Down 136 this week

Rope (1948)

PG  |   |  Crime, Drama, Thriller  |  28 August 1948 (USA)
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.0/10 from 90,388 users  
Reviews: 317 user | 127 critic

Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.



(adapted by), (from the play by), 2 more credits »
0Check in

Watch Now

From $2.99 on Amazon Video

3 nominations. See more awards »



Learn more

People who liked this also liked... 

    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

Director: Alfred Hitchcock
Stars: James Stewart, Doris Day, Brenda de Banzie
Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

An ex-tennis pro carries out a plot to murder his wife. When things go wrong, he improvises a brilliant plan B.

Director: Alfred Hitchcock
Stars: Ray Milland, Grace Kelly, Robert Cummings
Crime | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder - a theory that he plans to implement.

Director: Alfred Hitchcock
Stars: Farley Granger, Robert Walker, Ruth Roman
The Birds (1963)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.

Director: Alfred Hitchcock
Stars: Rod Taylor, Tippi Hedren, Suzanne Pleshette
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A young woman discovers her visiting "Uncle Charlie" may not be the man he seems to be.

Director: Alfred Hitchcock
Stars: Teresa Wright, Joseph Cotten, Macdonald Carey
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

The trouble with Harry is that he's dead, and everyone seems to have a different idea of what needs to be done with his body...

Director: Alfred Hitchcock
Stars: John Forsythe, Shirley MacLaine, Edmund Gwenn
Marnie (1964)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.

Director: Alfred Hitchcock
Stars: Tippi Hedren, Sean Connery, Martin Gabel
Saboteur (1942)
Thriller | War
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Aircraft factory worker Barry Kane goes on the run across the United States when he is wrongly accused of starting a fire that killed his best friend.

Director: Alfred Hitchcock
Stars: Priscilla Lane, Robert Cummings, Otto Kruger
Lifeboat (1944)
Thriller | War
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Several survivors of a torpedoed ship find themselves in the same boat with one of the men who sunk it.

Director: Alfred Hitchcock
Stars: Tallulah Bankhead, John Hodiak, Walter Slezak
Mystery | Romance | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

When a reformed jewel thief is suspected of returning to his former occupation, he must ferret out the real thief in order to prove his innocence.

Director: Alfred Hitchcock
Stars: Cary Grant, Grace Kelly, Jessie Royce Landis
Frenzy (1972)
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A serial murderer is strangling women with a necktie. The London police have a suspect, but he is the wrong man.

Director: Alfred Hitchcock
Stars: Jon Finch, Barry Foster, Alec McCowen
The Wrong Man (1956)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

True story of an innocent man mistaken for a criminal.

Director: Alfred Hitchcock
Stars: Henry Fonda, Vera Miles, Anthony Quayle


Complete credited cast:
Dick Hogan ...
His friend - Brandon
His friend - Philip
Edith Evanson ...
Their housekeeper - Mrs. Wilson
David's rival - Kenneth
Joan Chandler ...
David's girl - Janet
His father - Mr. Kentley (as Sir Cedric Hardwicke)


Brandon and Philip are two young men who share a New York apartment. They consider themselves intellectually superior to their friend David Kentley and as a consequence decide to murder him. Together they strangle David with a rope and placing the body in an old chest, they proceed to hold a small party. The guests include David's father, his fiancée Janet and their old schoolteacher Rupert from whom they mistakenly took their ideas. As Brandon becomes increasingly more daring, Rupert begins to suspect. Written by Col Needham <col@imdb.com>

Plot Summary | Add Synopsis


It's his most nerve-stretching thriller! See more »


Crime | Drama | Thriller


PG | See all certifications »

Parents Guide:





Release Date:

28 August 1948 (USA)  »

Also Known As:

Alfred Hitchcock's Rope  »

Box Office


$1,500,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound System)



Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Dick Hogan's cameo as the opening scene's murder victim, David Kentley, is his last appearance in a film. See more »


With a cigarette in his left hand, Brandon makes a quick phone call to the garage man. After he hangs up the phone he has no cigarette. See more »


Brandon: That's where we're superior, Phillip. We have courage. Rupert doesn't.
Mrs. Wilson - Their Housekeeper: [placing a tray of food on the table] Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.
See more »

Crazy Credits

Most of the characters in the movie are listed in their relation to David, a character who is only seen for a couple of seconds, and has no lines in movie. The only person who isn't listed in reference to David is James Stewart's character. See more »


Mouvement perpetuel no. 1
(1919) (uncredited)
Written by Francis Poulenc
Played on the piano
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The birth of an "eye"
5 February 2007 | by (Porto, Portugal) – See all my reviews

I place this one in my list of films anyone should watch. That is, in order to understand some fundamental issues on film-making and films in the last 50 years.

What i'm least interested in here are the technical innovations. Those represent today a curiosity, a museum fact, worth being remembered and credited to those who worked for them, but just it.

I'm also not so interested in the underlying taboo subjects, namely those regarding the homosexuality issue. In respect to that, i even think the whole film construction, from casting to scene writing threw away many things. I'll get morecontroversial. I think Hitchcock in fact despised those messages (the writers were worried in exploring them, not Hitch), he was not after meanings or controversies, he was after something far more ingenious and influential. I'm talking about his camera eye.

Before this one, all Hitch's work was something between a classical construction and some exploration of the camera as carrier of a character's (and the audience's) emotion/feeling/sensation. The library scene in 'Shadow of a doubt', for example, is the perfect example of what i'm talking about. Anyway, that will Hitch had of making the camera follow around characters, sets, and reveal what a character (or "god") had to reveal was already notable. In here, he made that the theme of the picture. One single set, very few characters, a clear as water story (which he made even clearer by not throwing any doubt about the destiny of the murdered boy). The sexual issues also go to second importance issues. The apartment is at once simple enough to solve the technical difficulties of filming it, and large and divided enough to allow the camera to explore it, searching for elements, for dialogues or for actions. The camera has curiosity, it is almost a character, a character called audience. Years later, in different molds, Hitch would place Stewart behind the camera and definitely assume it as a physical character in the plot (Rear Window). In here what we get is fully a camera that moves to the whishes of the director. The curious, ever searching camera that dePalma would reinvent and Polanski master shows up here.

I believe the work of dePalma, in a way Polanski, Chabrol and even some Godard (Le mépris is filled with this) all derive from what happened here. Hitchcock would probably hit the top with Rear Window, but here is where he becomes an inventor.

My evaluation: 5/5 . one of the cinematic manifestos

21 of 23 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Completely missed supposed homosexual vibe darkfyre17
Would you put this among Hitchcocks best? the_crawl4
When did Rupert begin to suspect? Derek020
Ben Affleck was great in this tebor79
Would they have gotten away with it if they were more shrewd? thecrux-1
An easy way out for the murderers nage-3
Discuss Rope (1948) on the IMDb message boards »

Contribute to This Page

Create a character page for: