| Photos (See all 42 | slideshow) |
| Dick Hogan | ... | David Kentley | |
| John Dall | ... | Brandon - His Friend | |
| Farley Granger | ... | Phillip - His Friend | |
| Edith Evanson | ... | Mrs. Wilson - Their Housekeeper | |
| Douglas Dick | ... | Kenneth - Their Rival | |
| Joan Chandler | ... | Janet - David's Girl | |
| Cedric Hardwicke | ... | Mr. Kentley - David's Father (as Sir Cedric Hardwicke) | |
| Constance Collier | ... | Mrs. Atwater - David's Mother | |
| James Stewart | ... | Rupert Cadell | |
| rest of cast listed alphabetically: | |||
| Alfred Hitchcock | ... | Man Walking in Street After Opening Credits (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Hume Cronyn | (adapted by) | |
| Patrick Hamilton | (from the play by) | |
| Arthur Laurents | (screenplay) | |
| Ben Hecht | uncredited | |
Produced by | |||
| Sidney Bernstein | .... | producer (uncredited) | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| David Buttolph | (uncredited) | ||
Cinematography by | |||
| William V. Skall | (director of photography) | ||
| Joseph A. Valentine | (director of photography) (as Joseph Valentine) | ||
Film Editing by | |||
| William H. Ziegler | (film editor) | ||
Art Direction by | |||
| Perry Ferguson | |||
Set Decoration by | |||
| Howard Bristol | |||
| Emile Kuri | |||
Makeup Department | |||
| Perc Westmore | .... | makeup artist | |
| Agnes Flanagan | .... | hair stylist (uncredited) | |
| Ed Voight | .... | makeup artist (uncredited) | |
Production Management | |||
| Fred Ahern | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lowell J. Farrell | .... | assistant director | |
| Claude Archer | .... | assistant director (uncredited) | |
Art Department | |||
| Dorothea Holt | .... | illustrator (uncredited) | |
| John More | .... | props (uncredited) | |
| Joe Trusty | .... | props (uncredited) | |
Sound Department | |||
| Al Riggs | .... | sound | |
Camera and Electrical Department | |||
| Richard Emmons | .... | operator of camera movement | |
| Eddie Fitzgerald | .... | operator of camera movement (as Edward Fitzgerald) | |
| Paul Hill | .... | operator of camera movement (as Paul G. Hill) | |
| James Potevin | .... | lighting technician (as Jim Potevin) | |
| Morris Rosen | .... | operator of camera movement | |
| Vic Jones | .... | gaffer (uncredited) | |
| Harry Marsh | .... | assistant camera (uncredited) | |
| John Miehle | .... | still photographer (uncredited) | |
| Harold Noyes | .... | grip (uncredited) | |
| Morris Rosen | .... | grip (uncredited) | |
| Phil Wagner | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Adrian | .... | dress: Miss Chandler | |
| Marion Dabney | .... | wardrobe (uncredited) | |
| Lillian House | .... | wardrobe assistant (uncredited) | |
| Leon Roberts | .... | wardrobe (uncredited) | |
Music Department | |||
| Leo F. Forbstein | .... | musical director | |
Other crew | |||
| Robert Brower | .... | associate technicolor color director | |
| Natalie Kalmus | .... | technicolor color director | |
| Dinsmore Alter | .... | cloud technical advisor (uncredited) | |
| Charlsie Bryant | .... | script supervisor (uncredited) | |
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| Strangers on a Train | All Good Things | Caché (Hidden) | Disturbia | Eyes Wide Shut |
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| Full cast and crew | Company credits | External reviews |
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"Rope" is one of Hitchcock's most unfortunately overlooked films. It doesn't have the depth of some of his other works (such as "Vertigo" or "Psycho"), but its just as engrossing and entertaining. Hitchcock could take such a seemingly simple premise and effectively stretch it out to a feature length and have none of it seem like filler. "Rope" is one of the most innovative film experiments of the decade, and it never feels gimmicky. Hitchcock, the master of suspense, is at the top of his game here. The film may be mostly nothing but dialog, but its always fascinating.
The acting is very good, as usual when working with Hitchcock's skilled direction. John Dall is absolutely spellbinding as one of cinema's scariest villains, an intellectual whose disregard for human emotions and morals verges more on fascism than the sub-Nietschze philosophy he proclaims. James Stewart is also superb as the voice of reason throughout the tension. The rest of the cast is good if occasionally awkward in delivery, but both Dall and Stewart turn in phenomenal performances.
Another interesting aspect of the film is the homoerotic subtext. I'm surprised it made it past the censors of the day, but to modern viewers its obvious there's something more to Dall and Farley Granger's relationship than just roommates. "Rope" is an absolutely fascinating film from the master of suspense, and even if its not his masterpiece, this is probably my personal favorite of Hitchcock's next to "Vertigo". (9/10)