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IMDb > Ruthless (1948)

Ruthless (1948)

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User Rating: 7.1/10 (126 votes)
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Overview

Director:
Edgar G. Ulmer
Writers (WGA):
Dayton Stoddart (novel) and
S.K. Lauren (screenplay) ...
more
Release Date:
6 May 1949 (Finland) more
Genre:
Film-Noir | Drama more
Tagline:
Power ... Money - where his gods!
Plot:
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise... more | add synopsis
User Comments:
from Bobby Anderson to Zachary Scott more

Cast

 (Cast overview, first billed only)
Zachary Scott ... Horace Woodruff 'Woody' Vendig
Louis Hayward ... Vic Lambdin
Diana Lynn ... Martha Burnside / Mallory Flagg

Sydney Greenstreet ... Buck Mansfield
Lucille Bremer ... Christa Mansfield
Martha Vickers ... Susan Duane
Edith Barrett ... Mrs. Burnside
Dennis Hoey ... Mr. Burnside
Raymond Burr ... Pete Vendig
Joyce Arling ... Kate Vendig
Charles Evans ... Bruce Endicott McDonald
Robert J. Anderson ... Horace Vendig, as child (as Bob Anderson)
Arthur Stone ... Vic Lambdin, as child
Ann Carter ... Martha Burnside, as child
Edna Holland ... Libby Sims
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Additional Details

Also Known As:
Prelude to Night (USA) (working title)
more
Runtime:
104 min
Country:
USA
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
Finland:K-16 | Sweden:15
MOVIEmeter: ?
V 22% since last week why?

Fun Stuff

Trivia:
Terra Distributors VHS copy is a truncated version, running only 86 minutes, not the complete version. more
Movie Connections:
Referenced in Let's Go to the Movies (1949) more

FAQ

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1 out of 1 people found the following comment useful:-
from Bobby Anderson to Zachary Scott, 17 May 2007
8/10
Author: mgrindberg from Tijuana, Baja California, Mexico

Apparently a brief exchange between the adolescent boy (Bobby Anderson) and his father (Raymond Burr) in which the father tells him that opportunity only comes around once, is the reason why Anderson morphs into the social climbing and ruthless business tycoon played by Zachary Scott. It hardly seems like enough of an influence to change a nice kid into a prototypical (and stereotypical) greedy capitalist millionaire. Though it's difficult to establish a connection between the two, Scott makes a believable social climber, and the story has a pretty good trajectory from his adolescence through dark mansions and well furnished offices with New York skyline views, to a finale gala event where Scott is organizing a philanthropy to unload some of his millions and ease his conscience. Ulmer doles out the action in bits and pieces, but delivers a pretty powerful and memorable ending.

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