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The Red Shoes (1948)

Not Rated  |   |  Drama, Music, Romance  |  6 September 1948 (UK)
8.3
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Ratings: 8.3/10 from 18,280 users  
Reviews: 131 user | 124 critic

A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

(fairy tale), (original screenplay), 3 more credits »
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Title: The Red Shoes (1948)

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Won 2 Oscars. Another 2 wins & 5 nominations. See more awards »

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Edit

Cast

Cast overview, first billed only:
Marius Goring ...
Jean Short ...
Terry
Gordon Littmann ...
Ike
Julia Lang ...
A Balletomane
Bill Shine ...
Her Mate
Léonide Massine ...
Ljubov (as Leonide Massine)
Anton Walbrook ...
Austin Trevor ...
Prof. Palmer
...
Livy
Eric Berry ...
Dimitri
Irene Browne ...
Lady Neston
...
...
Boronskaja (as Ludmilla Tcherina)
Jerry Verno ...
Stage-Door Keeper
...
Ivan Boleslawsky
Edit

Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Taglines:

A Dancing, Singing, Swinging Love Tale See more »

Genres:

Drama | Music | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1948 (UK)  »

Also Known As:

Las zapatillas rojas  »

Box Office

Budget:

£500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Emeric Pressburger originally wrote the script in 1937 when producer Alexander Korda was casting around for a project for his wife, Merle Oberon. The intention was that a professional dancer would fill in for Oberon in the dancing scenes. Nothing ever came of it - mainly due to the intervention of the war - and Michael Powell and Pressburger were able to buy the rights for the screenplay back from Korda for £12,000 in 1947. To do this, however, they had to pretend that it was purely for sentimental reasons and not because they wanted to make it into a film. Having worked for Korda before, they both knew that he was a very shrewd businessman and that, if he detected they really wanted the property, he would have raised the price. See more »

Goofs

The length of Julian's cigarette changes dramatically (gets longer and then gets much shorter than he could smoke it down to in the short time between shots) while he's playing the piano for Vicky in Lermontov's office. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Connections

Featured in Glorious Technicolor (1998) See more »

Soundtracks

Bougainvillia
(Dance Music)
Music by Brian Easdale
Performed by Ted Heath's Kenny Baker Swing Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
P&P's Masterpiece
12 April 1999 | by (London, England) – See all my reviews

I have seen this film about 30 times in 30 years and for me this film will always be special. Astonishingly, my wife, who is a Ballet Teacher, doesn't care at all for this film finding it too 'affected'. Perhaps as I am not involved with ballet at a professional level is a reason why I can enjoy this vibrant, colourful fantasy so much, but then our ballet friends adore the film, so who knows why this film affects some so profoundly (Spielberg&Scorsese!!) and not others. Anton Walbrook's authoritative performance is so memorable and Moira Shearer dances beautifully. Perhaps because the film is so highly charged with passion and emotion it will never please everyone, but I feel this is one of the great achievements of British Cinema and a film so rich and inspirational you will never wish to forget it.


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