It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement ... See full summary »
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A pilot wants a life of ease, flying for drug smugglers and looking the other way until his conscience is tweaked by a woman he has misused. The story unfolds in flashbacks as the pilot ... See full summary »
André De Toth
Sgt. Thorne Ryan, who once fought bravely in Korea, now serves as a hard-nosed drill instructor to new Army recruits at Fort Bliss, Texas. But is he really the man he is often described as?... See full summary »
In the bordertown of San Pablo, preparing for an annual 'Mexican Fiesta,' arrives Gagin: tough, mysterious and laconic. His mission: to find the equally mysterious Frank Hugo, evidently for... See full summary »
Jefty, owner of a roadhouse in a backwoods town, hires sultry, tough-talking torch singer Lily Stevens against the advice of his manager Pete Morgan. Jefty is smitten with Lily, who in turn exerts her charms on the more resistant Pete. When Pete finally falls for her and she turns down Jefty's marriage proposal, they must face Jefty's murderous jealousy and his twisted plots to "punish" the two. Written by
Rod Crawford <email@example.com>
Three of the people involved in this production - studio head Darryl F. Zanuck, director Jean Negulesco and star Ida Lupino - had previously worked for Warner Bros. In fact, despite the commercial success of his last Warners film, Johnny Belinda (1948), Negulesco had just been fired from Warners when Zanuck signed him to Fox and offered him 'Road House'. See more »
She does more without a voice than anybody I've ever heard!
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Lupino gives a premier league performance. Take her rendition of "One for My Baby, One More For The Road": it's an object lesson in how a conventionally beautiful voice is NOT required in order to triumph as a singer. Although she croaks the number rather than sings it, she acts it as if the character has felt every ounce of suffering in the lyric - and then some.
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