"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on March 10, 1950 with Joseph Cotten reprising his film role. See more »
When Jennie sings a song when they first meet, the sound and her mouth don't match. See more »
I just can't understand a man fiddling away his time just painting things. Of course he did shovel some snow to pay part of last month's rent.
Painting things? Women? Women in the...
Mrs. Bunce, we agreed that he was a gentleman and gentleman just don't paint "women in the... "
No, of course not.
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No credits at all are shown at the beginning except for the studio logo, not even the title of the film. Instead, we hear a narrator speaking the prologue, and then announcing, "And now, 'Portrait of Jennie'". The credits are saved for the end of the picture. See more »
First of all, it is beautifully photographed - at times it looks as though you are watching a portrait moving. The acting is all terrific - Joseph Cotten is perfect as a down-on-his-luck artist who begins by selling a print to Cecil Kellaway and Ethel Barrymore. They encourage him to draw people rather than the still life pictures he'd been doing. He eventually runs into Jennie in Central Park and she intrigues him, to say the least. She mentions places and times that have long passed and sings a song that he cannot forget. The next time he runs into her she's grown up a little, then every time they see one another she'd matured more and more. They normally see each other in Central Park but he does her portrait and its a masterpiece.
Movie is very unconventional for its time - there are no opening credits, the end credits are listed as "The actors are Jennifer Jones, etc., The Supporting Actors are Ethel Barrymore, etc."; a black woman is used as an actual character rather than some sort of domestic; and its not all wrapped up in a pretty bow at the end. It might seem wordy and silly to some, but I really loved it.
I've admired Jennifer Jones since seeing "The Song of Bernadette" as a kid. Aside from that movie and "Beat the Devil", unfortunately I haven't seen a lot of her movies that seemed up to her talent. In this, she is exceptionally good and its not just a showcase for her talents put on screen by David O. Selznick - in reality, she's in it far less than Cotten.
I understand the movie won an Oscar for the special effects, which are good but I didn't need them to love the movie. 9/10.
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