As Michael and Robert, a gay couple in New York, prepare for Robert's departure for a two-year work assignment in Africa, Michael must face Robert's true motives for leaving while dealing ... See full summary »
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his ... See full summary »
In 19th century Denmark, two adult sisters live in an isolated village with their father, who is the honored pastor of a small Protestant church that is almost a sect unto itself. Although ... See full summary »
Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by
Paul Penna <firstname.lastname@example.org>
A restored print has been made by Martin Scorsese's Film Foundation and the UCLA Film & Television Archive. Involving many years work they went right back to the original negatives, digitally repairing any scratches and misalignment. The restored print was shown at Cannes 2009 to great acclaim and will be shown theatrically as well as being made available on DVD and Blu-Ray. See more »
As Julian Craster walks to the theater, he is seen through an archway when a horse drawn cart passes. Stepping into the street he slips on what appears to be a fruit but doesn't fall, recovers and continues walking. See more »
[holding doors closed]
They're going mad, sir. It's the students.
Down with tyrants!
Manager, Covent Garden:
All right, let them in.
See more »
A great film speaks to each of us in a different way. To me this more than a colourful piece of escapist entertainment, this was a glimpse into a world of magnificent color, sumptious settings, French Haute Couture, the theatre, music, luxury hotels, elegant opera houses, chaffeured Rolls Royce cars, travel to the South of France - in short, everything that a child in the near bankrupt England in 1948 had never seen and could barely imagine.
I was fascinated not only by the glimpse of an elitist life, but of the time capsule which the film presented of a time and place that no longer exists as it was at that time. The views of London in 1948, are similar to watching "World War II in Color" on the history channel. When the ballet company travelled, they took the train. Rationing may still have existed back then, and travellers could not take money out of the country, except for a ridiculously inadequate amount; therefore, if you went abroad you had to know someone with whom you could stay. I also found myself wondering how they got the money to make a technicolour film in 1947, when they began filming.
Part of the film takes place in Monte Carlo, only 20 years after the heyday of the famous Ballet Russe. In fact the ballet company in the film is quite obviously based on the Diaghilev Company. Former member Leonid Massine has a major part in the film, and Marie Rambert has a cameo role.
This is also a ballet film for those who do not really care for ballet. The plot is simple - rising young ballerina falls in love with rising young composer and must choose between him and a career possessively controlled by the impressario - and acts as a frame for the ballet. The film is as near perfection as it is possible to get, and watching it in 2004, it does not seem to have dated at all. Everyone, especially Anton Walbrook, is perfectly cast. The script is witty and occasionally humorous. The technicolour photography is superb, especially capturing Moira Shearer's flaming red hair.
The audio commentary on the DVD adds immensely to the enjoyment of the film, which is one that can be watched over and over. o understand how great this film really is, try watching Baz Luhrmann's "Moulin Rouge" travesty afterwards.
26 of 30 people found this review helpful.
Was this review helpful to you?