A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Brandon and Philip are two young men who share a New York apartment. They consider themselves intellectually superior to their friend David Kentley and as a consequence decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet and their old schoolteacher Rupert from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. Written by
Col Needham <firstname.lastname@example.org>
[Identifying with the killer]
Throughout the entire film, Brandon and Philip are at risk of exposure. See more »
During the tussle between Philip and Rupert, the gun fires and injures Rupert's hand. Following which Rupert takes his handkerchief to tie his wound. But he only manages to loosely hold it in his left arm. Then, when he walks over to the chest and opens it, shot the handkerchief is perfectly wrapped around Rupert's wounded arm. See more »
[David screams, to Phillip]
[they put David in the trunk and close it]
See more »
Most of the characters in the movie are listed in their relation to David, a character who is only seen for a couple of seconds, and has no lines in movie. The only person who isn't listed in reference to David is James Stewart's character. See more »
Rope is one of the finer films that Hitchcock made. Philosophy, sociology and psychology are contained in equal parts. The plot is simple, the characters are complex and Hitchcock's treatment of the Leopold and Loeb parallel quite deft. The final soliloquy from Jimmy Stewart's character, Rupert, is not only one of the finest examples of Stewart's acting abilities but also of film-making.
On the subject of filmmaking - Hitchcock filmed this in as much of a single take as possible. I believe there are only five edits in the whole thing. I can wholeheartedly tell you that it was no gimmick on Hitchcock's part. The play's plot requires that a certain amount of tension be maintained. Tracking shots are used for this purpose and quite well in my opinion. Timing, position and prop movements alone are to force us to stand in awe of a logistical challenge. All the actors are played superbly. The dialogue is natural and flowing. The finest bit of timing involves a swinging kitchen door, the rope, and the fear of discovery.
In short, this is a fine film that cannot disappoint. Highly recommended and will be well worth your time.
96 of 121 people found this review helpful.
Was this review helpful to you?