IMDb > Rope (1948)
Rope
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Rope (1948) More at IMDbPro »

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Overview

User Rating:
8.1/10   80,100 votes »
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Down 5% in popularity this week. See why on IMDbPro.
Director:
Writers:
Hume Cronyn (adapted by)
Patrick Hamilton (from the play by)
(more)
Contact:
View company contact information for Rope on IMDbPro.
Release Date:
28 August 1948 (USA) See more »
Genre:
Tagline:
The guest who's dead on time See more »
Plot:
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime. Full summary » | Add synopsis »
Plot Keywords:
Awards:
3 nominations See more »
NewsDesk:
(217 articles)
Forever episode 7 review: New York Kids
 (From Den of Geek. 29 October 2014, 1:59 AM, PDT)

The Forgotten: "To the Public Danger" (1948)
 (From MUBI. 23 October 2014, 12:08 AM, PDT)

The Past, Present, and Future of Real-Time Films Part Four
 (From SoundOnSight. 17 October 2014, 8:01 PM, PDT)

User Reviews:
The birth of an "eye" See more (298 total) »

Cast

  (in credits order) (verified as complete)
Dick Hogan ... David Kentley

John Dall ... Brandon - His Friend

Farley Granger ... Phillip - His Friend
Edith Evanson ... Mrs. Wilson - Their Housekeeper

Douglas Dick ... Kenneth - David's Rival
Joan Chandler ... Janet - David's Girl

Cedric Hardwicke ... Mr. Kentley - David's Father (as Sir Cedric Hardwicke)

Constance Collier ... Mrs. Atwater - David's Aunt

James Stewart ... Rupert Cadell
rest of cast listed alphabetically:

Alfred Hitchcock ... Man Walking in Street After Opening Credits (uncredited)

Directed by
Alfred Hitchcock 
 
Writing credits
Hume Cronyn (adapted by)

Patrick Hamilton (from the play by)

Arthur Laurents (screenplay)

Ben Hecht  uncredited

Produced by
Sidney Bernstein .... producer (uncredited)
Alfred Hitchcock .... producer (uncredited)
 
Original Music by
David Buttolph (uncredited)
 
Cinematography by
William V. Skall (director of photography)
Joseph A. Valentine (director of photography) (as Joseph Valentine)
 
Film Editing by
William H. Ziegler (film editor)
 
Art Direction by
Perry Ferguson 
 
Set Decoration by
Howard Bristol 
Emile Kuri 
 
Makeup Department
Perc Westmore .... makeup artist
Agnes Flanagan .... hair stylist (uncredited)
Ed Voight .... makeup artist (uncredited)
 
Production Management
Fred Ahern .... production manager
 
Second Unit Director or Assistant Director
Lowell J. Farrell .... assistant director
Claude Archer .... assistant director (uncredited)
 
Art Department
Donald P. Desmond .... set construction (uncredited)
Dorothea Holt .... illustrator (uncredited)
John More .... props (uncredited)
Joe Trusty .... props (uncredited)
 
Sound Department
Al Riggs .... sound
 
Camera and Electrical Department
Richard Emmons .... operator of camera movement
Eddie Fitzgerald .... operator of camera movement (as Edward Fitzgerald)
Paul Hill .... operator of camera movement (as Paul G. Hill)
James Potevin .... lighting technician (as Jim Potevin)
Morris Rosen .... operator of camera movement
Vic Jones .... gaffer (uncredited)
Harry Marsh .... assistant camera (uncredited)
John Miehle .... still photographer (uncredited)
Harold Noyes .... grip (uncredited)
Morris Rosen .... grip (uncredited)
Phil Wagner .... best boy (uncredited)
 
Costume and Wardrobe Department
Adrian .... dress: Miss Chandler's
Marion Dabney .... wardrobe (uncredited)
Lillian House .... wardrobe assistant (uncredited)
Leon Roberts .... wardrobe (uncredited)
 
Music Department
Leo F. Forbstein .... musical director
 
Other crew
Robert Brower .... associate Technicolor color director
Natalie Kalmus .... technicolor color director
Dinsmore Alter .... cloud technical advisor (uncredited)
Charlsie Bryant .... script supervisor (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
"Alfred Hitchcock's Rope" - UK (complete title), USA (complete title)
See more »
Runtime:
80 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Argentina:13 | Australia:PG | Brazil:14 | Canada:AA (original rating) | Canada:14A (video rating) | Finland:K-16 | Finland:K-15 (new rating: 2001) | France:U | Germany:16 | Iceland:L | Italy:VM14 (video rating) | Italy:16+ (re-rating) (1956) | Italy:(Banned) (1949-1956) | New Zealand:PG | Norway:16 | Portugal:M/12 | Portugal:(Banned) (original rating) | South Korea:18 (2003) | Spain:T | Sweden:15 (original rating) | Sweden:11 (re-release) | UK:A (original rating) (passed with cuts) | UK:PG (tv rating) | UK:PG (video rating) (1988) | USA:PG | USA:Approved (PCA #13027) | USA:TV-G (TV rating)

Did You Know?

Trivia:
The screenwriter Arthur Laurents claimed that originally Alfred Hitchcock assured him the movie wouldn't show the opening murder itself, therefore creating doubt as to whether the two leading characters actually committed murder and whether the trunk had a corpse inside.See more »
Goofs:
Revealing mistakes: As Brandon and Philip walk back to the kitchen after finding the rope, the frame over the doorway into the hall can be seen separating. Since each reel was filmed in one continuous take, sets had to be moved out of the way during the shot, allowing the camera to follow the actors between rooms. (A similar mistake is visible in the tracking shot out of Bob Rusk's house in Frenzy (1972).)See more »
Quotes:
[last lines]
Phillip Morgan:They're coming.
See more »
Movie Connections:
Soundtrack:
I'm Looking Over a Four-Leaf CloverSee more »

FAQ

Does Hitchcock have a cameo in "Rope"?
How much sex, violence, and profanity are in this movie?
Is "Rope" based on a book?
See more »
17 out of 18 people found the following review useful.
The birth of an "eye", 5 February 2007
Author: ruiresende84 (ruiresende84@gmail.com) from Porto, Portugal

I place this one in my list of films anyone should watch. That is, in order to understand some fundamental issues on film-making and films in the last 50 years.

What i'm least interested in here are the technical innovations. Those represent today a curiosity, a museum fact, worth being remembered and credited to those who worked for them, but just it.

I'm also not so interested in the underlying taboo subjects, namely those regarding the homosexuality issue. In respect to that, i even think the whole film construction, from casting to scene writing threw away many things. I'll get morecontroversial. I think Hitchcock in fact despised those messages (the writers were worried in exploring them, not Hitch), he was not after meanings or controversies, he was after something far more ingenious and influential. I'm talking about his camera eye.

Before this one, all Hitch's work was something between a classical construction and some exploration of the camera as carrier of a character's (and the audience's) emotion/feeling/sensation. The library scene in 'Shadow of a doubt', for example, is the perfect example of what i'm talking about. Anyway, that will Hitch had of making the camera follow around characters, sets, and reveal what a character (or "god") had to reveal was already notable. In here, he made that the theme of the picture. One single set, very few characters, a clear as water story (which he made even clearer by not throwing any doubt about the destiny of the murdered boy). The sexual issues also go to second importance issues. The apartment is at once simple enough to solve the technical difficulties of filming it, and large and divided enough to allow the camera to explore it, searching for elements, for dialogues or for actions. The camera has curiosity, it is almost a character, a character called audience. Years later, in different molds, Hitch would place Stewart behind the camera and definitely assume it as a physical character in the plot (Rear Window). In here what we get is fully a camera that moves to the whishes of the director. The curious, ever searching camera that dePalma would reinvent and Polanski master shows up here.

I believe the work of dePalma, in a way Polanski, Chabrol and even some Godard (Le mépris is filled with this) all derive from what happened here. Hitchcock would probably hit the top with Rear Window, but here is where he becomes an inventor.

My evaluation: 5/5 . one of the cinematic manifestos

Was the above review useful to you?
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Message Boards

Discuss this movie with other users on IMDb message board for Rope (1948)
Recent Posts (updated daily)User
Anyone else's favorite Hitchcock? tbchico7
David’s finacee's relationship with the murderers mrnoonmaths
Does this film hold up? hawsman2-1
the making of rope fabelwesentlich
Completely missed supposed homosexual vibe darkfyre17
Would you put this among Hitchcocks best? the_crawl4
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