After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Live scenes of Paris and a continuity Narrator link together four dramatic choreographies, all by Roland Petit: Carmen (1949), La croqueuse de diamants (1950), Deuil en 24 heures (1953), and Cyrano de Bergerac (1959).
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by
Paul Penna <firstname.lastname@example.org>
Art director Hein Heckroth was a painter who had never worked as the art director on a film before. He had designed the costumes for previous Archers productions like Black Narcissus (1947). He created a 15-minute "animatic" (filmed storyboard) reel to convey the type of mood and feel his sets would give, which acted as an ideal guide for cinematographer Jack Cardiff. See more »
Near the end, when Vicky is getting ready to go on stage for "The Red Shoes" once again, she's wearing the red dancing shoes as she hesitates. But that play starts with the white dancing shoes; only during the play does her character find the red shoes and put them on.
However, this is not an accidental goof. This is essential to the plot and the director wants us to overlook this detail so that all the symbolism of Vicky wearing those red shoes while "unable to stop dancing" can be fully explored. See more »
[holding doors closed]
They're going mad, sir. It's the students.
Down with tyrants!
Manager, Covent Garden:
All right, let them in.
See more »
A Very Creative Movie About Creative Artists At Work
The resourceful approach that characterizes so many of the Michael Powell/ Emeric Pressburger collaborations makes "The Red Shoes" one of the most creative and interesting of any of the "back stage" movies that show the lives and dreams of creative artists at work. The characters are quite interesting in themselves, and the story brings out some worthwhile aspects of each of their natures while giving a realistic and often fascinating look at their world.
By no means do you have to be a ballet fan to appreciate and enjoy the story or the settings. While fully convincing in themselves, they are also set up so that the most important aspects and conflicts of the plot could easily be applied to those working in other creative fields as well.
Moira Shearer, Anton Walbrook, and Marius Goring make a nicely balanced and intriguing trio of main characters. The opening scenes work very well in bringing them together while being enjoyable to watch in themselves. From there, the creative tensions are built up steadily as the story itself becomes even more interesting. The script makes use of the best conventions of its genre, while never allowing itself to become formulaic.
There is also a good deal of creativity in many of the individual sequences. The opening scene at the opera is particularly clever in playing off of a viewer's initial expectations. The most spectacular sequence is the "red shoes" ballet segment itself, a very imaginative and enjoyable mini-movie that also parallels some of the main story's most interesting ideas. All in all, "The Red Shoes" well deserves its reputation as a distinctive classic.
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