Indecisive heiress Dee Dee Dillwood is pushed into marrying her sixth fiancée, but unable to face the wedding night, she flees into the adjacent hotel room of commercial pilot Marvin Payne,... See full summary »
Playwright Gaylord Esterbrook scores a hit with his first Broadway play, both with the critics and with leading lady Linda Paige. He and Linda are happily married until a patroness of the ... See full summary »
Jimmy, the owner of a failed music shop, goes to work with his uncle, the owner of a food factory. Before he gets there, he befriends an Irish family who happens to be his uncle's worst ... See full summary »
Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him? Written by
As already stated, "A Miracle Can Happen" was the original title of this film. It consisted of three short stories (about 20-25 minutes each) linked by the Burgess Meredith character. He played a reporter looking for a good scoop and in the second sequence Charles Laughton played a bible-reading minister. However, the powers-that-be decided to drop this 'religious' story altogether and it was replaced by a more comic one featuring Dorothy Lamour. The film in this new version was then re-titled "On Our Merry Way." However, prints of the original film had already been sent abroad for dubbing. In Spain, "A Miracle Can Happen" became "Una Encuesta Llamada Milagro", complete with the original Laughton sequence intact (but of course without the alternative Dorothy Lamour story). As it has been released on DVD there, and retains the English-language soundtrack, the movie can now been seen as it was originally intended. See more »
This three-vignettes-in-a-frame movie is not all bad. Indeed, the first segment features Henry Fonda and James Stewart in a brilliant comic pas de deux which leaves you wondering why they didn't become a cinematic pair. Given that the plot-ette they work with is unremarkable, their joint performance is even more of a miracle and a treat. Also fun is the little jazz score, which features not only Stewart doing his own tasteful piano comping, but also a guest appearance by Harry James, who not only provides the behind-the scenes music of the trumpet-playing "babe" but actually puts his mug in as well.
The second story is a bit weaker, though Dorothy Lamour does a song and dance number that sends up contemporary Hollywood clichés in a wittily sophisticated manner.
The last sequence, however, is truly lame: the pacing is slow and all the actors (especially child actor David Whorf) are annoying. The zany Hugh Herbert nicely finesses a small role but his little performance can't save the segment.
The frame itself is also uninspired, but not so deadly that it drags the film down.
Had the last two segments been as marvelous as the first, this entire movie would have been a classic. But in any case, you simply must see it for the Steward-Fonda collaboration. They command the film from the moment the camera turns on them and never disappoint.
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