After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by
Paul Penna <firstname.lastname@example.org>
Technicolor founders Herbert T. Kalmus and Natalie Kalmus considered this film the best example of Three-Strip Technicolor. During the filming, however, Natalie often complained that Jack Cardiff wasn't following the rules laid down for Technicolor films and demanded that they re-shoot various scenes. However, Michael Powell always backed up Cardiff and they got the film they wanted. See more »
Near the end, when Vicky is getting ready to go on stage for "The Red Shoes" once again, she's wearing the red dancing shoes as she hesitates. But that play starts with the white dancing shoes; only during the play does her character find the red shoes and put them on.
However, this is not an accidental goof. This is essential to the plot and the director wants us to overlook this detail so that all the symbolism of Vicky wearing those red shoes while "unable to stop dancing" can be fully explored. See more »
[holding doors closed]
They're going mad, sir. It's the students.
Down with tyrants!
Manager, Covent Garden:
All right, let them in.
See more »
We saw this film years ago. It was a surprise when it was included as part of a Michael Powell's work at the Walter Reade recently. The film still has a great look as it seems it has been lovingly restored. Mr. Powell, working with his usual collaborator, Emeric Pressburger, created a film about the world of ballet that has proved to be, not only a timeless classic, but a crowd pleaser to those who watch it for the first time.
"The Red Shoes" is basically a fairy tale loosely based on a Hans Christian Andersen story. Mr. Anderson and Mr. Pressburger gave it a vivid look that even today, appears fresh and glamorous. Those glorious colors in the film stays in the mind of the viewer forever.
The ballets shown are magnificently staged. The Red Shoes ballet by Sir Robert Helpmann and The Shoemaker by Leonide Massine, a giant in the world of ballet. The music conducted flawlessly by Sir Thomas Beecham lingers in one's mind long after the movie is over. The glorious Technicolor cinematography by Jack Cardiff is amazing.
The acting by Anton Walbrook, Marius Goring and Moira Shearer serves the story well, although the director got better performances in later films, "Peeping Tom" and "Black Narcisus", to name two. Ms. Shearer with her red hair and peaches and cream skin projects such a refined presence in the film that is hard to forget her features. The actress dressed by Jacques Fath, the famous French designer, shows why she was one of the best things that happened to the picture.
"The Red Shoes" is one of the best films about ballet thanks to the vision of its directors.
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