Uneducated and poor, Libby lives a sheltered life in a broken down shack with her unloving parents. When a work crew of San Quentin convicts arrives to put in a new road, she takes an ... See full summary »
The editor of a New York exploitation newspaper meets the wife he had abandoned years ago, while using another name, at a LonelyHearts ball sponsored by his newspaper. She threatens to ... See full summary »
After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man. In his uncertainty, he takes a job on an isolated bait barge. That night, he rescues ... See full summary »
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope... See full summary »
Jefty, owner of a roadhouse in a backwoods town, hires sultry, tough-talking torch singer Lily Stevens against the advice of his manager Pete Morgan. Jefty is smitten with Lily, who in turn exerts her charms on the more resistant Pete. When Pete finally falls for her and she turns down Jefty's marriage proposal, they must face Jefty's murderous jealousy and his twisted plots to "punish" the two. Written by
Rod Crawford <email@example.com>
In a 1969 interview, director Jean Negulesco recalled that when Fox studio chief Darryl F. Zanuck gave him the assignment to direct 'Road House', Zanuck told him, "This is a bad script. Three directors have refused it. They don't know what they're doing, because basically it's quite good. Remember those pictures we used to make at Warner Bros., with Pat O'Brien and Jimmy Cagney, in which every time the action flagged we staged a fight and every time a man passed a girl she'd adjust her stocking or something, trying to be sexy? That's the kind of picture we have to have with 'Road House.'" See more »
Hey, Susie! What do you think of this one? She's somethin', isn't she?
If you like the sound of gravel.
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Intriguing Noir with a Sultry Performance by Ida Lupino
A fascinating, quietly invigorating noir piece from director Jean Negulesco. Richard Widmark is fantastic as the owner of the roadhouse who spoils the marriage of Cornel Wilde and Ida Lupino in the quasi-idyllic setting located in the U.S.-Canadian border. There are two things that kept me fascinated by this odd and satisfying little noir. One is the sultry presence of Ida Lupino as the silky, smooth-voiced torch singer Lily (her rendition of "One for My Baby" is itself precious). Without a doubt this is one of Lupino's best performances. The other is director Negulesco's intriguingly stylish direction: the use of languorous long takes and deep focus, particularly in the misty, smoke-induced finale in the wilderness is quite haunting and expressive. This is the only Negulesco film I've seen. I'm looking forward to this other works.
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