Money Madness (1948)

User Rating:

5.7/10   

Director:

Sam Newfield

Writer:

Al Martin (writer)

Release Date:

15 April 1948 (USA)

Genre:

Mystery

Tagline:

Marked as a killer!

Plot:

A murderous bank robber on the run from the law hides out in a small town, where he gets a job as a cab driver...

Plot Keywords:

Murder

Cast

Hugh Beaumont	...	Steve Clark
Frances Rafferty	...	Julie
Harlan Warde	...	Donald
Cecil Weston	...	Cora
Ida Moore	...	Mrs. Ferguson
Danny Morton	...	Rogers
Joel Friedkin	...	Mr. Wagner
Lane Chandler	...	Policeman

Runtime:

73 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Company:

Sigmund Neufeld Productions

Low-end Poverty Row programmer showcases Hugh Beaumont at his sleaziest

A starvation-budget noir riddled with implausibilities, Money Madness might have been a better movie given a snappier script and an inventive director. That said, it's not that bad. We open in a courtroom where a young woman (Frances Rafferty) is being sentenced; rushing to a phone booth, a reporter tells his rewrite man 'You never know what'll come in on the noon bus.'

Next, the noon bus pulls in, disgorging Hugh Beaumont (it's not entirely clear until the end of the movie that we're now in flashback). In his satchel is $200,000, loot from a bank robbery. But he takes a crummy room and gets a job driving a hack. Picking up some fares one night, he encounters Rafferty, out on a bad date. He either falls for her or sees in her his opportunity.

Rafferty lives in a stuffy old mausoleum on the charity of her crabby old aunt (Cecil – sometimes Cecile – Weston). Beaumont hatches a plan to bump the old witch off, marry Rafferty and say his money was stashed up in the attic of the house. He forges ahead despite Rafferty's reservations by dint of cajolery and intimidation. All unfolds according to plan, but for the fact that Rafferty's lawyer (Harlan Warde) takes a shine to her as well...

Before hitting the big time of '50s TV, Beaumont appeared in dozens of Poverty Row pictures (often, as here, starring). He was never memorable but, like the movie, he wasn't too bad, either. In fact, he's rather effective as the manipulative, controlling bastard (who may be a little bit mad). The movie, though, relies too optimistically on convenient coincidences (when the landlady of Beaumont's rooming house finds Warde rifling his quarters, she calls Rafferty's house to issue an alert. How did she know where to find him?) Money Madness' place in the alphabet is considerably south of B, but it's not quite into the letters that get the highest points in scrabble, either.