Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
A WWII tale of romance that begins during New Orlean's "Mardi Gras" celebration when a soldier and a girl meet and fall in love. He asks her to marry him but she decides to wait until his ... See full summary »
Edgar G. Ulmer
Santiago, a jolly modern bandito, has just lost his partner when he happens on the isolated farm of young Manuel and Maria Lopez. Manuel's aid is enlisted in what develops into a violent ... See full summary »
Edgar G. Ulmer
Betta St. John,
Broadway star Valerie Stanton, breaking up with her producer-lover Gordon Dunning, unintentionally kills him. In flashback, she recalls meeting new flame Michael Morrell, and Dunning's ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
A lonely, mentally unbalanced woman invents a fictitious daughter and has the "daughter" write to a Marine stationed in the South Pacific. When the soldier returns back to the States, he ... See full summary »
Thelma Jordon is in love with a jewel thief, Tony Laredo, and he persuades her to go live with her rich aunt, and steal her jewels. During the robbery, she shoots her formerly-rich aunt, ... See full summary »
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by richer neighbours he started to exhibit an obsessive and selfish urge to make more and more money, loving and leaving women at will to further this end. Written by
Jeremy Perkins <firstname.lastname@example.org>
Apparently a brief exchange between the adolescent boy (Bobby Anderson) and his father (Raymond Burr) in which the father tells him that opportunity only comes around once, is the reason why Anderson morphs into the social climbing and ruthless business tycoon played by Zachary Scott. It hardly seems like enough of an influence to change a nice kid into a prototypical (and stereotypical) greedy capitalist millionaire. Though it's difficult to establish a connection between the two, Scott makes a believable social climber, and the story has a pretty good trajectory from his adolescence through dark mansions and well furnished offices with New York skyline views, to a finale gala event where Scott is organizing a philanthropy to unload some of his millions and ease his conscience. Ulmer doles out the action in bits and pieces, but delivers a pretty memorable ending.
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