Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
Rio Grande takes place after the Civil War when the Union turned their attention towards the Apaches. Union officer Kirby Yorke is in charge of an outpost on the Rio Grande in which he is ... See full summary »
Tom Dunson builds a cattle empire with his adopted son Matthew Garth. Together they begin a massive cattle drive north from Texas to the Missouri railhead. But on the way, new information and Dunson's tyrannical ways cause Matthew to take the herd away from Dunson and head to a new railhead in Kansas. Dunson, swearing vengeance, pursues. Written by
Jim Beaver <email@example.com>
The theme song, "Settle Down" was later adapted by the score's author, Dimitri Tiomkin, and sung by Dean Martin and Ricky Nelson under the title "My Rifle, My Pony and Me" in Rio Bravo (1959), another John Wayne western directed by Howard Hawks. See more »
An equipment shadow tracks across the wagon as the camera pans from Groot to Dunson during their first night on guard at Red River. See more »
I was the "first kid on the block" to purchase a VCR, way back in the late 60's...the RCA VBT200...no timer, no remote, no nothing! Paid $1200.00 for it (Canadian funds!)and ALL my friends told me I was nuts. I TRIED to tell them that, eventually, everybody would own a VCR but was shouted down. In any case, Red River was the first movie I taped and, deleting commercial breaks, I was ecstatic to have a Hollywood movie on hand to watch whenever the urge arose. And WHAT A MOVIE!!! I agree with earlier comments re John Wayne...who usually just played John Wayne. In THIS one, and "The Searchers", however, the director got one helluva performance out of the Duke. Also, the second movie performance by the tragical Montgomery Clift...so "pretty" in the Mohammed Ali sense that I virtually fell in love with him myself, even though I was a "straight" teenaged boy. From the opening credits, with that almost Wagnerian music by Dmitri Tiomkin, this movie (shot in 1946 and held 'til 1948 for release...I forget why)should be compulsory viewing for the brain-dead Hollywood moguls of today. Actually, there are no "moguls" left...they're all bottom-line money men who wouldn't know a good movie if they saw one..."Let's check the demographics, guys, and fill those multiple screen outlets with brain-dead teens (not really their fault as products of our so called progressive p.c. education system)and make a TON of money!" My age is showing...back to the movie. If you haven't seen it, be prepared for a LONG sojourn. This isn't brain candy...it's an allegorical treatise on the impetuousness of youth vs. the inflexible values of pioneer stock. In the end, BOTH are told to cut themselves some slack, by the "gun-totin" Joanne Dru. In summary, a Great Western, and to get back to the Duke, an amazing performance by a 39 year old made up to look like a 60 year old...and he pulled it off! The respect/fear combo of his hired trailhands is almost Shakespearian, and a tribute to the screenwriter/s and director Howard Hawks. If you've never seen it...do yourself a big favour and rent this little classic!
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