Uneducated and poor, Libby lives a sheltered life in a broken down shack with her unloving parents. When a work crew of San Quentin convicts arrives to put in a new road, she takes an ... See full summary »
After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man. In his uncertainty, he takes a job on an isolated bait barge. That night, he rescues ... See full summary »
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
The editor of a New York exploitation newspaper meets the wife he had abandoned years ago, while using another name, at a LonelyHearts ball sponsored by his newspaper. She threatens to ... See full summary »
The ambitious Stanton "Stan" Carlisle works in a sideshow as carny and assistant of the mentalist Zeena Krumbein, who is married with the alcoholic Pete. The couple had developed a secret ... See full summary »
Sgt. Thorne Ryan, who once fought bravely in Korea, now serves as a hard-nosed drill instructor to new Army recruits at Fort Bliss, Texas. But is he really the man he is often described as?... See full summary »
Jefty, owner of a roadhouse in a backwoods town, hires sultry, tough-talking torch singer Lily Stevens against the advice of his manager Pete Morgan. Jefty is smitten with Lily, who in turn exerts her charms on the more resistant Pete. When Pete finally falls for her and she turns down Jefty's marriage proposal, they must face Jefty's murderous jealousy and his twisted plots to "punish" the two. Written by
Rod Crawford <firstname.lastname@example.org>
Three of the people involved in this production - studio head Darryl F. Zanuck, director Jean Negulesco and star Ida Lupino - had previously worked for Warner Bros. In fact, despite the commercial success of his last Warners film, Johnny Belinda (1948), Negulesco had just been fired from Warners when Zanuck signed him to Fox and offered him 'Road House'. See more »
She does more without a voice than anybody I've ever heard!
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Lupino gives a premier league performance. Take her rendition of "One for My Baby, One More For The Road": it's an object lesson in how a conventionally beautiful voice is NOT required in order to triumph as a singer. Although she croaks the number rather than sings it, she acts it as if the character has felt every ounce of suffering in the lyric - and then some.
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