Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
Visiting her two sisters and brother, singer Petey Brown lands a job at small-time-hood Nicky Toresca's nightclub. While evading the sleazy Toresca's heavy-handed passes at her, she falls ... See full summary »
Vincent Van Der Lyn, a Dutch freedom fighter in WWII, is forced to neutral Lisbon to escape the Nazis. There he meets a small band of underground conspirators. The group's leader, Ricardo ... See full summary »
A wealthy man hires a detective to investigate his wife's past. The detective (Franchot Tone) discovers that the wife had been a dancer and left her home town with an actor. The latter is ... See full summary »
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by richer neighbours he started to exhibit an obsessive and selfish urge to make more and more money, loving and leaving women at will to further this end. Written by
Jeremy Perkins <firstname.lastname@example.org>
Buck Mansfield quotes twice from the Bible. The first occasion is when he is being 'pursued by his creditors' and he reads from Proverbs 31:10 -12 and 21 (...Who can find a virtuous woman? For her price is far above rubies....). The second instance is when he speaks to the bartender at Vendig's function and the quote is from Obadiah 1: 2-4 (...Though you set your nest among the stars, From there I will bring you down ...). See more »
RUTHLESS seems to be Edgar G. Ulmers attempt to film a story similar to CITIZEN KANE. Like CITIZEN KANE, RUTHLESS is the story of the rise and fall of man from a humble background who rises to the top, destroying several people along the way, only to end up having his past catch up with him at the end. RUTHLESS also has CITIZEN KANE's flashback structure and both characters come from quaint small towns. Unlike Charles Kane, Horace Wooddruff Vendig is a far more ruthless character and- unlike Charles Kane- evokes little sympathy. He destroys his first love, first by stealing her from his best friend, then dumping her for another woman when he meets another girl whose family can provide him with better connections to move the economic ladder. The women he uses, with the exception of his first love Martha, evoke little sympathy. In a way they are just as ruthless as Vendig. The women are solely attracted to him by his power and wealth, and when they are discarded, the viewer can't help feel they had it coming. Don't complain when you play with vipers and then get bitten would be my advice to these women.
RUTHLESS doesn't quite deserve the praise some viewers have recently heaped upon it. The pacing is sometimes off and the film is a bit overlong. The cast is good, with Sydney Greenstreet giving as usual (if at times over the top) attention grabbing performance. Director Ulmer handles the direction with confidence and style. Overall, RUTHLESS is a not bad imitation of a much better film, but when viewing it, the viewer can't help think something is lacking.
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