8.0/10
99,584
332 user 137 critic

Rope (1948)

Approved | | Crime, Drama, Thriller | 25 September 1948 (USA)
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.

Director:

Writers:

(adapted by), (from the play by) | 1 more credit »
Reviews
Popularity
4,813 ( 332)

Watch Now

From $2.99 (SD) on Amazon Video

ON DISC
3 nominations. See more awards »
Learn more

People who liked this also liked... 

Crime | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder - a theory that he plans to implement.

Director: Alfred Hitchcock
Stars: Farley Granger, Robert Walker, Ruth Roman
Crime | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

An ex-tennis pro carries out a plot to murder his wife. When things go wrong, he improvises a brilliant plan B.

Director: Alfred Hitchcock
Stars: Ray Milland, Grace Kelly, Robert Cummings
The Birds (1963)
Drama | Horror | Mystery
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people.

Director: Alfred Hitchcock
Stars: Rod Taylor, Tippi Hedren, Suzanne Pleshette
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

Director: Alfred Hitchcock
Stars: James Stewart, Doris Day, Brenda de Banzie
Thriller
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A young woman discovers her visiting uncle may not be the man he seems to be.

Director: Alfred Hitchcock
Stars: Teresa Wright, Joseph Cotten, Macdonald Carey
Action | Adventure | Mystery
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.

Director: Alfred Hitchcock
Stars: Cary Grant, Eva Marie Saint, James Mason
Rear Window (1954)
Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

A wheelchair-bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder.

Director: Alfred Hitchcock
Stars: James Stewart, Grace Kelly, Wendell Corey
Comedy | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The trouble with Harry is that he's dead, and everyone seems to have a different idea of what needs to be done with his body...

Director: Alfred Hitchcock
Stars: John Forsythe, Shirley MacLaine, Edmund Gwenn
Marnie (1964)
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.

Director: Alfred Hitchcock
Stars: Tippi Hedren, Sean Connery, Martin Gabel
Crime | Mystery | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

When a reformed jewel thief is suspected of returning to his former occupation, he must ferret out the real thief in order to prove his innocence.

Director: Alfred Hitchcock
Stars: Cary Grant, Grace Kelly, Jessie Royce Landis
Frenzy (1972)
Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A serial murderer is strangling women with a necktie. The London police have a suspect, but he is the wrong man.

Director: Alfred Hitchcock
Stars: Jon Finch, Barry Foster, Barbara Leigh-Hunt
Notorious (1946)
Drama | Film-Noir | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?

Director: Alfred Hitchcock
Stars: Cary Grant, Ingrid Bergman, Claude Rains
Edit

Cast

Complete credited cast:
...
...
Edith Evanson ...
Mrs. Wilson
...
Kenneth Lawrence
Joan Chandler ...
Janet
...
Mr. Kentley (as Sir Cedric Hardwicke)
...
Dick Hogan ...
...
Edit

Storyline

Brandon and Philip are two young men who share a New York apartment. They consider themselves intellectually superior to their friend David Kentley and as a consequence decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet and their old schoolteacher Rupert from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Nothing ever held you like Alfred Hitchcock's Rope See more »

Genres:

Crime | Drama | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

25 September 1948 (USA)  »

Also Known As:

Alfred Hitchcock's Rope  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Screenwriter Arthur Laurents assures that in the original play, the character of Cadell (played by James Stewart) allegedly had an affair with one of the two murderers while in school. See more »

Goofs

During the tussle between Philip and Rupert, the gun fires and injures Rupert's hand. Following which Rupert takes his handkerchief to tie his wound. But he only manages to loosely hold it in his left arm. Then, when he walks over to the chest and opens it, shot the handkerchief is perfectly wrapped around Rupert's wounded arm. See more »

Quotes

Brandon: That's where we're superior, Phillip. We have courage. Rupert doesn't.
Mrs. Wilson - Their Housekeeper: [placing a tray of food on the table] Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.
See more »

Crazy Credits

Most of the characters in the movie are listed in their relation to David, a character who is only seen for a couple of seconds, and has no lines in movie. The only person who isn't listed in reference to David is James Stewart's character. See more »

Connections

Referenced in Nick of Time (1995) See more »

Soundtracks

I'm Looking Over a Four-Leaf Clover
(1928) (uncredited)
Music by Harry M. Woods
Played on the radio by The Three Suns when Rupert is talking to Mrs. Wilson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The birth of an "eye"
5 February 2007 | by (Porto, Portugal) – See all my reviews

I place this one in my list of films anyone should watch. That is, in order to understand some fundamental issues on film-making and films in the last 50 years.

What i'm least interested in here are the technical innovations. Those represent today a curiosity, a museum fact, worth being remembered and credited to those who worked for them, but just it.

I'm also not so interested in the underlying taboo subjects, namely those regarding the homosexuality issue. In respect to that, i even think the whole film construction, from casting to scene writing threw away many things. I'll get morecontroversial. I think Hitchcock in fact despised those messages (the writers were worried in exploring them, not Hitch), he was not after meanings or controversies, he was after something far more ingenious and influential. I'm talking about his camera eye.

Before this one, all Hitch's work was something between a classical construction and some exploration of the camera as carrier of a character's (and the audience's) emotion/feeling/sensation. The library scene in 'Shadow of a doubt', for example, is the perfect example of what i'm talking about. Anyway, that will Hitch had of making the camera follow around characters, sets, and reveal what a character (or "god") had to reveal was already notable. In here, he made that the theme of the picture. One single set, very few characters, a clear as water story (which he made even clearer by not throwing any doubt about the destiny of the murdered boy). The sexual issues also go to second importance issues. The apartment is at once simple enough to solve the technical difficulties of filming it, and large and divided enough to allow the camera to explore it, searching for elements, for dialogues or for actions. The camera has curiosity, it is almost a character, a character called audience. Years later, in different molds, Hitch would place Stewart behind the camera and definitely assume it as a physical character in the plot (Rear Window). In here what we get is fully a camera that moves to the whishes of the director. The curious, ever searching camera that dePalma would reinvent and Polanski master shows up here.

I believe the work of dePalma, in a way Polanski, Chabrol and even some Godard (Le mépris is filled with this) all derive from what happened here. Hitchcock would probably hit the top with Rear Window, but here is where he becomes an inventor.

My evaluation: 5/5 . one of the cinematic manifestos


26 of 32 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?