Red River
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Red River (1948) More at IMDbPro »


2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008

6 items from 2017


Completing the trip by Anne-Katrin Titze

16 June 2017 11:38 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Michel Piccoli and Romy Schneider in Max Et Les Ferrailleurs - Bertrand Tavernier: "I see Claude Sautet as the son of Jacques Becker."

In the third and final installment of my conversation with Bertrand Tavernier on his Journey Through French Cinema (Voyage À Travers Le Cinéma Français) he discusses his dedication to Jacques Becker (Casque D'Or, Édouard Et Caroline) and Claude Sautet (Max Et Les Ferrailleurs), Mireille Balin's dress in Jean Delannoy's Macao, l'Enfer Du Jeu (Gambling Hell), Jean Gabin, not forgetting Jean-Pierre Melville's Army Of Shadows (L'Armée Des Ombres), Léon Morin, Prêtre or Le Silence De La Mer, Jean Paul Gaultier and Falbalas (Paris Frills), Mila Parély in Coco Chanel, Jean Renoir's A Day In The Country (Partie De Campagne), Joseph Kosma, Sylvia Bataille and Jacques Lacan, Howard Hawks's Red River and Only Angels Have Wings, and not having to see Rio Bravo ever again. »

- Anne-Katrin Titze

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"El Dorado": The Dawn of Caan

15 May 2017 10:18 AM, PDT | MUBI | See recent MUBI news »

It takes a lot to stand out when you’re standing between Robert Mitchum and John Wayne. And it surely isn’t easy when you’re also standing in front of the venerable Howard Hawks. But this was the position 25-year-old James Caan found himself in when he took on the role of Alan Bourdillon Traherne, otherwise known as Mississippi, in Hawks’ 1967 Western, El Dorado. Though Hawks was nearing the end of his filmmaking career (this would be his penultimate movie) and Caan was just at the start of his (following two features and about five years of extensive television work), they were each entering the project under similar circumstances. Indeed, it was their shared experience on the disappointing Red Line 7000 (1965) that left them both wanting. It may have been a personal letdown for Caan, but that film’s poor reception wasn’t a deal-breaker as far as his prospects were likely to continue. »

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TCM Film Festival: Day Two

9 April 2017 2:55 PM, PDT | Cinelinx | See recent Cinelinx news »

Come on and check Collin's second (and final) day at the TCM Film Festival!

My second day at the TCM Film Festival started off with a healthy dose of frustration. Apparently, Saturday morning in Hollywood wasn’t only home to the TCM Film Festival, but also to the Hollywood Half Marathon. I drove my normal route from the Valley and when I noticed  Hollywood Boulevard was closed, I assumed it was for filming or some red carpet set-up so I drove east on Franklin hoping to make my way to Sunset and double-back to the parking garage within a block or two. Boy, what a bad move. I spend half an hour driving east, past Los Feliz waiting for the roads to open, and ended up driving all the way back to where I was before, going one block west—where, what do you know, folks? Hollywood was open for business. »

- feeds@cinelinx.com (Collin Llewellyn)

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Kiss of Death

28 February 2017 2:45 PM, PST | Trailers from Hell | See recent Trailers from Hell news »

This is the ultimate in screen sadism circa 1947, and it’s all in the debut film performance of Richard Widmark as a too-nasty-for-words hood who likes to shoot people in the stomach. Actually, Victor Mature is not bad in a grim story of a stool pigeon that tries to square himself with the law, and finds himself a target for mob murder.

Kiss of Death

Blu-ray

Twilight Time

1947 / B&W / 1:37 flat full frame / 98 min. / Street Date February 7, 2017 / Available from the Twilight Time Movies Store 29.95

Starring: Victor Mature, Brian Donlevy, Coleen Gray, Richard Widmark, Taylor Holmes, Karl Malden, Mildred Dunnock

Cinematography: Norbert Brodine

Art Direction: Leland Fuller, Lyle Wheeler

Film Editor: J. Watson Webb Jr.

Original Music: David Buttolph

Written by Ben Hecht, Charles Lederer, Eleazar Lipsky

Produced by Fred Kohlmar

Directed by Henry Hathaway

The older they get, the better they look. Henry Hathaway’s Kiss of Death is »

- Glenn Erickson

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The Best Of The Best – The Greatest Directors and the film which made them great Part 2

24 February 2017 3:55 AM, PST | HeyUGuys.co.uk | See recent HeyUGuys news »

Author: Dave Roper

The Directors, The Auteurs, the Commanders of the Ship, Masters of All They Survey. This is the second of this two-part series on the greatest directors with more of cinematic luminaries under the spotlight. You can see the first part of this article here. You can catch up with the greatest writers, and the greatest actors here.

Here’s Part Two.

Howard HawksThe Big Sleep

Hawks, like his peer Billy Wilder, proved a genre-hopping master. Like Wilder, he had his crime/noir masterpieces (Scarface, The Big Sleep) and his comedies (Bringing Up Baby, His Girl Friday). Hawks also did a strong line in westerns, with Red River and Rio Bravo the best known and best regarded of this latter-career focus of his. As with any director who covers a lot of thematic ground during their career, it can be difficult to choose a “Best”, as you »

- Dave Roper

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Criterion Collection: His Girl Friday | Blu-ray Review

10 January 2017 9:00 AM, PST | ioncinema | See recent ioncinema news »

When it comes to Howard Hawks, it’s easy to forget the prolific American auteur set the gold standard for a number of film genres, including his iconic Westerns (Red River, 1948; Rio Bravo, 1959) and labyrinthine spasm of film noir (The Big Sleep, 1946).

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- Nicholas Bell

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008

6 items from 2017


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