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The Red Shoes (1948)

 -  Drama | Music | Romance  -  6 September 1948 (UK)
8.3
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Ratings: 8.3/10 from 15,951 users  
Reviews: 122 user | 125 critic

A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

(fairy tale), (original screenplay), 3 more credits »
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Title: The Red Shoes (1948)

The Red Shoes (1948) on IMDb 8.3/10

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Won 2 Oscars. Another 2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marius Goring ...
Jean Short ...
Terry
Gordon Littmann ...
Ike
Julia Lang ...
A Balletomane
Bill Shine ...
Her Mate
Léonide Massine ...
Ljubov (as Leonide Massine)
Anton Walbrook ...
Austin Trevor ...
Prof. Palmer
...
Livy
Eric Berry ...
Dimitri
Irene Browne ...
Lady Neston
...
Ludmilla Tchérina ...
Boronskaja (as Ludmilla Tcherina)
Jerry Verno ...
Stage-Door Keeper
...
Ivan Boleslawsky
Edit

Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Plot Keywords:

ballet | ballerina | shoe | dancer | composer | See more »

Taglines:

Dance she did, and dance she must - between her two loves See more »

Genres:

Drama | Music | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1948 (UK)  »

Also Known As:

The Red Shoes  »

Box Office

Budget:

£500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Christopher Challis had just graduated from camera operator to director of photography having previously worked with Michael Powell, Emeric Pressburger and Jack Cardiff. However, on hearing that the three would be working together on a film about ballet, he went to them and told them that he would happily revert back to the role of camera operator just for the chance of working with them again. See more »

Goofs

As Julian Craster walks to the theater, he is seen through an archway when a horse drawn cart passes. Stepping into the street he slips on what appears to be a fruit but doesn't fall, recovers and continues walking. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Connections

Spoofed in The Wearing of the Grin (1951) See more »

Soundtracks

La Boutique Fantasque
(uncredited)
Music by Ottorino Respighi
based on the music of Gioachino Rossini
Arranged by Malcolm Sargent
Played by uncredited symphony orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
P&P's Masterpiece
12 April 1999 | by (London, England) – See all my reviews

I have seen this film about 30 times in 30 years and for me this film will always be special. Astonishingly, my wife, who is a Ballet Teacher, doesn't care at all for this film finding it too 'affected'. Perhaps as I am not involved with ballet at a professional level is a reason why I can enjoy this vibrant, colourful fantasy so much, but then our ballet friends adore the film, so who knows why this film affects some so profoundly (Spielberg&Scorsese!!) and not others. Anton Walbrook's authoritative performance is so memorable and Moira Shearer dances beautifully. Perhaps because the film is so highly charged with passion and emotion it will never please everyone, but I feel this is one of the great achievements of British Cinema and a film so rich and inspirational you will never wish to forget it.


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