A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
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The Robinson family are spending two weeks of summer vacation at a resort in the Catskills. Older daughter Patti vies with her friend, Valeria, for the affections of Demi Armendez but Patti... See full summary »
A swim teacher and a wealthy businessman are married after a brief courtship. A charming war hero falls in love with this newly-married woman, after her husband abandons her on their honeymoon for the sake of a business meeting.
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A young navy lieutenant is brought in as techninical adviser on a song-dance-and-swim film being made by screen star Rosalind Reynolds. Having once done a number with her - and been kissed at the end - at a Forces show, the young lad somehow believes she should be his girl. Her boyfriend - and fellow co-star - is just one of those disagreeing. Written by
Jeremy Perkins <firstname.lastname@example.org>
Cyd Charisse completed the bulk of this film (most impressively in two romantic dance duets with Ricardo Montalban), then broke her leg during the filming of the big ceremonial dance, where the corps de ballet is in island native makeup. A double completed her scenes (shot at full length), but the injury kept her out of her next scheduled film, Easter Parade (1948). That role, which would've advanced her to fourth billing, went to Ann Miller, making her MGM debut. See more »
When Ricardo exits the plane into the water and runs to meet Roselynd, his pants go from being submerged in water to dry on land. See more »
As an Esther Williams fan -- read fanatic -- since I was a pre-adolescent, I have to admit that On an Island with You is one of a few of her films that misfires as entertainment.
Admittedly applying contemporary values to a light 56-year-old film, I can't get around the fact that there's something disturbing about the Peter Lawford character's obsession with, stalking of, and eventual kidnapping of the Williams character. This is romantic? Lawford's wooden acting is part of the problem -- more warmth might have mitigated the creepiness of the character's behavior.
I have read that Lawford disliked Williams and felt, despite his success in Good News, that he'd been forced into an uninteresting, secondary part in a movie that was clearly hers. That would explain the total absence of chemistry between them.
Redeeming elements: the Charisse-Montalban dance numbers and Cugat's music.
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