In the art department of a large department store, the statue of the famed Anatolian Venus comes to life and falls in love with Eddie Hatch, a window trimmer. Just before the unveiling of the prized statue, Eddie takes "Venus" to the model-display house in the store, where the store's boss finds her. He, too, falls in love with her and makes her Glamour Girl Number One. Eddie and Venus dance in Central Park, but Eddie is arrested for stealing the statue. Venus goes back to her pedestal and Eddie is released. While Eddie is sadly preparing for another unveiling, a new employee asks him a question. She tells him her name is Venus Jones. Written by
Les Adams <firstname.lastname@example.org>
The planned 1945 filming was to be in Technicolor. See more »
[to the statue]
To Venus, the Goddess of Love! May she stay on the job and take care of all of us!
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Evidently a few characters' names were changed during production, causing serious contradictions in various sources' cast lists. Haymes's character is just plain "Joe" (no surname), but some sources grafted onto him the surname "Grant" from Arden's character! As if that weren't bad enough, poor Arden (addressed by various characters as "Molly Grant" consistently through the film) finds herself wrongly identified in some sources as "Molly Stewart" (which is never the surname she bears in the actual film). See more »
A very short and sweet version of the Kurt Weill musical play, omitting most of the songs. Ava Gardner plays the statue which comes to life after being kissed by window dresser Robert Walker, and crooner Dick Haymes is also in the cast, at least adding his pleasant voice to the proceedings.
Gardner is a lot of fun in this and certainly looks the part, although I have seen many reviews where she has been really slated. She gives Venus' a healthy dose of playful charm as she leads Walker astray and threatens his position within the firm. Walker himself is a little uncomfortable in this later roles would give him more range and opportunity to make an impression on the viewer.
Not all bad but the musical sequences seem heavy-handed in places, and with some voices dubbed and others not it just makes the songs sound a bit odd. Directed by William A Seiter, who had done musical comedies for RKO more than a decade earlier.
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