It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate. Written by
R. Kessen <firstname.lastname@example.org>
The original script by Anita Loos and Joseph Than included a role for Lena Horne as a Caribbean dressmaker, which was later cut. Horne twice recorded Cole Porter's sensual movie ballad for Judy Garland, "Love of My Life": initially waxed by Lena for a 1948 MGM Records single; then sung in a Porter medley on the best-selling RCA Victor LP from 1957, "Lena Horne at the Waldorf Astoria", which has been reissued on CD by the Collectables label. See more »
When Manuela and Serafin first meet near the sea, the seam of the backdrop is visible. See more »
[standing by the noose]
Usually for our opening I perform a rope trick, but tonight under the circumstances, I will skip the rope.
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This film is an exciting offshoot of the old swashbucklers (with song and dance to boot). Consequently it has the adventurous, romantic elements of the old films as well as hilarious parodies of them. Garland sparkles -- she is spellbinding in the number Mack the Black. Kelly is in his prime and complements her beautifully, especially in the (rather one-sided) fight scene. Both Garland and Kelly grow out of their protagonist boundaries into character acting. Excellent dance numbers, especially Be A Clown with Kelly and the Nicholas Brothers.
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