While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and ... See full summary »
Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »
In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ... See full summary »
Producer David O. Selznick initially considered filming this movie over a period of several years, casting a young actress in the role of Jennie and shooting portions of the film over time as the actress actually grew older in real life. (Shirley Temple, then under contract to Selznick, was reportedly intended for the role, had the movie been filmed that way.) In the end, however, Selznick abandoned the idea as too risky and difficult to film properly. See more »
When Eben is outside at the top of the lighthouse near the end of the movie, two doors can be seen behind him. The one on the right is open then closed then open again in successive shots. See more »
How beautiful the world is Eben! The sun goes down in in the same lovely sky. Just as it did yesterday, and will tomorrow.
When is tomorrow, Jenny?
Does it matter? It's always. This was tomorrow once.
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No credits at all are shown at the beginning except for the studio logo, not even the title of the film. Instead, we hear a narrator speaking the prologue, and then announcing, "And now, 'Portrait of Jennie'". The credits are saved for the end of the picture. See more »
One of the greatest stories of true love ever filmed
A bittersweet sense of melancholy permeates this stunning romantic fantasy, a film produced by David Selznick as a cinematic altar to his wife Jennifer Jones.
I adored Jones in Henry King's THE SONG OF BERNADETTE, but I love Jones (almost as much as Joseph Cotten did) in PORTRAIT OF JENNIE.
Cotten is Eben Adams, an artist who meets the enigmatic Jennie (Jones) in Central Park. Their time together is always limited for Jennie is compelled to return home to a place Cotten will never visit.
At first just a sweet schoolgirl, Jennie appears to have aged unnaturally every time she re-appears to Cotten -- eventually, she is old enough to acknowledge Cotten's romantic and carnal intentions towards her.
This unusual, unique studio pic epitomizes "dreamy" for it is exceptionally surreal and photographed in a strange, re-texturized black and white (von Trier's amazing BREAKING THE WAVES used a similar technique to introduce new scenes).
The climax, staged on a storm-swept island, is absolutely beautiful and immensely tragic.
Some have dismissed PORTRAIT OF JENNIE as amounting to nothing more than a series of pretty pictures. I passionately disagree. It is one of the greatest stories of true love ever filmed, and there is nothing false in its intensity or tone (not if you have loved like this).
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