Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate. Written by
R. Kessen <email@example.com>
When one dance sequence was being rehearsed, Harold Nicholas was just going through the motions, and Gene Kelly accused him of not knowing the routine - so Nicholas danced the whole routine, alone, full-out and flawlessly. Kelly was speechless. See more »
When Gene Kelly first shouts 'MACOCO' during the fight with Don Pedro, his mouth is wide open but he never moves it to make the third syllable of the word. See more »
[standing by the noose]
Usually for our opening I perform a rope trick, but tonight under the circumstances, I will skip the rope.
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Judy Garland may never have been so funny again (or had such a wonderfully over-the-top script to work with) as in "The Pirate." Her best scene by far comes toward the end, when she discovers that Gene Kelly is not the dashing pirate he's pretending to be. At first, she makes a great show of passion toward her "dream lover," but her temper soon snaps and Kelly is dodging everything from vases to chairs.
Kelly is also marvelous, both in his dancing and his comic delivery, which meshes perfectly with Garland's. My personal favorite: "Oh senorita, don't marry that pumpkin."
Not to be missed!
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