Hollywood Jewish screenwriters blacklisted by the House Unamerican Activities Committee so that the film suffered the same fate. I am very heartened by reading the comments of others on this site. I am not alone in holding this film in a kind of reverence. I hope it will become more generally available to USAmericans. Its neglect is such an injustice for Montgomery Clift who gave such a great naturalistic performance--doing it as well or better than James Dean who followed later. And none of director Fred Zinneman's works should be allowed to disappear.
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