A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Brandon and Philip are two young men who share a New York apartment. They consider themselves intellectually superior to their friend David Kentley and as a consequence decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet and their old schoolteacher Rupert from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. Written by
Col Needham <email@example.com>
The apartment is supposedly located around Second Avenue and 54th street in NYC. The view out the window is looking to the West. See more »
As Brandon and Philip walk back to the kitchen after finding the rope, the frame over the doorway into the hall can be seen separating. Since each reel was filmed in one continuous take, sets had to be moved out of the way during the shot, allowing the camera to follow the actors between rooms. (A similar mistake is visible in the tracking shot out of Bob Rusk's house in Frenzy.) See more »
Most of the characters in the movie are listed in their relation to David, a character who is only seen for a couple of seconds, and has no lines in movie. The only person who isn't listed in reference to David is James Stewart's character. See more »
What an unusual Hitchcock film... such a small cast, and the whole film consists of long takes. Before seeing this, I had heard enormously positive things about it... most of them coming from my father, who hadn't seen it for about fifteen years. I had high expectations for the film, but I must say it exceeded them. Though there are only a few cuts in this film, meaning the camera is running almost non-stop, Hitchcock makes great use of it; he manages to fit in many of his trademark angles and closeups in, without it seeming forced. At one point, the camera focuses for a minute and a half on an inanimate object with only one visible character moving back and forth near it, and he manages to drench the cut in suspense, leaving even the most calm and collected of viewers at the edge of their seat, biting their nails. Only the fewest directors could make that sequence work, and luckily Hitchcock is one of them. The plot is great. It's interesting and it develops nicely. The pacing is perfect. I was never bored for a second. The acting, oh the acting... John Dall is excellent as Brandon, the intellectually superior and very smug main character. Makes me wonder why he didn't get more roles in his career. Stewart is great, as usual. The rest of the acting is very good as well. The characters are well-written and credible. For such an unusual film, and despite the heavy feeling of watching a stage play rather than a film, it's very entertaining and effective. If for nothing else, watch this to enjoy Dall as the cold, calculating and manipulative psychopath. I recommend this to fans of Hitchcock and Stewart. 8/10
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