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The Red Shoes (1948)

Not Rated  |   |  Drama, Music, Romance  |  6 September 1948 (UK)
8.3
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Ratings: 8.3/10 from 17,682 users  
Reviews: 130 user | 123 critic

A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

(fairy tale), (original screenplay), 3 more credits »
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Title: The Red Shoes (1948)

The Red Shoes (1948) on IMDb 8.3/10

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Won 2 Oscars. Another 2 wins & 5 nominations. See more awards »

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Edit

Cast

Cast overview, first billed only:
Marius Goring ...
Jean Short ...
Terry
Gordon Littmann ...
Ike
Julia Lang ...
A Balletomane
Bill Shine ...
Her Mate
Léonide Massine ...
Ljubov (as Leonide Massine)
Anton Walbrook ...
Austin Trevor ...
Prof. Palmer
...
Livy
Eric Berry ...
Dimitri
Irene Browne ...
Lady Neston
...
Ludmilla Tchérina ...
Boronskaja (as Ludmilla Tcherina)
Jerry Verno ...
Stage-Door Keeper
...
Ivan Boleslawsky
Edit

Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Taglines:

A Dancing, Singing, Swinging Love Tale See more »

Genres:

Drama | Music | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

6 September 1948 (UK)  »

Also Known As:

Las zapatillas rojas  »

Box Office

Budget:

£500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

There is a frequent complaint that comes up by viewers as to why, in the final sequence, Vicky is wearing the red ballet shoes *backstage* when the story and ballet opens with her in a different pair of shoes. Vicky's dresser is clearly seen carrying the white/pale pink shoes that she wears in the beginning and is ready to give them to Vicky to change into, when she has her final 'impulse' to run out to the balcony. (She was probably just checking, or breaking in, the shoes in the first place, but the symbolism of the red shoes controlling her life wouldn't translate if she wasn't seen wearing them.) In his autobiography, Michael Powell recalled that Emeric Pressburger complained about this discrepancy while they were writing the screenplay. Powell recalled, "I was a director, a storyteller, and I knew that she must. I didn't try to explain it. I just did it." See more »

Goofs

When Vicky begins to dance with the "newspaper" character, only the words "Le Journal" are typed across his face. Partway through the dance his face is covered with newsprint. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Connections

Referenced in Black Swan (2010) See more »

Soundtracks

Bougainvillia
(Dance Music)
Music by Brian Easdale
Performed by Ted Heath's Kenny Baker Swing Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
P&P's Masterpiece
12 April 1999 | by (London, England) – See all my reviews

I have seen this film about 30 times in 30 years and for me this film will always be special. Astonishingly, my wife, who is a Ballet Teacher, doesn't care at all for this film finding it too 'affected'. Perhaps as I am not involved with ballet at a professional level is a reason why I can enjoy this vibrant, colourful fantasy so much, but then our ballet friends adore the film, so who knows why this film affects some so profoundly (Spielberg&Scorsese!!) and not others. Anton Walbrook's authoritative performance is so memorable and Moira Shearer dances beautifully. Perhaps because the film is so highly charged with passion and emotion it will never please everyone, but I feel this is one of the great achievements of British Cinema and a film so rich and inspirational you will never wish to forget it.


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