| Bud Abbott | ... | Harry Lambert | |
| Lou Costello | ... | Joe Bascom / Humphrey Fish | |
| Virginia Grey | ... | Montana the Bullfighter / Mary | |
| Luba Malina | ... | Dagmar | |
| John Hubbard | ... | David Winthrop, American Embassy | |
| Pedro de Cordoba | ... | Señor Martinez | |
| Fritz Feld | ... | Professor Ganzmeyer | |
| Tom Powers | ... | Plainclothesman Ed Mason | |
| Pat Costello | ... | Plainclothesman Tim Williams | |
| Frank Fenton | ... | Gus Adamson | |
| Chris-Pin Martin | ... | Mariachi Leader (as Chris Pin Martin) | |
| Sid Fields | ... | AP reporter (as Sidney Fields) | |
| Flores Brothers Trio | ... | Musicians Playing 'Is It Yes, or Is It No?' | |
| rest of cast listed alphabetically: | |||
| Patricia Alphin | ... | Minor Role (uncredited) | |
| Salvador Baguez | ... | Minor Role (uncredited) | |
| Bobby Barber | ... | Minor Role (uncredited) | |
| Mary Brewer | ... | Girl (uncredited) | |
| Harry Brown | ... | Businessman (uncredited) | |
| Argentina Brunetti | ... | Indian Woman (uncredited) | |
| Marjorie L. Carver | ... | Girl (uncredited) | |
| Lucille Casey | ... | Girl (uncredited) | |
| Mary Castle | ... | Girl (uncredited) | |
| Toni Castle | ... | Girl (uncredited) | |
| Ben Chavez | ... | Magician (uncredited) | |
| Lorraine Crawford | ... | Girl (uncredited) | |
| Amapola Del Vando | ... | Minor Role (uncredited) | |
| Joe Dominguez | ... | Taxco Artist (uncredited) | |
| William Elias | ... | Mexican Boy (uncredited) | |
| Robert Ellis | ... | Mexican Boy (uncredited) | |
| Lalo Encinas | ... | Mexican Man (uncredited) | |
| Rudy Germaine | ... | Man (uncredited) | |
| Yolanda González | ... | Girl (uncredited) | |
| Fred Hoose | ... | Businessman (uncredited) | |
| Reed Howes | ... | Man (uncredited) | |
| Eddie Kane | ... | Mr. Clarke, Mine Buyer (uncredited) | |
| Joe Kirk | ... | Second Businessman (uncredited) | |
| Caroline Lopez | ... | Mexican Girl (uncredited) | |
| Rose Mary Lopez | ... | Mexican Child (uncredited) | |
| Bob Lugo | ... | Man (uncredited) | |
| Donna Martell | ... | Girl (uncredited) | |
| George Mendoza | ... | Photographer (uncredited) | |
| Charles Miller | ... | Mr. Lewis (uncredited) | |
| Hans Moebus | ... | Man (uncredited) | |
| Alex Montoya | ... | Man (uncredited) | |
| Julia Montoya | ... | Woman (uncredited) | |
| Sol Murgi | ... | Man (uncredited) | |
| Alfonso Pedroza | ... | Mexican Man (uncredited) | |
| Karen Randle | ... | Girl (uncredited) | |
| Pedro Regas | ... | Proprietor (uncredited) | |
| Martin Richards | ... | Boy (uncredited) | |
| Suzanne Ridgeway | ... | Artist's Model (uncredited) | |
| Charles Rivero | ... | Ticket Taker at Bullfight (uncredited) | |
| Julian Rivero | ... | Policeman at Ticket Seller's Booth (uncredited) | |
| Tony Roux | ... | Blanket Weaver (uncredited) | |
| Cosmo Sardo | ... | Headwaiter (uncredited) | |
| Earl Spainard | ... | Bellboy (uncredited) | |
| John Sylvester | ... | Man (uncredited) | |
| Felipe Turich | ... | Taxco Silver Dealer (uncredited) | |
| Kippee Valez | ... | Girl (uncredited) | |
| Roque Ybarra | ... | Taxco Blanket Weaver (uncredited) | |
Directed by | |||
| Charles Barton | (as Charles T. Barton) | ||
Writing credits | ||
| Herbert Fields | (play) and | |
| Dorothy Fields | (play) | |
| Oscar Brodney | (screenplay) and | |
| John Grant | (screenplay) | |
| Monte Brice | uncredited | |
| Sid Fields | uncredited | |
Produced by | |||
| Robert Arthur | .... | producer | |
Original Music by | |||
| Walter Scharf | (uncredited) | ||
Cinematography by | |||
| Charles Van Enger | |||
Film Editing by | |||
| Frank Gross | |||
Art Direction by | |||
| John DeCuir | (as John F. DeCuir) | ||
| Bernard Herzbrun | |||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
| Russell A. Gausman | |||
Costume Design by | |||
| Yvonne Wood | |||
Makeup Department | |||
| Carmen Dirigo | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Layne Britton | .... | makeup artist (uncredited) | |
| Russell Drake | .... | makeup artist (uncredited) | |
| Merle Reeves | .... | hair stylist (uncredited) | |
Production Management | |||
| Henry Spitz | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles M. Bennett | .... | assistant director (uncredited) | |
| Ralph Ceder | .... | second unit director (uncredited) | |
| Joseph E. Kenney | .... | assistant director (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
Special Effects by | |||
| David S. Horsley | .... | special photography (as David Horsley) | |
Camera and Electrical Department | |||
| Fred Buckley | .... | grip (uncredited) | |
| James V. King | .... | camera operator (uncredited) | |
| Bill Wallace | .... | still photographer (uncredited) | |
| Lloyd Ward | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Eugene Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Walter Scharf | .... | conductor | |
| Walter Scharf | .... | music arranger | |
| Daniele Amfitheatrof | .... | composer: stock music (uncredited) | |
| Johnny Green | .... | composer: stock music (uncredited) | |
| Milton Rosen | .... | composer: stock music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Walter Schumann | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
| Leith Stevens | .... | composer: stock music (uncredited) | |
Other crew | |||
| Eugene Loring | .... | dance director | |
| Michael Todd | .... | stage producer | |
| Betty A. Griffin | .... | script supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
**1/2 out of ****
An Abbott and Costello movie that comes off as something of a misfire, especially following right after the great ABBOTT & COSTELLO MEET FRANKENSTEIN, often considered one of their very best. Based on a play, this story is sort of awkward in the realm of Bud and Lou misadventures. We have Costello as a fugitive who's just won a contest where he danced a samba for 68 hours, and is now pursued by the police to Mexico. Of course, it's not poor Lou's fault; he was swindled by the character played by Abbott, and Costello needs to catch up with Bud and get his money back, and clear himself.
Naturally we get some gags here and there, but they're not among the comedy duo's finest. One running joke that really gets boring after the first couple of tries is Lou uncontrollably conditioned to dance the samba from force of habit, whenever hearing the music played. Another routine has Lou confronting a wild bull in an arena (what else would you expect in a Mexican comedy?). There are a couple of humorous scenes with assistance from guest stars like Fritz Feld (who attempts to teach Costello how to speak properly), and my personal favorite involving Sidney Fields as a fast-talking interviewer who won't let Lou get a word in edge-wise (Fields would later go on to play A&C's landlord on their TV show).
Lou's brother Pat Costello has a steady role here as one of the cops constantly trailing Lou. He'd made brief appearances in other movies and often as Lou's stunt double, but Pat is pretty much a wooden Indian throughout.