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The Red Shoes (1948)

 -  Drama | Music | Romance  -  6 September 1948 (UK)
8.3
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Ratings: 8.3/10 from 16,526 users  
Reviews: 125 user | 126 critic

A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

(fairy tale), (original screenplay), 3 more credits »
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Title: The Red Shoes (1948)

The Red Shoes (1948) on IMDb 8.3/10

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Won 2 Oscars. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marius Goring ...
Jean Short ...
Terry
Gordon Littmann ...
Ike
Julia Lang ...
A Balletomane
Bill Shine ...
Her Mate
Léonide Massine ...
Ljubov (as Leonide Massine)
Anton Walbrook ...
Austin Trevor ...
Prof. Palmer
...
Livy
Eric Berry ...
Dimitri
Irene Browne ...
Lady Neston
...
Ludmilla Tchérina ...
Boronskaja (as Ludmilla Tcherina)
Jerry Verno ...
Stage-Door Keeper
...
Ivan Boleslawsky
Edit

Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Plot Keywords:

ballet | ballerina | shoe | dancer | composer | See more »

Taglines:

Between her art ... and her dreams ... was her heart See more »

Genres:

Drama | Music | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1948 (UK)  »

Also Known As:

De rode schoentjes  »

Box Office

Budget:

£500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Michael Powell and Emeric Pressburger collaborated again thirty years after finishing this film to produce a novelization of "The Red Shoes" in 1978. The action of the novel is set in the 1920s. See more »

Goofs

Near the end, when Vicky is getting ready to go on stage for "The Red Shoes" once again, she's wearing the red dancing shoes as she hesitates. But that play starts with the white dancing shoes; only during the play does her character find the red shoes and put them on.

However, this is not an accidental goof. This is essential to the plot and the director wants us to overlook this detail so that all the symbolism of Vicky wearing those red shoes while "unable to stop dancing" can be fully explored. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Connections

Referenced in Hart to Hart: Harts on Their Toes (1982) See more »

Soundtracks

The Ballet of The Red Shoes
Music by Brian Easdale
Performed by Royal Philharmonic Orchestra (as The Royal Philharmonic Orchestra)
Conducted by Thomas Beecham (as Sir Thomas Beecham, Bart.)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Very Creative Movie About Creative Artists At Work
26 May 2005 | by (Ohio) – See all my reviews

The resourceful approach that characterizes so many of the Michael Powell/ Emeric Pressburger collaborations makes "The Red Shoes" one of the most creative and interesting of any of the "back stage" movies that show the lives and dreams of creative artists at work. The characters are quite interesting in themselves, and the story brings out some worthwhile aspects of each of their natures while giving a realistic and often fascinating look at their world.

By no means do you have to be a ballet fan to appreciate and enjoy the story or the settings. While fully convincing in themselves, they are also set up so that the most important aspects and conflicts of the plot could easily be applied to those working in other creative fields as well.

Moira Shearer, Anton Walbrook, and Marius Goring make a nicely balanced and intriguing trio of main characters. The opening scenes work very well in bringing them together while being enjoyable to watch in themselves. From there, the creative tensions are built up steadily as the story itself becomes even more interesting. The script makes use of the best conventions of its genre, while never allowing itself to become formulaic.

There is also a good deal of creativity in many of the individual sequences. The opening scene at the opera is particularly clever in playing off of a viewer's initial expectations. The most spectacular sequence is the "red shoes" ballet segment itself, a very imaginative and enjoyable mini-movie that also parallels some of the main story's most interesting ideas. All in all, "The Red Shoes" well deserves its reputation as a distinctive classic.


18 of 23 people found this review helpful.  Was this review helpful to you?

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Recent Posts
Ballet sequence: some classic ballets Purple-daisy
Ballet sequence: Turner, Van Gogh, and golden goddesses Purple-daisy
Why do you consider The Red Shoes a classic? RachelhkT
Since no one else seems to have mentioned it........ BoomerMovieFan
Lermontov and Vicky questions. beatabeatrix
what does Vicky put in her orange juice? crazyanglo
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