Directed by | |||
| Charles Frend | |||
Writing credits | ||
| Walter Meade | (screenplay) & | |
| Ivor Montagu | (screenplay) | |
| Mary Hayley Bell | (additional dialogue) | |
Produced by | |||
| Michael Balcon | .... | producer | |
| Sidney Cole | .... | associate producer | |
Original Music by | |||
| Ralph Vaughan Williams | (as Vaughan Williams) | ||
Cinematography by | |||
| Osmond Borradaile | (director of photography) | ||
| Jack Cardiff | (director of photography) | ||
| Geoffrey Unsworth | (director of photography) | ||
Film Editing by | |||
| Peter Tanner | |||
Art Direction by | |||
| Arne Åkermark | |||
Makeup Department | |||
| Barbara Barnard | .... | hair stylist | |
| Harry Frampton | .... | makeup artist | |
| Ernest Taylor | .... | makeup artist | |
| Harry Wilton | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Raymond Anzarut | .... | unit production manager | |
| C.R. Foster-Kemp | .... | unit production manager (as Cecil Foster Kemp) | |
| Hal Mason | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Rowland Douglas | .... | assistant director | |
| Richmond Harding | .... | third assistant director (uncredited) | |
| Simon Kershaw | .... | third assistant director (uncredited) | |
| Cyril Pope | .... | third assistant director (uncredited) | |
| Gordon Scott | .... | second assistant director (uncredited) | |
Art Department | |||
| Norman Dorme | .... | draughtsman (uncredited) | |
| R. Hopkin | .... | draughtsman (uncredited) | |
| Jack Shampan | .... | draughtsman (uncredited) | |
| R. Thurgarland | .... | draughtsman (uncredited) | |
| Len Wills | .... | assistant art director (uncredited) | |
Sound Department | |||
| Arthur Bradburn | .... | sound recordist | |
| Stephen Dalby | .... | sound supervisor | |
| Tom Otter | .... | boom operator (uncredited) | |
| Gordon Stone | .... | dubbing editor (uncredited) | |
| Alan Thorne | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| Richard Dendy | .... | special effects | |
| Geoffrey Dickinson | .... | special effects | |
| Jim Morahan | .... | special effects art director | |
| Norman Ough | .... | special effects | |
| Sydney Pearson | .... | special effects | |
Camera and Electrical Department | |||
| Paul Beeson | .... | camera operator | |
| Bob Moss | .... | camera operator | |
| Chic Waterson | .... | camera operator (as Chick Waterson) | |
| Ian Craig | .... | focus puller (uncredited) | |
| Peter Newbrook | .... | camera operator: second unit (uncredited) | |
| Herbert Salisbury | .... | clapper loader (uncredited) | |
| Herbert Smith | .... | focus puller (uncredited) | |
Casting Department | |||
| Muriel Cole | .... | crowd casting (uncredited) | |
Costume and Wardrobe Department | |||
| Anthony Mendleson | .... | wardrobe designer | |
| Fred Birch | .... | wardrobe (uncredited) | |
| Ernie Farrer | .... | wardrobe (uncredited) | |
| Lily Payne | .... | wardrobe mistress (uncredited) | |
Editorial Department | |||
| Seth Holt | .... | assembly cutter (uncredited) | |
Music Department | |||
| Ernest Irving | .... | conductor | |
Other crew | |||
| Joan Bridge | .... | associate technicolor colour director | |
| Jean Graham | .... | continuity | |
| David James | .... | technical advisor | |
| Natalie Kalmus | .... | technicolor color director | |
| J. Arthur Rank | .... | presenter (as J.Arthur Rank) | |
| Quintin Riley | .... | technical advisor | |
| Paddy Arnold | .... | continuity (uncredited) | |
| Felicia Manheim | .... | assistant continuity (uncredited) | |
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| AVP: Alien vs. Predator | Discoverer: A Personal Account of the British Army Antarctic Expedition 2007-08 | 90° South | Eight Below | The Day After Tomorrow |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
The first thing to remember is that Scott fouled up mightily in his attempt to be the first to reach the South Pole in 1912. He was stubborn, rather arrogant, yet malleable to the wishes of his wife. When his diaries were found on his frozen remains they were in fact later edited and altered by his wife (and the publisher) to depict Scott as a Great Heroic Figure. That was a lie; the depiction of him in the movie is a lie. And in recent years the unedited diaries were released proving the old myth was not the reality. It should be added the U.S. polar explorer Richard C. Byrd was an even bigger fraud - as his recently released personal notes also demonstrated.
This film is generally well done, and the Antarctic (actually Greenland, I believe) scenery is spectacular. The very slow deterioration of Scott's team is fascinating to see; their heartbreak upon viewing Raoul Amundsen's Norwegian flag flying over the Pole in the distance - meaning they had lost the race to the greatest of all explorers - is palpable. From then on it becomes a matter of survival and getting back home. Bit by bit the elements wear them down - untill they can finally go on no longer. When one says "I don't want to wake up tomorrow" with the wind howling just outside their little tent as they try to eat a morsel of cold food. . . you know it's over for them. Heartbreaking.
BUT THE CAUSE OF THE DISASTER IS NOT DELINEATED!! WHY did it happen? Bad luck? Scott's decision not to rely only on sled dogs? Yes. But his planning and leadership was also flawed badly - and that was not shown, as mentioned above.
I had no particular problem with the acting. It could possibly have been more emphatic and emotive, but then I assume the English were indeed as stoic as depicted in the film. Mills' understated Scott is to be expected as part of the MYTHICAL version of Scott - the REAL Scott I have no doubt was more emotional and weaker, as seen in the uneditied diary.
All in all, a moving film worth seeing - so long as you know this is not the reality of the Scott expedition but the cleansed version to make Scott and company as heroic as possible. If you want a better Arctic film try "The Red Tent", and check the reviews on the IMDb for background on it.