Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
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On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate. Written by
R. Kessen <email@example.com>
Upon completion of principal photography, MGM decreed the finished film's ending was unacceptable. Minnelli, confronted with re-writes, finding a new finale, took Gene Kelley's advice to conclude the film with a major musical number based upon "Be A Clown". When it seemed the movie was near completion, Madam Karinska had returned to New York, leaving Tom Keogh to finish and wrap production. Minnelli met with the costume sketch artist-illustrator Tom Keogh, Minnelli designing all the clown finale costumes. Although the Town Square stage set had been partially struck from the stage to the MGM scene dock, scenic parts were reassembled for re-staging the film's major town square setting, adding the new performance "Be A Clown" finale stage. Gene Kelly, working with the Nicholas Brothers, choreographed and staged the production sequence. Minnelli and his crew photographed the musical dance number, edited, and "The Pirate" finale was accepted by the studio's bosses. See more »
When Serafin is walking the tightrope to Manuela's balcony, the support wires can be seen. See more »
Gene Kelly and Judy Garland stepped into some mighty big shoes when they accepted the lead roles in The Pirate. On Broadway, The Pirate ran in the 1942-43 season for 177 performances and the shoes that Kelly and Garland were filling belonged to Alfred Lunt and Lynne Fontanne. True it's probably one of the lighter vehicles that Lunt and Fontanne ever did, still it might have been interesting to compare what they did with the snappy dialog of S.N. Behrmann.
Cole Porter signed on to write the score for this musical adaption of The Pirate. Porter had been in a creative dry spell for a few years, most notoriously he was associated with a flop musical based on Around The World In 80 Days, a couple of years back. Believe it or not, he was having trouble getting work in Hollywood and on Broadway when he signed with MGM for The Pirate.
According to the George Eells biography of Porter, it was Gene Kelly who asked Porter to write a clown number for him and Judy Garland. Porter responded with Be A Clown which turned out to be the hit of the film. The rest of the score is not top drawer Porter, but mediocre Cole Porter is better than most songwriters can come up with.
Judy Garland plays another starry eyed youngster in The Pirate which is set in the 18th century Caribbean. She's first seen reading what would later be called a dime novel about the legendary Makoko the Pirate. She's getting into an arranged marriage with the mayor of the town, staid and settled Walter Slezak. When a troupe of strolling players led by Gene Kelly come to town, under hypnosis she reveals that she longs to be the bride of Makoko. What's Gene Kelly to do, but pretend to be Makoko.
That's all well and good except that Walter Slezak is the real Makoko now just trying to live in peaceful obscurity away from the authorities who want to hang him. All this leads to some interesting complications that of course get all sorted out in the end.
Judy gets to do two ballads in her unmistakable style, Love Of My Life and You Can Do No Wrong. And she stars in a rousing production number where the proclaims her enchantment with the legendary Makoko in Mack The Black.
The film got a tepid response in 1948, it's given far better critical notice in retrospect. The Pirate was produced by MGM's legendary Arthur Freed and his unit and directed stylishly by Vincent Minnelli who was Judy Garland's husband at the time. Today's audiences would far better appreciate the combined wit of S.N. Behrmann and Cole Porter.
As for Porter, his next writing assignment would stop all talk of his going into decline. The following year Kiss Me Kate debuted on Broadway which was Porter's biggest critical and commercial success. No one ever said that score wasn't up to his usual standard.
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