Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran investigate. Suspicion falls on various shifty characters who all prove to have some connection with a string of apartment burglaries. Then a burglar is found dead who once had an elusive partner named Willie. The climax is a very rapid manhunt sequence. Filmed entirely on location in New York City. Written by
Rod Crawford <firstname.lastname@example.org>
Most of the street scenes were shot on location in New York without the public's knowledge. Photographer William H. Daniels and his uncredited assistant Roy Tripp filmed people on the streets using a hidden camera from the back of an old moving van. Occasionally, a fake newsstand with a hidden camera inside was also set up on the sidewalk to secretly film the actors. Director Jules Dassin hired a juggler to distract the crowds, and also hired a man to occasionally climb up on a light post and give a patriotic speech, while waving an American flag to get the crowd's attention. See more »
Halloran gets his suit wet wile walking past an open hydrant, but it is dried by the time he gets into the house. See more »
After Niles has been rifling through his valise apparently to check whether a supposed burglar has struck: "He got it didn't they?
Looking crestfallen: "No, there's nothing missing. I don't have any valuables".
Suspiciously: "What were you looking for so hard just now - your BVD's?"
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The opening credits are spoken by producer/narrator Mark Hellinger. No credits are seen on the screen. See more »
In an era when everything was recreated on a Hollywood set, or filmed on their back lots, "Naked City" was different and daring - it was shot on the streets of New York City, and the grittiness and realism was palpable. Detectives have to investigate the murder of a young woman, and scene by scene we are absorbed. The way Barry Fitzgerald as the lieutenant breaks done and rips open Howard Duff is especially memorable, as is the scene of the two parents of the dead girl breaking down. This film is marvelously constructed scene by scene. The performances are standouts, and look for a host of New York actors appearing in uncredited roles: James Gregory, Molly Picon (a giant of Yiddish theatre), David Opatashu (also of the Yiddish theater), Paul Ford, Arthur O'Connell, and others. Ted DeCorsia is great as the villain; catch his other roles.
"Detective Story" (see review) came out three years later and in its squad room dialogue has more in common with "NYPD Blue" than "Naked City" the movie, but for the realism of the streets and even cinema verite feel, nothing tops "Naked City". And soon a highly successful TV series was named after it. Highly recommended. You'll feel like you're back in New York City in the 1940's!
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