This is the warm-hearted story of a wholesome Terry Moore, whose late uncle Willie (James Gleason) is reincarnated as a thoroughbred horse. At least, as far as Ms. Moore is concerned, he is... See full summary »
John Hamilton leaves a comfortable New York job to take up as an artist in a quiet Connecticut town. His dipso wife hates the life and falsely makes him out to be selfish, unsuccessful, and... See full summary »
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. ... See full summary »
Dr. Michael Corday, a recent graduate of the Harvard Medical School, is the son of Dr. John Corday, an eminent New York City surgeon who has a tendency to continue to direct the lives of ... See full summary »
Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie's daughter, Marguerite, and William ... See full summary »
Director William A. Wellman adds another to his long line of salutes-to-aviation films in this bio of an aviation pioneer, John Montgomery (Glenn Ford.) In 1883 he built a practical glider ... See full summary »
A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, ... See full summary »
Joseph H. Lewis
On a small island in the South Pacific, the Navy's P.R. department is spending WWII without getting near a ship. Lt. Max Siegal is the Second in command to a clueless Commanding Officer who... See full summary »
This is the warm-hearted story of a wholesome Terry Moore, whose late uncle Willie (James Gleason) is reincarnated as a thoroughbred horse. At least, as far as Ms. Moore is concerned, he is. The horse's name is October. Moore is tried for insanity, then becomes the subject of a book by a top psychologist (Glenn Ford), who falls in love with his subject. Written by
Pleasing piece of yesteryear, a whimsical, contrived, and often extremely silly comedy from (of all people) director Joseph H. Lewis. Terry Moore is brash and appealing playing a headstrong, stubborn eighteen-year old girl facing a sanity hearing after her boyfriend, a campus psychologist, publishes a paper detailing her 'delusional' belief that a racehorse named October is her beloved deceased uncle come back to life; her relatives, greedy sorts who have been cut out of the last will of the lass's eccentric aunt, hope to put the kid away, but all she really wants is to race the horse in the Kentucky Derby! Typically overstuffed screenplay by Norman Panama and Melvin Frank has lots of lickety-split talk, a courtroom sequence played at breakneck speed, but much affection for its characters as well. Moore, with her red hair, wide eyes and fashionable jodhpurs, looks like Nicole Kidman's sassy kid sister; she often struggles with her reactions, and she's so alert that at times she appears to be staring blankly, however she acquits herself nicely with this role, and her romantic scenes with Glenn Ford are sweetly screwball. The big race finale isn't given the same care as the rest of the picture (it's pushed along and then cut a bit short), but then this isn't a teary, sentimental piece and the sub-plots are neatly tied up. Good fun! **1/2 from ****
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