In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ... See full summary »
Lydia MacMillan, a wealthy old woman who has never married, is invited by an old beau, Dr. Michael Fitzpatrick, for a reunion with the men who have been in her life to reminisce about the ... See full summary »
Edna May Oliver
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
A Bank officer discovers a flaw in the U.S. extradition treaty with Brazil and decides to take advantage of it. On Friday, he steals a million dollars from the bank, knowing it won't be ... See full summary »
Andrew L. Stone
While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and ... See full summary »
A Navy engineer, returning to the U.S. with his wife from a conference, finds himself pursued by Nazi agents, who are out to kill him. Without a word to his wife, he flees the hotel the ... See full summary »
Dolores del Rio
After the film flopped at the box-office, the film was re-released under the title "Tidal Wave" in 1950, marketing it to a different audience in the hopes of making a profit. The re-release also flopped. See more »
Although the movie opens in the winter of 1934, in the scene where Eben first meets Jennie in the park, several 1940s cars can be seen passing in the background. See more »
I know we were meant to be together. The strands of our lives are woven together and neither the world nor time can tear them apart.
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No credits at all are shown at the beginning except for the studio logo, not even the title of the film. Instead, we hear a narrator speaking the prologue, and then announcing, "And now, 'Portrait of Jennie'". The credits are saved for the end of the picture. See more »
One of the greatest stories of true love ever filmed
A bittersweet sense of melancholy permeates this stunning romantic fantasy, a film produced by David Selznick as a cinematic altar to his wife Jennifer Jones.
I adored Jones in Henry King's THE SONG OF BERNADETTE, but I love Jones (almost as much as Joseph Cotten did) in PORTRAIT OF JENNIE.
Cotten is Eben Adams, an artist who meets the enigmatic Jennie (Jones) in Central Park. Their time together is always limited for Jennie is compelled to return home to a place Cotten will never visit.
At first just a sweet schoolgirl, Jennie appears to have aged unnaturally every time she re-appears to Cotten -- eventually, she is old enough to acknowledge Cotten's romantic and carnal intentions towards her.
This unusual, unique studio pic epitomizes "dreamy" for it is exceptionally surreal and photographed in a strange, re-texturized black and white (von Trier's amazing BREAKING THE WAVES used a similar technique to introduce new scenes).
The climax, staged on a storm-swept island, is absolutely beautiful and immensely tragic.
Some have dismissed PORTRAIT OF JENNIE as amounting to nothing more than a series of pretty pictures. I passionately disagree. It is one of the greatest stories of true love ever filmed, and there is nothing false in its intensity or tone (not if you have loved like this).
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