In San Francisco, when a bookie is murdered by a protection racket syndicate, his bookie friend Dan Gannin and police lieutenant Barney Runson investigate.

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Cast

Cast overview, first billed only:
...
...
Marilyn Maxwell ...
Robbie Lawrence
...
Phil Dickson
...
Hal Towers (as Henry Morgan)
Gale Robbins ...
Elaine Gannin
Cully Richards ...
Mike Hadley
...
Stringy
Russell Hicks ...
Easy Mason
...
Al (as Richard Powers)
William Forrest ...
Nick Walters
James Nolan ...
Herbie (as Jim Nolan)
...
Dixie
Richard Benedict ...
Sam
Dean White ...
Big Jack
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Storyline

Nice-guy bookie Dan Gannin plans to quit the racket; he's opening a new night club with his torch-singing sister as main attraction. But Dan's best friend Hal runs afoul of "protection" crooks, and Dan goes after them like a one-man police force despite the admonishments of Lt. Barney Runson. But there's one thing Dan didn't bargain on... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Raft at his roughest tangles with a dame at her deadliest! See more »

Genres:

Crime | Drama | Film-Noir

Certificate:

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Details

Country:

Language:

Release Date:

11 September 1948 (USA)  »

Also Known As:

Jackpot  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After production, the film changed its title from Race Street to Jackpot and back to Race Street by the time of its release. See more »

Goofs

When the 2 hoods grab Hal(Morgan) at his front door, the hood who took his gun has a semi-auto in his hand. In the next scene, different angle, he has a revolver in has hand. When it switches back to the original angle, he again has the semi-auto pistol in his hand. See more »

Soundtracks

I'm in a Jam with Baby
(uncredited)
Music by Ray Heindorf and M.K. Jerome
Lyrics Ted Koehler
Performed by Gale Robbins
See more »

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User Reviews

 
Don't Put Mu ch Money On This One
5 June 2006 | by (NY, NY) – See all my reviews

George Raft is said to have turned down more than one role that ended up making someone else's career. Sam Spade in "The Maltese Falcon," for example. Yet the movies he did choose are for the most part flat and predictable.

I like him as a tough guy. He does it well. "Race Street" is strictly routine. He won't pay protection money, with predictable results.

Harry Morgan is excellent in a fairly small role. William Bendix, who always turned in a fine performance, is very good as a cop. And Marilyn Maxwell is the femme fatale.

She's OK. But her performance is unexciting. We neither hate her nor feel sorry for her. Maxwell essentially executes a plot contrivance.


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