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Storyline
Nice-guy bookie Dan Gannin plans to quit the racket; he's opening a new night club with his torch-singing sister as main attraction. But Dan's best friend Hal runs afoul of "protection" crooks, and Dan goes after them like a one-man police force despite the admonishments of Lt. Barney Runson. But there's one thing Dan didn't bargain on... Written by
Rod Crawford <puffinus@u.washington.edu>
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Taglines:
Racket king Raft - and homicide ace Bendix - hunting the same killer - tricked by the same dame
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Did You Know?
Trivia
The opening scene Dan Gannin crossing Post Street and entering Hal Tower's men's store. This was in the Fitzhugh Building. This was a 10-story "Italian Palazzo" style building built in 1923 for medical offices. It was a registered national landmark, but though over 50,000 signatures were gathered to save it, it was torn down in 1980 for the new Sak's Fifth Avenue store.
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Goofs
When the 2 hoods grab Hal(Morgan) at his front door, the hood who took his gun has a semi-auto in his hand. In the next scene, different angle, he has a revolver in has hand. When it switches back to the original angle, he again has the semi-auto pistol in his hand.
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Soundtracks
"I'm in a Jam with Baby"
(uncredited)
Music by
Ray Heindorf and
M.K. Jerome
Lyrics
Ted Koehler
Performed by
Gale Robbins See more »
Noted San Francisco bookie and club owner George Raft is being muscled by the syndicate. He shrugs it off until pal Harry Morgan is thrown down a flight of stairs and killed. After that Raft is hot for revenge.
Though this film was produced by RKO it has a Paramount look to it because of the presence of William Bendix as a police lieutenant and Frank Faylen as the syndicate's man in San Francisco.
Raft gets a lot of good advice from Bendix in the film, most of which he ignores. Raft also has some very treacherous associates as the viewer will find out.
George Raft films are always art imitating life when they are about gangsters. Except for horror film stars like Bela Lugosi and Boris Karloff, I doubt there was ever a major star whose own life so closely got involved in the roles he played.
Raft was hardly a great actor, but in gangster films he knew the mob literally from the inside out so it was never acting.
Bill Bendix of course is always good, films with him in it should be seen if for no other reason than to watch him.
Race Street is an average noir film which I'm sure entertained the audiences who came to see whatever A picture was playing with it.