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On Our Merry Way (1948)

 -  Comedy | Music  -  June 1948 (USA)
6.0
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Ratings: 6.0/10 from 406 users  
Reviews: 12 user | 3 critic

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests,... See full summary »

Writers:

(screenplay), (screenplay), 2 more credits »
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Edit

Cast

Cast overview, first billed only:
...
...
Slim
...
Lank Solsky
...
Gloria Manners
...
Al
...
Oliver M. Pease
Victor Moore ...
Ashton Carrington
...
...
Floyd
...
Eli Hobbs
Eduardo Ciannelli ...
Maxim
Charles D. Brown ...
Mr. Sadd
Dorothy Ford ...
Lola Maxim
...
Leopold 'Zoot' Wirtz (as Carl Switzer)
Eilene Janssen ...
Peggy Thorndyke
Edit

Storyline

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

She's the queen of a Hollywood tong - and a queen, friends, can do nothing wrong! Her public she serves By displaying those curves..She's a miracle in a sarong! (original print ad) See more »

Genres:

Comedy | Music

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

June 1948 (USA)  »

Also Known As:

A Miracle Can Happen  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (re-edited)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Charles Laughton portrayed a minister in one sequence which, because of its dramatic tone in an otherwise frothy comedy, wound up on the cutting room floor. Mr. Laughton's segment was replaced with a parody of Dorothy Lamour's South Seas movie epics. Independent producer David O. Selznick offered to buy the film in order to issue the Laughton sequence as a short, scrapping the rest of the picture. Selznick's plan was rejected by producer Benedict Bogeaus and producer-star Burgess Meredith. See more »

Connections

Featured in Henry Fonda: The Man and His Movies (1982) See more »

Soundtracks

You Must Have Been a Beautiful Baby
(uncredited)
Music by Harry Warren
Heard as a Harry James instrumental on a jukebox
See more »

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User Reviews

 
Worth a look
24 June 2007 | by (Crozet, VA) – See all my reviews

This three-vignettes-in-a-frame movie is not all bad. Indeed, the first segment features Henry Fonda and James Stewart in a brilliant comic pas de deux which leaves you wondering why they didn't become a cinematic pair. Given that the plot-ette they work with is unremarkable, their joint performance is even more of a miracle and a treat. Also fun is the little jazz score, which features not only Stewart doing his own tasteful piano comping, but also a guest appearance by Harry James, who not only provides the behind-the scenes music of the trumpet-playing "babe" but actually puts his mug in as well.

The second story is a bit weaker, though Dorothy Lamour does a song and dance number that sends up contemporary Hollywood clichés in a wittily sophisticated manner.

The last sequence, however, is truly lame: the pacing is slow and all the actors (especially child actor David Whorf) are annoying. The zany Hugh Herbert nicely finesses a small role but his little performance can't save the segment.

The frame itself is also uninspired, but not so deadly that it drags the film down.

Had the last two segments been as marvelous as the first, this entire movie would have been a classic. But in any case, you simply must see it for the Steward-Fonda collaboration. They command the film from the moment the camera turns on them and never disappoint.


5 of 7 people found this review helpful.  Was this review helpful to you?

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