Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran investigate. Suspicion falls on various shifty characters who all prove to have some connection with a string of apartment burglaries. Then a burglar is found dead who once had an elusive partner named Willie. The climax is a very rapid manhunt sequence. Filmed entirely on location in New York City. Written by
Rod Crawford <email@example.com>
The basic plot of the film was the basis of a case players can solve in the video game, L.A. Noire, released on May 17, 2011 by Rockstar Games. In the game, the story is moved to 1940's Los Angeles. See more »
During the end pursuit, Garzah walks past a plump, dark-haired lady in a floral dress, pushing a baby in a stroller. As Donahue pursues in a following scene, he passes the same woman, now walking without her baby carriage and her left hand bandaged. See more »
What can you tell me about Mr. Niles' Business?
He ain't got a business. It's a dodge. No credit rating. Dropped from his university club for non-payment of dues. Still owes a food and liquor bill of hundred and ten dollars and eighty three cents.
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The opening credits are spoken by producer/narrator Mark Hellinger. No credits are seen on the screen. See more »
The merging of Film Noir with a realistic police drama
This film is in many ways a good example of Film Noir--since it portrays a murder and its investigation, has a classic Noir-style ending and has some very "dark" story elements. However, unlike traditional Film Noir, the dialog and lighting are much more like a traditional film--less snappy dialog and more of an emphasis on conventional police work. This is NOT really a bad thing, as the film still was very entertaining but with a lighter and almost documentary feel to it and with a greater emphasis on the police work instead of on the sleazy Noir villains. In fact, since the film focused on the police and the day to day aspects of the investigation, it helped to usher in a style of film making that would be very popular in the 1950s on TV and in theaters (such as the show DRAGNET or the movie HE WALKED BY NIGHT).
The film itself stars Barry Fitzgerald. This is a VERY unusual casting decision but it did work very well. Normally, Fitzgerald is known for cute supporting roles, like the ones he played in GOING MY WAY and THE QUIET MAN. Here, however, he's a detective who coordinates the investigation. I liked it this way because he was far from the macho cop but more like a REAL policeman--experienced, smart and not about to resort to a fist fight with his foes--avoiding the usual movie clichés to say the least! In addition, the rest of the cast also seem more like real policemen when compared to other films of the time. The criminals, likewise, seem real and aren't obviously "bad" like they usually are in crime films--again a big plus.
So overall, this is a very realistic and engaging crime film with elements of Noir but certainly NOT the traditional style for the genre (the familiar Noir dialog, lighting, film angles, femme fatales, etc. are missing because they wouldn't be appropriate). It may disappoint some die-hard Noir fans, but for me it was quite acceptable and a good change of pace.
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