Based on the Charles Dickens novel Oliver Twist is about an orphan boy who runs away from a workhouse and meets a pickpocket on the streets of London. Oliver is taken in by the pickpocket ... See full summary »
Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in ... See full summary »
James A. Marcus,
Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the ... See full summary »
Henry Hobson runs a successful bootmaker's shop in nineteenth-century Salford. A widower with a weakness for the pub opposite, he tries forcefully to run the lives of his three unruly ... See full summary »
Brenda de Banzie
Based on the Charles Dickens novel Oliver Twist is about an orphan boy who runs away from a workhouse and meets a pickpocket on the streets of London. Oliver is taken in by the pickpocket and he joins a household of young boys who are trained to steal for their master. This version of Oliver Twist is topped by Alec Guinness's masterly performance of arch-thug Fagin. Written by
Jenny Evans <J.Evans@uts.edu.au>
Still the most Dickensian of all the Oliver Twist films David Lean's inspired version, never the less is much indebted in its style to the German Expressionist Cinema. It's London is more related to Fritz Lang than Victorian England but the spirit of Dickens is alive and well in the accurately drawn caricatures from the novel. Outstanding performances by Francis J. Sullivan as ridiculous Mr. Bumble, Alec Guiness's chillingly evil Fagin despite a badly judged nose job, and the eye boggling twitching Robert Newton as the ferocious Bill Sykes. Even his dog trembles at his temper, in fact the dog is a major actor in this version.
John Newton Howard is a rather angelic Oliver, with a more refined delivery than one would have expected from a workhouse background. But it all goes decidedly well thanks to Lean's superb direction, stunning images, clever editing and a sterling cast. Viewed today so many years after it was filmed it remains the most vivid and Gothic recreation of the story. Probably Charles Dickens would approve. The heroic length recent version by Roman Polanski is generally faithful to the novel but lacks the pizazz and humour that is in Dicken's writing. David Lean made only two excursions into Dickens (Oliver Twist and Great Expectations) both milestones in cinema. One can but wonder how well he may have brought Bleak House or Our Mutual Friend to the screen.
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