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The Silk Noose (1948)

Noose (original title)
Approved | | Crime, Drama | 19 July 1950 (USA)
Sugiani, a black-market racketeer in London, following World War II, is amassing a vast fortune until Linda Medbury, an American newspaper reporter, learns about him and his operation. She ... See full summary »


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Cast overview, first billed only:
Derek Farr ...
Capt. Jumbo Hyde
Insp. Kendall
Nigel Patrick ...
Bar Gorman
Ruth Nixon ...
Annie Foss
Carol van Derman ...
Mercia Lane (as Carol Van Derman)
John Slater ...
Pudd'n Bason
Leslie Bradley ...
Reginald Tate ...
Edward Rigby ...
John Salew ...
Greasy Anderson
Robert Adair ...
Sgt. Brooks
Hay Petrie ...
Uriel Porter ...


Sugiani, a black-market racketeer in London, following World War II, is amassing a vast fortune until Linda Medbury, an American newspaper reporter, learns about him and his operation. She wages a crusade against Sugiani, and enlists the aid of her fiancée, 'Jumbo' Hyde, a former British Commando captain. Sugiania tries to buy her off but fails, and then threatens her life. Linda and Hyde get a gymnasium operator to lend them some fighter to storm Sugiani's headquarters. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis


Crime | Drama


Approved | See all certifications »




Release Date:

19 July 1950 (USA)  »

Also Known As:

The Silk Noose  »

Company Credits

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Technical Specs


Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Carol van Derman receives an "introducing" credit. See more »


Symphony No. 8 in B minor (Unfinished)
Music by Franz Schubert
Arranged by William H. Myddleton
See more »

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User Reviews

Little known, but excellent British film noir
17 January 2012 | by (United States) – See all my reviews

Note: this is a review for the full-length UK version of this film entitled NOOSE.

It is always a pleasure to see a film noir that is not only entertaining, artistically satisfying and a little off-beat, but one that is little heard of. NOOSE, a British film from 1948, has many of the visual and plot elements of the American crime dramas made in the forties, and this one even features, unexpectedly, two American stars, Carole Landis and Joseph Calleia. Landis is a fashion reporter who, after getting a story from a girl who is later murdered, wants to get the goods on the man responsible for her death, a notorious and powerful black marketeer, even when she learns that it will entail personal danger to her. She is supported by her newly demobbed fiancé, who enlists a gang of toughs from the local gym to try to bring down the racketeer's empire. Quite a ride from here. --- The story was based on a play by Richard Llewellyn (noted for HOW GREEN WAS MY VALLEY), but it betrays little of its non-cinematic origins. Director Edmond Greville (a French-English director who began his career working with Abel Gance and ended it with the sleaze classic BEAT GIRL) lends the film considerable artistic flare -- the staging and camera angles will often surprise you; so much so that you sometimes believe you are watching an auteur film. Music is by the great Charles Williams (Dream of Olwen, Theme from the APARTMENT) and adds to the film. The cast is a standout, even though it occasionally seems to work to cross purposes. Carole Landis, who made her last two films in England, was not only an actress, but a singer, USO trouper, and baseball fan (her name came from Commissioner Kennesaw Mountain Landis!). Her career was lamentable spotty and her personal life a disaster, but she was a delight and it is a pity that shortly after this film she supposedly committed suicide (or, as some believe, was done in or something by her married boyfriend Rex Harrison.) Here she is vivacious and gives a performance well beyond that of the usual wise-cracking girl reporter. Derek Farr, always competent, seems bland by comparison and their pairing seems odd -- but the War did produce some odd couples. Joseph Calleia, originally Maltese, was a fixture in Hollywood during the forties and early fifties playing villains in gangster pictures and Westerns. As the kingpin black marketeer of foreign extraction he is simply superb, a performance Edward G. could not have bettered. Rivaling him for film time and stealing all his scenes, though, is Nigel Patrick as the flamboyant Cockney spiv who works for him. Stanley Holloway, known for comedic parts (LAVENDER HILL MOB, MY FAIR LADY) has an unusual dramatic turn as a policeman. --- This film is intriguing and eminently worth seeing, probably more than once, although, on the negative side, it is marred by an unevenness in tone, inconsistent pacing, and editing that disrupts the smooth telling of the story. -- also a few loose ends, such as what was the significance of Carole's character constantly taking her shoes off? Nevertheless, highly recommended for film noir fans!

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Quite sexy for its time hootson21
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