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The Red Shoes (1948)

Not Rated | | Drama, Music, Romance | 6 September 1948 (UK)
A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

(fairy tale), (original screenplay) | 3 more credits »
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Won 2 Oscars. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jean Short ...
Terry
Gordon Littmann ...
Ike
Julia Lang ...
A Balletomane
Bill Shine ...
Her Mate
Léonide Massine ...
Ljubov (as Leonide Massine)
...
...
Professor Palmer
...
Livy
Eric Berry ...
Dimitri
...
Lady Neston
...
...
Irina Boronskaja (as Ludmilla Tcherina)
Jerry Verno ...
Stage-Door Keeper
...
Ivan Boleslawsky
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Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Taglines:

Dance she did, and dance she must - between her two loves See more »

Genres:

Drama | Music | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1948 (UK)  »

Also Known As:

Las zapatillas rojas  »

Box Office

Budget:

£500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(as Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Christopher Challis had just graduated from camera operator to director of photography, having previously worked with Michael Powell, Emeric Pressburger and Jack Cardiff. However, on hearing that the three would be working together on a film about ballet, he went to them and told them that he would happily revert back to the role of camera operator just for the chance of working with them again. See more »

Goofs

Near the end, when Vicky is getting ready to go on stage for "The Red Shoes" once again, she's wearing the red dancing shoes as she hesitates, but that play starts with the white dancing shoes; only during the play does her character find the red shoes and put them on.

However, this is not an accidental goof. This is essential to the plot and the director wants us to overlook this detail so that all the symbolism of Vicky wearing those red shoes while "unable to stop dancing" can be fully explored. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Crazy Credits

The end of the film finishes with 'Finis' instead of 'The End'. See more »

Connections

Featured in A Profile of 'The Red Shoes' (2000) See more »

Soundtracks

Danse de la poupée
(uncredited)
from "Coppelia"
Music by Léo Delibes
Played by uncredited symphony orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
P&P's Masterpiece
12 April 1999 | by (London, England) – See all my reviews

I have seen this film about 30 times in 30 years and for me this film will always be special. Astonishingly, my wife, who is a Ballet Teacher, doesn't care at all for this film finding it too 'affected'. Perhaps as I am not involved with ballet at a professional level is a reason why I can enjoy this vibrant, colourful fantasy so much, but then our ballet friends adore the film, so who knows why this film affects some so profoundly (Spielberg&Scorsese!!) and not others. Anton Walbrook's authoritative performance is so memorable and Moira Shearer dances beautifully. Perhaps because the film is so highly charged with passion and emotion it will never please everyone, but I feel this is one of the great achievements of British Cinema and a film so rich and inspirational you will never wish to forget it.


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