Portrait of Jennie (1948)

A mysterious girl inspires a struggling artist.

Director:

William Dieterle

Writers:

Robert Nathan (novel), Leonardo Bercovici (adaptation),

Stars:

Jennifer Jones, Joseph Cotten, Ethel Barrymore

Won 1 Oscar. Another 1 win & 2 nominations.

Cast

Complete credited cast:
Jennifer Jones	...	Jennie Appleton
Joseph Cotten	...	Eben Adams
Ethel Barrymore	...	Miss Spinney
Lillian Gish	...	Mother Mary of Mercy
Cecil Kellaway	...	Matthews
David Wayne	...	Gus O'Toole
Albert Sharpe	...	Moore (as Albert Sharp)
Henry Hull	...	Eke
Florence Bates	...	Mrs. Jekes (landlady)
Felix Bressart	...	Pete
Clem Bevans	...	Capt. Cobb
Maude Simmons	...	Clara Morgan

Storyline

Eben Adams is a struggling artist in Depression era New York who has never been able to find inspiration for a painting. One day, after he finally finds someone to buy a painting from him, a young girl named Jennie Appleton appears and strikes up an unusual friendship with Eben.

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Plot Keywords:

artist | manhattan new york city | supernatural power | spiral staircase | ghost | 

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Genres:

Drama | Romance | Fantasy | Mystery

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

22 April 1949 (USA)

Also Known As:

Tidal Wave

Filming Locations:

RKO-Pathé Studios - 9336 Washington Blvd., Culver City, California, USA

Box Office

Budget:

$4,041,000 (estimated)

Company Credits

Production Co:

Vanguard Films, Selznick International Pictures

Technical Specs

Runtime:

86 min

Sound Mix:

Stereo (special stereo mix in final storm scene) Mono (Western Electric Recording)

Color:

Black and White (green and sepia tints for final reel, excluding last shot) Color (Technicolor) (final shot)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Bernard Herrmann was hired to write an original background score and did compose several themes but due to various production delays as well as the fact that Herrmann was tiring of David O. Selznick's demands, he dropped out and was replaced by Dimitri Tiomkin who, at the insistence of Selznick, ended up using themes by Claude Debussy. At the time Tiomkin was condemned by his colleagues for his adaptations. All that remains of Herrmann's contribution is the haunting song sung by Jennie entitled "Where I Come From, Nobody Knows".

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Goofs

While talking to Eke, Eben is standing on the left of the screen. After a close-up shot of Eke, Eben is on the right.

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Quotes

Jennie Appleton: I hate for it to stop, because when will we ever have it again?

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Crazy Credits

No credits at all are shown at the beginning except for the studio logo, not even the title of the film. Instead, we hear a narrator speaking the prologue, and then announcing, "And now, 'Portrait of Jennie'". The credits are saved for the end of the picture.

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Connections

Referenced in Sesión continua (1984)

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Soundtracks

"Jennie's Song"
(uncredited)
Music by Bernard Herrmann
Lyrics by Robert Nathan

User Reviews

The Enchanting Spirit of Central Park

It's the middle of the Depression, 1934, and struggling artist Joseph Cotten can't seem to find his muse. But one day he meets a strange, but enchanting girl while in Central Park. He resolves right then and there to paint a Portrait of Jennie.

Allowing for the fact that this is a fantasy, a whole lot of the story makes absolutely no sense. But you really don't care because Joseph Cotten and Jennifer Jones have an almost spiritual like chemistry. As Cotten investigates he finds there's real good reason for the girl's spirituality. Every time he meets her she seems to take some quantum leaps in her maturity.

The stars of Finian's Rainbow, Albert Sharpe and David Wayne, both appear in this film. This was David Wayne's big screen debut and I certainly did love the scene where he bamboozles Sharpe into commissioning Cotten to paint a mural of Michael Collins for his Irish pub. Cotten catches on and kind of goes with the flow.

Being this is a Jennifer Jones film by her husband David O. Selznick, this is still another vehicle for Selznick to exhibit the beauty that was Jennifer Jones. Every film she did, because Selznick interfered with all of them even if he wasn't directly producing, is a testament to his vision of her. Even when she's playing bad girls like Pearl Chavez or Ruby Gentry, you get a good idea what stirred David O. Selznick to devote the rest of his life to her career.

Ethel Barrymore as the society dowager and Lillian Gish as a Mother Superior are also well cast. Too bad those two had no scenes together, that would have been something.

Portrait of Jennie is an enchanting film about an enchanting girl played by one enchanting actress. What else can you say, but enchanting.