After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by
Paul Penna <email@example.com>
There is a frequent complaint that comes up by viewers as to why, in the final sequence, Vicky is wearing the red ballet shoes *backstage* when the story and ballet opens with her in a different pair of shoes. Vicky's dresser is clearly seen carrying the white/pale pink shoes that she wears in the beginning and is ready to give them to Vicky to change into, when she has her final 'impulse' to run out to the balcony. (She was probably just checking, or breaking in, the shoes in the first place, but the symbolism of the red shoes controlling her life wouldn't translate if she wasn't seen wearing them.) In his autobiography, Michael Powell recalled that Emeric Pressburger complained about this discrepancy while they were writing the screenplay. Powell recalled, "I was a director, a storyteller, and I knew that she must. I didn't try to explain it. I just did it." See more »
When Vicky begins to dance with the "newspaper" character, only the words "Le Journal" are typed across his face. Partway through the dance his face is covered with newsprint. See more »
[holding doors closed]
They're going mad, sir. It's the students.
Down with tyrants!
Manager, Covent Garden:
All right, let them in.
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I have seen this film about 30 times in 30 years and for me this film will always be special. Astonishingly, my wife, who is a Ballet Teacher, doesn't care at all for this film finding it too 'affected'. Perhaps as I am not involved with ballet at a professional level is a reason why I can enjoy this vibrant, colourful fantasy so much, but then our ballet friends adore the film, so who knows why this film affects some so profoundly (Spielberg&Scorsese!!) and not others. Anton Walbrook's authoritative performance is so memorable and Moira Shearer dances beautifully. Perhaps because the film is so highly charged with passion and emotion it will never please everyone, but I feel this is one of the great achievements of British Cinema and a film so rich and inspirational you will never wish to forget it.
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