Danny is being despised by his schoolmates because his father was accused to have killed another man and is condemned to the death penalty.

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(screenplay) (as Charles Haas), (novel)
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Cast

Cast overview, first billed only:
...
...
...
Grandma
...
Sheriff Clem Otis
...
Mose
...
Billy Scripture (as Henry Morgan)
David Street ...
Selena Royle ...
Aunt Jessie
...
Jimmy Biff
Irving Bacon ...
Judd Jenkins
...
Jerry Sykes
Houseley Stevenson ...
Uncle Joe Jingle
Phil Brown ...
Elmer - Soda Jerk
Harry Cheshire ...
J.B. Sykes (as Harry V. Cheshire)
...
Julie
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Storyline

Danny Hawkins, who lives in a psychological shadow because his father died by a hangman's noose, accidentally kills a man in a fight over a girl, Gilly Johnson, and is afraid to notify the police. He wins the love of the girl but when she tries to influence him to admit his guilt, he runs away. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

HER ARMS...HER LOVE...HIS ONLY ESCAPE FROM A HERITAGE OF HATE! (original poster -all caps)


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

1 October 1948 (USA)  »

Also Known As:

Frank Borzage's Moonrise  »

Box Office

Budget:

$849,452 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Burt Lancaster had been considered for the male lead. See more »

Quotes

Sheriff Clem Otis: Sure is remarkable how dying can make a saint of a man.
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Soundtracks

Lonesome
Lyrics by Theodore Strauss
Music by William Lava
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User Reviews

 
What I did was resign from the human race.
9 November 2009 | by (United Kingdom) – See all my reviews

Directed by Frank Borzage and adapted from the novel by Theodore Strauss, Moonrise sees Dane Clark playing Danny Hawkins, the son of a man who was hanged for his crimes. Tormented by his father's past and bullied about it as a child, Hawkins grows into a confused and resentful man. Striking out at anyone foolish enough to cross his fractured state of mind, tragedy is quick to strike, sending Hawkins deep into the Southern mire. Can solace come in the form of Gilly Johnson? {Gail Russell} or is it simply too late to rejoin the human race?.

We open with a hazy reflection that merges into the feet of walking men, men walking to the gallows as Danny Hawkins' father is hanged. The mood is well and truly set for Borzage's dreamy Film-Noir. It's something of an oddity in many ways for it most assuredly is Film-Noir, certainly in texture and on the technical issues it is, yet an overtly poetic heart and a distinctly less than broody ending almost steer it to being fanciful fluff. Borzage and his cinematographer, John L. Russell {in one of his first prominent assignments}, do wonders with the atmosphere of the piece. Set in the steamy South, shadows and darkness are a constant and rewarding part of proceedings, while swinging lights and conversations filmed at midriffs further enhance the skew whiff state of Dane Clark's protagonist. Also of note is that some scenes showcase why Borzage was rightly held in high regard back in the day, a Ferris Wheel, a car crash and a Racoon tree top sequence {that upset and engrossed me simultaneously} are just some of the reasons why this is a must see for Borzage enthusiasts.

Coming as it does out of the Republic Pictures house of B moviedom, it's natural to expect some low budgetary issues. However, this is a splendid production belying its B movie worth. The cast are fine, with Clark particularly doing well as his character battles with anger and warmth issues, and the sets and location work are effective and benefit the story greatly. Thankfully, and even tho it has no restoration, the picture quality is very good, the sound mix is a bit down at times, but by and large this one has transfered well to prints being shown on British TV. With a support cast containing Ethel Barrymore, Allyn Joslyn {excellent}, Henry Morgan, Harry Carey Jr and a brief Lloyd Bridges, this is a recommended film of course. But I can't, and will not, vouch for the ending appeasing all comers. 7/10


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