This is the warm-hearted story of a wholesome Terry Moore, whose late uncle Willie (James Gleason) is reincarnated as a thoroughbred horse. At least, as far as Ms. Moore is concerned, he is... See full summary »
Brandy Kirby and crooked Lawyer Vincent Mailer plan to rob William and Maida McIntyre by producing a convincing double for their long-lost son. Brandy charms gambler Lefty Farrell into ... See full summary »
Just before Christmas, Joe Miracle, a returning WWII war hero, comes home to learn that gangster Barney Teener has taken over his nightclub and murdered Joe's partner. Joe loots the club's ... See full summary »
In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
During the Korean War, a U.S. Marine battalion must fight its way out of a frozen mountain pass despite diminishing supplies, freezing temperatures and constant attacks by overwhelming ... See full summary »
Joseph H. Lewis
An artist famous for his calendar portraits of beautiful women becomes fascinated by a prim and proper professor and tries to get her to pose for his arwork. She declines his offer, but he's determined not to take no for an answer.
Director William A. Wellman adds another to his long line of salutes-to-aviation films in this bio of an aviation pioneer, John Montgomery (Glenn Ford.) In 1883 he built a practical glider ... See full summary »
This is the warm-hearted story of a wholesome Terry Moore, whose late uncle Willie (James Gleason) is reincarnated as a thoroughbred horse. At least, as far as Ms. Moore is concerned, he is. The horse's name is October. Moore is tried for insanity, then becomes the subject of a book by a top psychologist (Glenn Ford), who falls in love with his subject. Written by
Pleasing piece of yesteryear, a whimsical, contrived, and often extremely silly comedy from (of all people) director Joseph H. Lewis. Terry Moore is brash and appealing playing a headstrong, stubborn eighteen-year old girl facing a sanity hearing after her boyfriend, a campus psychologist, publishes a paper detailing her 'delusional' belief that a racehorse named October is her beloved deceased uncle come back to life; her relatives, greedy sorts who have been cut out of the last will of the lass's eccentric aunt, hope to put the kid away, but all she really wants is to race the horse in the Kentucky Derby! Typically overstuffed screenplay by Norman Panama and Melvin Frank has lots of lickety-split talk, a courtroom sequence played at breakneck speed, but much affection for its characters as well. Moore, with her red hair, wide eyes and fashionable jodhpurs, looks like Nicole Kidman's sassy kid sister; she often struggles with her reactions, and she's so alert that at times she appears to be staring blankly, however she acquits herself nicely with this role, and her romantic scenes with Glenn Ford are sweetly screwball. The big race finale isn't given the same care as the rest of the picture (it's pushed along and then cut a bit short), but then this isn't a teary, sentimental piece and the sub-plots are neatly tied up. Good fun! **1/2 from ****
5 of 5 people found this review helpful.
Was this review helpful to you?