6 items from 2014
The Criterion Collection has just released a new filmmaker top ten and this time it's Martin Scorsese getting the honors and he has quite a lot to say about each. The list includes obvious titles such as The Red Shoes, 8 1/2, The Leopard, Ashes and Diamonds and others as they were all on his list of Top 12 Films of All-Time from back in 2012. Nevertheless, it remains fascinating to read his words and reasoning. For example, I find it interesting to see him placing Roberto Rossellini's Paisan at #1. So often Rome Open City is the most talked about of Rossellini's fabulous War Trilogy (read my review) and so infrequently you hear about Paisan or Germany Year Zero, the latter of which is an absolute stunner. I've never sen Jean Renoir's The River or Francesco Rosi's Salvatore Giuliano, but the rest I've viewed. I'm not a huge fan of The Leopard, »
- Brad Brevet
In the dog days of the second world war, the heart of British cinema could be found inside a three-room flat off the Marylebone Road in London. This, from 1942-1947, was the headquarters of film-makers Michael Powell and Emeric Pressburger, and the production office for such pictures as A Matter of Life and Death, The Red Shoes and The Life and Death of Colonel Blimp. In the event of air raids, the office came equipped with a set of camp beds.
Now the flat at Dorset House has been commemorated with an English Heritage blue plaque, honouring the work of Powell and Pressburger's film company, the Archers. Attending the unveiling were Powell's widow, the Oscar-winning American editor Thelma Schoonmaker, »
- Xan Brooks
Wolf of Wall Street director pays tribute to 'extraordinary' work of British film-making greats honoured by English Heritage
Following his visit to the Bafta awards, the film director attended a ceremony on Monday unveiling the English Heritage blue plaque on the duo's London office.
Michael Powell and Emeric Pressburger were behind some of the most celebrated British films of their era such as The Life and Death of Colonel Blimp, Black Narcissus, The Red Shoes and A Matter of Life and Death.
The plaque has been placed outside the office at Dorset House in Gloucester Place, Marylebone, which served as a base for their production company, The Archers, from 1942 to 1947.
In keeping with the austerity of those days, their office was sparsely decorated, with camp beds in case of air-raid warnings, »
Turner Classic Movies (TCM) will open the 2014 edition of the TCM Classic Film Festival with the world premiere of a brand new restoration of the beloved Rodgers & Hammerstein musical Oklahoma! (1955). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Oklahoma!, with the film’s star, Academy Award®-winner Shirley Jones, in attendance. Vanity Fair will also return for the fifth year as a festival partner and co-presenter of the opening night after-party. Marking its fifth year, the TCM Classic Film Festival will take place April 10-13, 2014, in Hollywood. The gathering will coincide withTCM’s 20th anniversary as a leading authority in classic film.
In addition, the festival has added several high-profile guests to this year’s lineup, including Oscar®-winning director William Friedkin, who will attend for the screening of the U.S. premiere restoration of his suspenseful cult classic Sorcerer (1977); Kim Novak, who »
- Melissa Thompson
Dance can improve the health and happiness of people of all body shapes – but too often those who don't conform to the professional ideal are shut out, and that's a great shame
There is, I think, a very serious point at the heart of Channel 4's new three-part reality show, Big Ballet. That point is not about being fat or being thin. It's about differences in gender attitudes to work and leisure that go back centuries. Not that any of this is intentional or explicit in the show, which, if last Thursday's opening episode is anything to go by, follows the formula of an established contemporary genre. The contention of the show's presenter, the former Royal Ballet principal dancer Wayne Sleep, is simply that anyone and everyone should have access to classical ballet as a means of enjoyment and exercise, however they look. He's right. Why not?
The reason why not is complex. »
- Deborah Orr
At 73, Schoonmaker has been an essential cog in the director’s moviemaking machine for more than three decades, winning the Oscar for editing on “Raging Bull,” “The Aviator” and “The Departed.” “Wolf” marks Schoonmaker’s 19th collaboration with Scorsese (and the filmmaker’s fifth with Leonardo DiCaprio) and presented a different set of challenges.
The shooting script, based on the memoirs of Jordan Belfort, a corrupt stockbroker, was already 162 pages long. And Scorsese stretched the story further when he asked his actors to freely improvise, resulting in reels of footage that resembled a documentary. The first cut of the film ran four hours.
Even though there was some talk about releasing “Wolf” in two parts, the real solution was to continue trimming throughout the fall. A »
- Ramin Setoodeh
6 items from 2014
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