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The Red Shoes (1948)

Not Rated | | Drama, Music, Musical | 6 September 1948 (UK)
A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

(fairy tale), (original screenplay) | 3 more credits »
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Won 2 Oscars. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Jean Short ...
Terry
Gordon Littmann ...
Ike
Julia Lang ...
A Balletomane
Bill Shine ...
Her Mate
Léonide Massine ...
Ljubov (as Leonide Massine)
...
...
Professor Palmer
...
Livy
Eric Berry ...
Dimitri
...
Lady Neston
...
...
Irina Boronskaja (as Ludmilla Tcherina)
Jerry Verno ...
Stage-Door Keeper
...
Ivan Boleslawsky
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Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Taglines:

Between her art ... and her dreams ... was her heart See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1948 (UK)  »

Also Known As:

Las zapatillas rojas  »

Box Office

Budget:

£500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(as Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A restored print has been made by Martin Scorsese's Film Foundation and the UCLA Film & Television Archive, after many years work. The restorers went right back to the original negatives, digitally repairing any scratches and misalignment. The restored print was shown at Cannes in 2009 to great acclaim and will be shown theatrically as well as being made available on DVD and Blu-Ray. See more »

Goofs

As Julian Craster walks to the theater, he is seen through an archway, when a horse drawn cart passes. Stepping into the street, he slips on what appears to be a fruit, but doesn't fall, recovers and continues walking. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Crazy Credits

The end of the film finishes with 'Finis' instead of 'The End'. See more »

Connections

Featured in MI-5: Episode #3.5 (2004) See more »

Soundtracks

Bougainvillia
(Dance Music) (uncredited)
Music by Brian Easdale
Performed by Ted Heath's Kenny Baker Swing Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Very Creative Movie About Creative Artists At Work
26 May 2005 | by (Ohio) – See all my reviews

The resourceful approach that characterizes so many of the Michael Powell/ Emeric Pressburger collaborations makes "The Red Shoes" one of the most creative and interesting of any of the "back stage" movies that show the lives and dreams of creative artists at work. The characters are quite interesting in themselves, and the story brings out some worthwhile aspects of each of their natures while giving a realistic and often fascinating look at their world.

By no means do you have to be a ballet fan to appreciate and enjoy the story or the settings. While fully convincing in themselves, they are also set up so that the most important aspects and conflicts of the plot could easily be applied to those working in other creative fields as well.

Moira Shearer, Anton Walbrook, and Marius Goring make a nicely balanced and intriguing trio of main characters. The opening scenes work very well in bringing them together while being enjoyable to watch in themselves. From there, the creative tensions are built up steadily as the story itself becomes even more interesting. The script makes use of the best conventions of its genre, while never allowing itself to become formulaic.

There is also a good deal of creativity in many of the individual sequences. The opening scene at the opera is particularly clever in playing off of a viewer's initial expectations. The most spectacular sequence is the "red shoes" ballet segment itself, a very imaginative and enjoyable mini-movie that also parallels some of the main story's most interesting ideas. All in all, "The Red Shoes" well deserves its reputation as a distinctive classic.


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