Brandon and Philip are two young men who share a New York apartment. They consider themselves intellectually superior to their friend David Kentley and as a consequence decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet and their old schoolteacher Rupert from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. Written by
Col Needham <email@example.com>
Although the film lasts about 80 minutes and is supposed to be in "real time", the time frame it covers is actually longer - a little more than 100 minutes. This is accomplished by speeding up the action: the formal dinner lasts only 20 minutes, the sun sets too quickly and so on. The September 2002 issue of Scientific American contains a complete analysis of this technique (and the effect it has on the viewers, who actually feel as if they watched a 100-minutes movie). See more »
When Rupert is talking to Brandon and holding two plates of ice cream, the camera moves behind Brandon's back to make a cut. When the camera re-emerges, Rupert and Brandon are standing in the same positions, but the doorway background is in a different place. Also, the ice cream topping has changed from chocolate to caramel. Furthermore, the piece of cake changes position on the plate in Rupert's left hand - it moves to the opposite side. See more »
Most of the characters in the movie are listed in their relation to David, a character who is only seen for a couple of seconds, and has no lines in movie. The only person who isn't listed in reference to David is James Stewart's character. See more »
Brilliant! The most underrated of the Hitchcock/Stewart collaborations is still as fascinating and entertaining as ever.
Alfred Hitchcock directed so many brilliant movies that the best known ones like 'Rear Window', 'Vertigo', 'Psycho' and 'The Birds' overshadow equally worthy films like 'Shadow Of A Doubt', 'Lifeboat' - insert your personal favourite here - and this one, 'Rope'. It was the first Hitchcock movie to feature James Stewart and it is easily the most underrated of the four movies they made together. I think Stewart was brave for taking this part, which was much darker than the usual characters associated with him, and it's difficult to imagine him being able to play Scottie in 'Vertigo' without having done this movie first. Stewart is excellent in the movie, but equally good are Farley Grainger (who subsequently starred in Hitchcock's 'Strangers On A Train') and John Dall as the thrill killers. Dall gives the best performance in the movie. I'm surprised that after making this and the Noir cult classic 'Gun Crazy' he isn't better known. The technical "gimmick" of 'Rope' is usually mentioned more than anything else about it (Hitchcock wanted one long continuous take, which wasn't possible at the time, but compromised by using several long ones, a very innovative approach at the time), but there is a lot more to it than just that. Considering the strict censorship of the period it was a daring look at homosexuality. The word is never used at any time in the script but a sophisticated audience would have no doubt what was really going on. I've only seen about a third of Hitchcock's output but every movie of his I watch or rewatch makes me marvel at him all the more. The greatest and most influential director of suspense movies was also one of the greatest directors of ANY genre ever. 'Rope' deserves to be mentioned in any list of his ten best movies. 55 years after it was originally released it is as fascinating and entertaining as ever. Highly recommended!
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